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Dark Tides

par Philippa Gregory

Séries: Fairmile (2)

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4642153,389 (3.43)4
"#1 New York Times bestselling author Philippa Gregory's new historical novel tracks the rise of the Tidelands family in London, Venice, and New England. Midsummer Eve 1670. Two unexpected visitors arrive at a shabby warehouse on the south side of the River Thames. The first is a wealthy man hoping to find the lover he deserted twenty-one years before. James Avery has everything to offer, including the favour of the newly restored King Charles II, and he believes that the warehouse's poor owner Alinor has the one thing his money cannot buy-his son and heir. The second visitor is a beautiful widow from Venice in deepest mourning. She claims Alinor as her mother-in-law and has come to tell Alinor that her son Rob has drowned in the dark tides of the Venice lagoon. Alinor writes to her brother Ned, newly arrived in faraway New England and trying to make a life between the worlds of the English newcomers and the American Indians as they move toward inevitable war. Alinor tells him that she knows-without doubt-that her son is alive and the widow is an imposter. Set in the poverty and glamour of Restoration London, in the golden streets of Venice, and on the tensely contested frontier of early America, this is a novel of greed and desire: for love, for wealth, for a child, and for home"--… (plus d'informations)
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» Voir aussi les 4 mentions

Affichage de 1-5 de 21 (suivant | tout afficher)
I didn't love this book. The characters and the story were often frustrating, but I guess that was the point of Livia. ( )
  Linyarai | Mar 6, 2024 |
I liked this (audio) book with its well defined characters: Alinor (an herbalist); her son Rob; her daughter Alys and Alys' children, Sarah and Johnnie; and Alinor' brother, Ned. At the beginning of the book, you learn that Rob has drowned and his grieving widow and baby son arrive in London and immerse themselves into their lives. But the widow is not what she seems as she falsifies information and puts them in debt. Arriving in London from her former home in Venice, she convinces her new relatives that she has wealth in marble goods back in Venice and promises to share in her profits if they help transport her goods from Venice, store them in their London warehouse, and sell them. While assuring her new family that she now belongs with them, she secretly seeks the company and fortune of a rich English nobleman, Sir James. While I truly enjoyed this book, I found the chapters about Ned and his pioneer life in America disconnected and of little value as part of the larger story.
( )
  efoland | Jan 23, 2023 |
DNF at 33%. I loved Tidelands, but this was just slow and full of unlikable people doing improbable things. Thank goodness other brave readers came before me and left full spoilers so I could DNF this one in peace, knowing it was never going to get better. ( )
  eringill | Dec 25, 2022 |
This, the second book in the Fairmile Series, chronicles an English tradespeople family in the late 1600s as various branches spread out to Venice and the new colonies in America. There are affairs, trysts, a suspicious death, forgeries, desires, all in an historical context.

The book is an excellent portrayal of Restoration London among the trades class, paralleling that with the rise of New England in the colonies.
The characters are well developed; the story engrossing
It would be a five star read except for some implausibilities in the Venetian storyline.

A shout out to my husband, a fan of historical fiction, who read this!

Thanks to NetGalley and Atriabooks. ( )
  vkmarco | Sep 5, 2022 |
I was not exactly pleased with the cliffhanger ending of Tidelands, but I hoped the sequel, Dark Tides, would explain more and resolve everything. The first book ends on such an unsatisfying cliffhanger, when both Alinor and Alys were both secretly preggers (Alinor was pregnant for ages!) and then revealed to be pregnant, Alys's wedding was cancelled, and they were run out of their depressing marshy town as slutty witches. The second book opens with them living in London, with two young adult "twins" who are either Alinor's, Alys' or one of each, kept very vague for maximum drama. Actually, that sums up the whole book, full of intriguing hints, but kept quiet for maximum drama, for ages and ages, until the resolution held no interest.

Alinor's ex reappears, offering a pile of money, marriage, and adoption of whichever child is his heir. Then Rob's widow appears, a Venetian noblewomen with a baby and tragic tale of Rob's drowning death, and starts telling obvious lies and spending all their money. I found myself skimming because there were just so many scenes of Livia being shady and Alinor silently, skeptically handing over money to her. This is interspersed with a second, equally slow-moving storyline of brother Ned in New England. Again, we have hints of coming tension, dragged on and on.

I read all the way to the end, because I kept thinking I must be missing something, or that something would pull it all together. By the end, when all the drama exploded in about an hour of book-time, I realized I no longer cared to see justice done. I was on Team Nobody by the end. ( )
  TheFictionAddiction | May 8, 2022 |
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"#1 New York Times bestselling author Philippa Gregory's new historical novel tracks the rise of the Tidelands family in London, Venice, and New England. Midsummer Eve 1670. Two unexpected visitors arrive at a shabby warehouse on the south side of the River Thames. The first is a wealthy man hoping to find the lover he deserted twenty-one years before. James Avery has everything to offer, including the favour of the newly restored King Charles II, and he believes that the warehouse's poor owner Alinor has the one thing his money cannot buy-his son and heir. The second visitor is a beautiful widow from Venice in deepest mourning. She claims Alinor as her mother-in-law and has come to tell Alinor that her son Rob has drowned in the dark tides of the Venice lagoon. Alinor writes to her brother Ned, newly arrived in faraway New England and trying to make a life between the worlds of the English newcomers and the American Indians as they move toward inevitable war. Alinor tells him that she knows-without doubt-that her son is alive and the widow is an imposter. Set in the poverty and glamour of Restoration London, in the golden streets of Venice, and on the tensely contested frontier of early America, this is a novel of greed and desire: for love, for wealth, for a child, and for home"--

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