In the somewhat lawless, western world of the hard mining towns of the Northwest where “vice grew wild and untended,” there are two drifter brothers without much claim in an unkind world (166). Except for each other, what Rye and Gig could fit in their bindles, and some simple dreams, their journey is at the center of this historical novel about labor and union wars in the early-1900s. But while the story focuses on the Dolan brothers finding ways to be masters of their own fate instead of victims of circumstance, at the heart of the story stands the fiery, impassioned and empathetic Gaelic girl: an idealist who loves writing alliterative articles and traveling to unknown places and fighting for workers’s rights. It’s through the high-energy orator and organizer Elizabeth Gurley Flynn, Rye and Gig’s troubles in the IWW, a troubled police force, corrupt politicians and mining barons, Pinkertons, and tramps, bums, and hobos where the skirmishes and battles and wars are fought through idealism and cynicism, words and action, peace and violence—all of this highlighting the stark difference between those who live like kings and “the cold millions with no chance in this world” (105).

It’s a beautifully written story with heartbreaking characters and circumstance: “the world is built to eat you alive, but before you go down the gullet, the bastards can’t stop you from looking around” (18). While it’s rooted in a place in time—historical and political and Americana—it’s also real and relevant to our world today. It was reminiscent of Kristin Hannah’s The Four Winds and Kent Krueger’s Ordinary Grace and This Tender Land. If you’re fans of any of those novels, this should surely be added to the top of your TBR. ( )

Two brothers, trying to keep their heads above water, searching for work in the tumult of the early twentieth century. Walter presents a story of love and longing amidst poverty and riches, graft and kindness. ( )

Predictable, impossible plot. 1 dimensional characters. DNF ( )

Spokane, Washington, in 1909 makes a volatile mixture. Some townspeople get by, a few live in luxury, while a vast army of loggers, miners, prostitutes, and hobos struggles to exist. Into that cauldron leaps the I.W.W., the International Workers of the World, known as Wobblies, whose stated goal is to organize workers into a union that capital must recognize, and to do so without violence.

For that, they are called anarchists, revolutionaries, subversives, and agitators, chiefly at the behest of Spokane’s wealthiest citizens, who own the mines, logging companies, real estate, flophouses, saloons, and brothels. But the Wobblies won’t back down and have planned a Free Speech demonstration; the local constabulary, corrupt to the core, will be ready.

Before that happens, however, a policeman is killed, and suspicion immediately falls on the migrant workers, tramps, and other “undesirables” who’ve floated into town. But the newcomers, among whom are sixteen-year-old Ryan (Rye) Dolan and his older brother Gregory (Gig), don’t know this yet. In fact, they know very little of what’s in store.

Gig’s a Wobbly (and a drunk), while Rye devotes himself to one cause, trying to keep his older brother out of trouble. Pigs will fly before he succeeds. And even after a violent confrontation with vigilantes who offer them the choice between getting flung in the river or a broken head, the brothers have seen nothing yet. After all, Elizabeth Gurley Flynn will come to lead the Free Speech demonstration.

Perhaps the most famous labor organizer in America at that time, Flynn, as Walter portrays her, is about the best stump speaker this side of Teddy Roosevelt and more than a match for any man foolish enough to debate her. But even the Wobblies’ labor allies wonder what a pretty, pregnant, nineteen-year-old “girl” is doing (a) away from her husband, and (b) speaking to workingmen, often in terms no modest wife would ever utter, even in private. The Dolan boys are smitten, especially Rye. I don’t blame him one bit.

With exceptional economy, prose, and storytelling punch, Walter justifies his considerable reputation with The Cold Millions. The narrative reads like a thriller about labor strife, with reversals thriving everywhere. Life’s a fight to the finish, and so much wrong blankets the landscape, you seldom know where right is hiding itself, let alone how to act accordingly. In other words, the novel captures the divisions and desperation of a bygone era that seem remarkably like the present.

Flynn is pure electricity, and you can see the sparks; the novel crackles whenever she appears. The Dolan brothers represent Everyman, men who’ve had hard luck and want only a fair chance to improve it. But as Ryan observes, “Hell, it took only your first day in a Montana flop or standing over your mother’s unmarked grave to know that equal was the one thing all men were not. A few lived like kings, and the rest hugged the dirt until it cracked open and took them home.”

What powerful stuff, and Walter deals it straight. There’s no sugarcoating, only an occasional kindness or flash of decency. Sometimes, you can tell the good guys and bad guys apart too easily, yet in the author’s defense, the stakes are such that there’s no straddling allowed. I do wish that Rye had more flaws; he makes mistakes, but usually out of naïveté, which he does his best to address. You pull for him, but I want to do so not just because he’s a trusting innocent. I want him to struggle more with evil instead of skirting it by instinct.

I also get impatient with digressions into the backgrounds of minor characters, a few of whom wind up dead shortly thereafter, which feels unfair to the reader. Yet I’ll give Walter credit for insisting on fleshing everybody out, even if the back story becomes intrusive.

There’s also no arguing with the overall effect, which is breathtaking. Walter captures a time, place, and mindset with such brilliance, he makes it look easy. And as a fellow Washingtonian, I salute his effort to portray the Wobblies, who left their mark on the Pacific Northwest a century ago and more. ( )

Digital audiobook performed by Edoardo Ballerini, Gary Farmer, Marin Ireland, Cassandra Campbell, MacLeod Andrews, Tim Gerard Reynolds, Mike Ortego, Rex Anderson, Charlie Thurston, and Frankie Corzo.
4****

Set in the early twentieth century, this novel focuses on the two Dolan brothers: sixteen-year-old Rye and his older brother Gig. Rye just wants a steady job and a home. Gig is more idealistic, fighting along other men to form unions and demand fair wages and better working conditions. Together, they live by their wits – hopping freights and forming alliances with those they feel might be able to help them.

In addition to the two Dolan brothers, Walter populates the work with a wide variety of memorable characters, from Jules (a Native American from Coeur d’Alene) to Ursula the Great (a vaudeville singer who performs with a live cougar) to Elizabeth Gurley Flynn (a nineteen-year-old feminist) to Lemuel Brand (a wealthy mining magnate). There are plots and subplots, twists and turns, allies who are really enemies, double and triple crosses, good guys who are really bad guys (and vice versa).

Based on actual events in 1909 Spokane, Washington (the Free Speech Fight and the formation of the International Workers of the World), at the novel’s core is a class struggle that is reminiscent of what America is undergoing now just over a hundred years later.

The story is told from multiple characters’ points of view, and some scenes are related more than once, giving the reader additional insight as the point of view changes in the same scenario. Walter has the ability to really put the reader right into the heart of the scene; I practically heard the sound of the train on the tracks, smelled the odor of unwashed bodies, felt the chill of a cold jail cell.

Walter is a masterful storyteller and I was engaged and interested from beginning to end.

I listened to the audio which was masterfully performed by a cast of talented voice artists. This really brought the characters to life for me and made it easier to discern the changes in point of view. However, I think the complexity of the story might be better appreciated if read in text first. ( )