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Iola Leroy, or Shadows Uplifted (1892)

par Frances Ellen Watkins Harper

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384366,327 (3.4)14
A landmark account of the African American experience during the Civil War and its aftermath First published in 1892, this stirring novel by the great writer and activist Frances Harper tells the story of the young daughter of a wealthy Mississippi planter who travels to the North to attend school, only to be sold into slavery in the South when it is discovered that she has Negro blood. After she is freed by the Union army, she works to reunify her family and embrace her heritage, committing herself to improving the conditions for blacks in America. Through her fascinating characters-including Iola's brother, who fights at the front in a colored regiment-Harper weaves a vibrant and provocative chronicle of the Civil War and its consequences through African American eyes in this critical contribution to the nation's literature.… (plus d'informations)
Récemment ajouté parCalabooseLibrary, msliz_31, SoA_Reading_Room, asu5, ddborum, esrztk
Bibliothèques historiquesSusan B. Anthony
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This novel spans about 30 years from the 1840/50s to the Reconstruction period (it flashes back and forward in time) and mostly follows people connected to a small Black and mixed race extended family. Unfortunately the title character has very little presence until the second half, but after that her personality really starts to develop. The novel covers both the dispersal of Black families during the period of enslavement, as well as the difficult process of finding your scattered loved ones after emancipation (made miraculously easy in this novel in a quite Dickensian way). There is a love story shoehorned in near the end.

This piece of writing is great--five stars--as a social study of the Civil War and Reconstruction eras. It covers all kinds of territory, from questions of passing and privilege, education, colorism, political advocacy, political corruption, prejudice and racially-motivated extrajudicial violence, and very presciently describes an understanding of race as socially constructed and socialized. However, as a novel it's kind of a mess, and I cannot say the plot really drove me to keep reading. I wish its execution as fiction were as strong as the social and political questions it explores. Considered as one of the first major literary works by a nineteenth-century Black woman writer, it's still very well worth reading in spite of my quibbles! ( )
  sansmerci | Jun 18, 2022 |
10
  OberlinSWAP | Jul 20, 2015 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Harper, Frances Ellen Watkinsauteur principaltoutes les éditionsconfirmé
Dodson, HowardA Noteauteur secondairequelques éditionsconfirmé
Foster, Frances SmithIntroductionauteur secondairequelques éditionsconfirmé
Gates, Henry Louis, Jr.Avant-proposauteur secondairequelques éditionsconfirmé
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To my daughter
Mary E. Harper,
This book is lovingly dedicated.
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(Introduction) I confess when I first learned that Mrs. Harper was about to write "a story" on some features of the Anglo-African race, growing out of what was once popularly known as the "peculiar institution," I had my doubts about the matter.
"Good mornin', Bob; how's butter dis mornin'?"
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A landmark account of the African American experience during the Civil War and its aftermath First published in 1892, this stirring novel by the great writer and activist Frances Harper tells the story of the young daughter of a wealthy Mississippi planter who travels to the North to attend school, only to be sold into slavery in the South when it is discovered that she has Negro blood. After she is freed by the Union army, she works to reunify her family and embrace her heritage, committing herself to improving the conditions for blacks in America. Through her fascinating characters-including Iola's brother, who fights at the front in a colored regiment-Harper weaves a vibrant and provocative chronicle of the Civil War and its consequences through African American eyes in this critical contribution to the nation's literature.

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