AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

War: The Eighty Greatest Esquire Stories of All Time, Volume 2

MembresCritiquesPopularitéÉvaluation moyenneDiscussions
1Aucun7,787,499 (5)Aucun
Men have always fought. And, like no other magazine, Esquire has always chronicled war. This second volume of Esquire’s eightieth-anniversary anthology series collects, for the first time, its eight greatest war stories of all time. There’s John Sack’s 33,000-word New Journalism opus “M,” which follows in shocking and compassionate detail a single Army company from Fort Dix to South Vietnam, next to Pulitzer Prize winner Philip Caputo’s enthralling account from 1980 of sneaking into Afghanistan during the Russian occupation (“A Rumor of Resistance”). Colby Buzzell’s hilarious, devastating memoir of serving as a gunner in Iraq (“The Making of the Twenty-First-Century Soldier”) leads into Lieutenant J. K. Taussig’s astonishing first-person report of being bombarded on the USS Nevada, in “My Crew at Pearl Harbor”—a definitive story that hasn’t been reprinted in sixty years. Next comes Brian Mockenhaupt sitting bedside with a fellow soldier whose skull was blown apart in Baghdad (“Sgt. Wells’s New Skull”) and Michael Herr, writing from deep in the Vietnamese jungle after the Tet Offensive. His 1966 story “Hell Sucks” would form the foundation of the now classic book “Dispatches”. On its heels comes Chris Jones’s National Magazine Award–winning story “The Things That Carried Him,” which follows in precise, vivid detail one soldier’s journey from the dusty Iraqi desert where he was killed to the Indiana cemetery where his body now rests. The volume concludes with William Broyles Jr.’s 1984 classic “Why Men Love War,” about why he’ll never feel as alive as he did while fighting and watching others die—and scream and cry and kill—in Vietnam. These eight unforgettable stories, all brutal in the horror, fear, madness, and even beauty they reveal about war, remain as timeless and riveting as the day they were first published.… (plus d'informations)
Récemment ajouté partroelsk
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

Aucune critique
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

Men have always fought. And, like no other magazine, Esquire has always chronicled war. This second volume of Esquire’s eightieth-anniversary anthology series collects, for the first time, its eight greatest war stories of all time. There’s John Sack’s 33,000-word New Journalism opus “M,” which follows in shocking and compassionate detail a single Army company from Fort Dix to South Vietnam, next to Pulitzer Prize winner Philip Caputo’s enthralling account from 1980 of sneaking into Afghanistan during the Russian occupation (“A Rumor of Resistance”). Colby Buzzell’s hilarious, devastating memoir of serving as a gunner in Iraq (“The Making of the Twenty-First-Century Soldier”) leads into Lieutenant J. K. Taussig’s astonishing first-person report of being bombarded on the USS Nevada, in “My Crew at Pearl Harbor”—a definitive story that hasn’t been reprinted in sixty years. Next comes Brian Mockenhaupt sitting bedside with a fellow soldier whose skull was blown apart in Baghdad (“Sgt. Wells’s New Skull”) and Michael Herr, writing from deep in the Vietnamese jungle after the Tet Offensive. His 1966 story “Hell Sucks” would form the foundation of the now classic book “Dispatches”. On its heels comes Chris Jones’s National Magazine Award–winning story “The Things That Carried Him,” which follows in precise, vivid detail one soldier’s journey from the dusty Iraqi desert where he was killed to the Indiana cemetery where his body now rests. The volume concludes with William Broyles Jr.’s 1984 classic “Why Men Love War,” about why he’ll never feel as alive as he did while fighting and watching others die—and scream and cry and kill—in Vietnam. These eight unforgettable stories, all brutal in the horror, fear, madness, and even beauty they reveal about war, remain as timeless and riveting as the day they were first published.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Aucun

Vos raccourcis

Genres

Aucun genre

Évaluation

Moyenne: (5)
0.5
1
1.5
2
2.5
3
3.5
4
4.5
5 1

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 206,798,797 livres! | Barre supérieure: Toujours visible