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Chargement... The Black Archive: The Robots of Death (édition 2020)par Fiona Moore (Auteur)
Information sur l'oeuvreThe Robots of Death (Black Archive) par Fiona Moore
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Appartient à la sérieThe Black Archive (43)
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Unusually for a Black Archive author, Fiona Moore has already contributed fictionally to the Robots of Death universe via the Kaldor City audios, which you can get here. So it’s not very surprising that she comes to the story with an even more positive approach than me, wanting to explain why it works so well, without explaining it away. She succeeds in this.
The first chapter, ‘The Robots of Death in Context’, starts with the big picture of 1970s arty TV, then zooms in on the Hinchcliffe era of Doctor Who and then briefly examines some of the aspects of the story that make it work.
The second chapter, ‘Script to Screen’, delightfully finds that some of the best bits were added at the last moment, by the actors including Tom Baker.
The third chapter, ‘The Machine Man’, looks at the very direct impact of Expressionism on the design of the story, specifically through the classic film Metropolis.
The fourth chapter, ‘Artificial Intelligence and Artificial Stupidity’, points out that contra some descriptions, the robots themselves don’t actually rebel; and finds roots for the story’s take on AI in the back-story of Dune.
The fifth chapter, ‘Class and Power in the Works of Chris Boucher’, looks at how these themes played out in The Robots of Death and in his other TV work, the series Blake’s 7, Gangsters and Star Cops and the two other Doctor Who stories (both of which have been Black Archived), The Face of Evil and Image of the Fendahl.
The sixth chapter, ‘Cast All Ethnicities’, makes the point that the story is ahead of its time in assembling a multi-ethnic cast and treating them equally, though the character of Leela is a little problematic.
The seventh chapter, ‘The Legacy of The Robots of Death’, lists at the various Kaldor-set sequels in print and audio (though curiously does not mention Moore’s own authorship explicitly, except in a footnote), and then also looks at the treatment of similar themes in the Ood stories of New Who, and Voyage of the Damned, Oxygen and Kerblam!.
All in all this is a good roundup of why the story is a good one. ( )