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On the Courthouse Lawn: Confronting the Legacy of Lynching in the Twenty-first Century

par Sherrilyn A. Ifill

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Nearly 5,000 black Americans were lynched between 1890 and 1960. Over forty years later, Sherrilyn Ifill's On the Courthouse Lawn examines the numerous ways that this racial trauma still resounds across the United States. While the lynchings and their immediate aftermath were devastating, the little-known contemporary consequences, such as the marginalization of political and economic development for black Americans, are equally pernicious. On the Courthouse Lawn investigates how the lynchings implicated average white citizens, some of whom actively participated in the violence while many others witnessed the lynchings but did nothing to stop them. Ifill observes that this history of complicity has become embedded in the social and cultural fabric of local communities, who either supported, condoned, or ignored the violence. She traces the lingering effects of two lynchings in Maryland to illustrate how ubiquitous this history is and issues a clarion call for American communities with histories of racial violence to be proactive in facing this legacy today. Inspired by South Africa's Truth and Reconciliation Commission, as well as by techniques of restorative justice, Ifill provides concrete ideas to help communities heal, including placing gravestones on the unmarked burial sites of lynching victims, issuing public apologies, establishing mandatory school programs on the local history of lynching, financially compensating those whose family homes or businesses were destroyed in the aftermath of lynching, and creating commemorative public spaces. Because the contemporary effects of racial violence are experienced most intensely in local communities, Ifill argues that reconciliation and reparation efforts must also be locally based in order to bring both black and white Americans together in an efficacious dialogue. A landmark book, On the Courthouse Lawn is a much-needed and urgent road map for communities finally confronting lynching's long shadow by embracing pragmatic reconciliation and reparation efforts.… (plus d'informations)
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This book emphasizes the gruesome details about a few lynchings that took place on Maryland's Eastern Shore. I read it because a local Unitarian Universalist congregation will be discussing it this summer.

The author maintains that these lynchings have a pervasive effect on current racial relations and recommends reconciliation efforts in the affected communities. It's hard to grasp how people who are "come-heres" to the Eastern Shore can connect to these efforts to improve racial relations. Perhaps just acknowledging the horror and injustices will be healing.

I did find the book somewhat confusing while it is definitely thought-provoking. ( )
  ReluctantTechie | May 20, 2021 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
On the Courthouse Lawn: Confronting the Legacy of Lynching in the 21st Century is a ten year anniversary reissue by Sherrilyn A Ifill. This powerful book uses the Maryland Eastern Shore lynchings in the 1930s, and subsequent racial issues in the area, as a central point and example of what the legacy of lynching is and how we can begin to heal both ourselves and our country.

The horrific details of what transpired on the eastern shore is made even more horrifying when we realize that this took place in many, many small towns as well as cities throughout the south and the rest of the country. While reading this, I spoke with a couple of old friends whose families were many generations rural south. One thing stood out to me, they claimed to agree that it was horrible but also made it sound like it was simply usually just a case of justice served outside the legal system and that they were "simply hangings," as if the people were walked to the gallows and then hung. It appears that many don't think of it as terrorism or each event as something far more than simply a hanging. These were events that brought out the whites, entire families, as the victim was tortured, paraded, and, once lynched, displayed. It was done to send a message and maintain a power imbalance through terror. It was terrorism.

That terrorism was so effective that it is still felt today. Ifill's account is one of the clearest of how this coordinated terrorism perpetrated by the vast majority of whites in the rural south still has an impact. I won't try to paraphrase her explanation and examples but I recommend you read it.

Her proposal for a Truth and Reconciliation Commission approach is both workable and necessary. One aspect I know I often lose sight of when thinking about change is the need for reconciliation to begin at the local level. Communities all across the US need to begin some form of TRC work. The word reparation is often used, and those who usually speak up first in opposition often think this means money and property always and exclusively. Ifill shows how the erection of a memorial to Frederick Douglass could have been used as an opportunity to open discussion and serve as a form of reparation. Instead, there was a long fight over whether, where, and how it could be built. While certainly a step forward, it could have been a bigger step and served to bring the communities, black and white, together rather than remain split and wary of each other.

I recommend this to anyone who cares at all about striving for healing in our country. Looking back and understanding how that past is with us today is necessary. This book goes a long way toward opening that conversation. Or more importantly, many of those conversations throughout the country.

Reviewed from a copy made available by the publisher via LibraryThing Early Reviewers. ( )
  pomo58 | May 27, 2019 |
Everything happens somewhere.

In 1933, in the small town of Princess Anne on the Lower Eastern Shore of the state of Maryland, hundreds of local citizens stormed the county jail, seizing and stabbing George Armwood (a black man accused of attacking a white woman) before dragging him down the stairs, his head thumping on every step. The crowd outside joined in kicking, punching, and mutilating the body of the unconscious man. Insensate but probably still alive, Armwood was then dragged through the streets, hung from a tree, and beaten with sticks. The white mob then carried Armwood’s body to the corner of Prince and William streets, drenched him in gasoline, and set him on fire. His charred body was displayed, for more than a day, in a lumberyard near the Washington Hotel.

As Sherrlyn Ifill reports, “Black residents, particularly children on their way to school, saw Armwood’s body as it lay in the lumberyard on that Thursday morning.” Seventy years later, one of those children recalled the day, saying “What could you do? You went on to school.”

I have walked down Prince and William streets. I know well the white facade of the self-consciously historical Washington Hotel, which architecturally asserts pride in its continuity with the past. I wonder if that’s the same lumberyard, just across the alley. The first time I walked through the town, the nearest to the rural property to which I had just moved, I felt decidedly uneasy. Something about the forced and not nearly successful historical charm created an atmosphere of smothering silence. Without knowing anything of the incident just recounted, I said to my companion, “Something awful happened here.” For some reason, I felt compelled to whisper.

We often use the word “unspeakable” when we cannot find words to explain or express our repugnance for extreme or sexualized violence. But the word is literally true for lynching, as the details of these community orgies tend to become literally unspeakable in the public spaces where they actually happened, with white perpetrators and eye-witnesses pretending innocent unawareness and black community members not daring to speak of what they know except to each other.

And yet the howls of the mobs and the cut-off cries of their victims reverberate for generations, perhaps even more strongly because they are neither voiced nor acknowledged in the public life of the community. In On the Courthouse Lawn: Confronting the Legacy of Twenty-First Century Lynching, law professor Sherrilyn Ifill traces the reverberations of late-date lynchings in three Eastern Shore communities, thereby doing a real service to those communities while at the same time demonstrating her thesis that, because every lynching was a local act, perpetrated by local whites in order to terrorize local people of color, only truly local restorative justice processes — whether these include conversations, reparations, or public commemorations — can begin to mitigate the ongoing damage.

Ifill writes with remarkable empathy and emotional insight for one whose training is in law rather than psychology. Her words ring true for me both as a psychologist and as a white anti-racist activist who stumbled unwittingly into what felt like a race-relations time-warp when moving to the Eastern Shore. Her depictions and explanations of both the prideful insularity of local whites and the especially deep distrust of whites by local African Americans helped me to retroactively understand dynamics that, as an outsider to both communities, I could perceive but not explain. She’s undoubtedly right that such local injuries cannot be healed by “national conversations” or other non-local remedies.

Everything happens somewhere. Every one of the almost five thousand lynchings perpetrated in the United States between 1885 and 1960 happened somewhere in particular and probably still resonates, in its own particular way, in that particular place. Ifill offers a strategy for healing places.

Reviewed by pattrice jones ( )
  PoliticalMediaReview | Aug 4, 2009 |
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Nearly 5,000 black Americans were lynched between 1890 and 1960. Over forty years later, Sherrilyn Ifill's On the Courthouse Lawn examines the numerous ways that this racial trauma still resounds across the United States. While the lynchings and their immediate aftermath were devastating, the little-known contemporary consequences, such as the marginalization of political and economic development for black Americans, are equally pernicious. On the Courthouse Lawn investigates how the lynchings implicated average white citizens, some of whom actively participated in the violence while many others witnessed the lynchings but did nothing to stop them. Ifill observes that this history of complicity has become embedded in the social and cultural fabric of local communities, who either supported, condoned, or ignored the violence. She traces the lingering effects of two lynchings in Maryland to illustrate how ubiquitous this history is and issues a clarion call for American communities with histories of racial violence to be proactive in facing this legacy today. Inspired by South Africa's Truth and Reconciliation Commission, as well as by techniques of restorative justice, Ifill provides concrete ideas to help communities heal, including placing gravestones on the unmarked burial sites of lynching victims, issuing public apologies, establishing mandatory school programs on the local history of lynching, financially compensating those whose family homes or businesses were destroyed in the aftermath of lynching, and creating commemorative public spaces. Because the contemporary effects of racial violence are experienced most intensely in local communities, Ifill argues that reconciliation and reparation efforts must also be locally based in order to bring both black and white Americans together in an efficacious dialogue. A landmark book, On the Courthouse Lawn is a much-needed and urgent road map for communities finally confronting lynching's long shadow by embracing pragmatic reconciliation and reparation efforts.

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