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Bad Island par Stanley Donwood
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Bad Island (original 2020; édition 2020)

par Stanley Donwood (Auteur)

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403623,747 (2.96)2
"A starkly beautiful, wordless graphic novel about the end of the world by the cult artist and long-time Radiohead collaborator. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still-and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood carves out a mesmerizing, stark parable of environmental disaster and the end of civilization"--… (plus d'informations)
Membre:theagoodsell
Titre:Bad Island
Auteurs:Stanley Donwood (Auteur)
Info:Hamish Hamilton (2020), 144 pages
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Bad Island par Stanley Donwood (2020)

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» Voir aussi les 2 mentions

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The word "pretentious" comes to mind, but I feel like even that's giving this empty story too much thought. "Bad Island" feels like Stanley Donwood was having a bad day where he hated the world, looked at a Banksy painting, thought, "I could do that but better!" and then made this book. Except it wasn't better and yet somehow it still got published. There is nothing to enjoy about this book:

-the story is bleak and dark, sure, but not the good kind of bleak and dark- it's just totally uninspired bleak and dark. The author follows the thought process of life > dinosaurs > volcano kills dinosaurs > life begins again > civilization develops > humans build factories > humans kill earth > the end. It leaves the reader finishing that book and thinking, "...AND?" Donwood has added nothing to the conversation.
-the artwork is supremely dull. I'm kinda impressed with just HOW dull it is? Maybe on a technical level it's good; like, it has strong lines and a stark use of just black and white and emphasizes what an uninspired story this is, but nothing about it stands out. I'm trying to be objective about this, but I really mean that there is zilch that makes me think this is good artwork.
-I saw someone use the word "gimmicky" in their review and that's the exact word I wanted to use. Super gimmicky and not worth the little bit of time it takes to read. ( )
  deborahee | Feb 23, 2024 |
My review of this book can be found on my Youtube Vlog at:

https://youtu.be/wj0xs8W7hHs

Enjoy! ( )
  booklover3258 | Feb 18, 2021 |
With every other page being blank, it only takes about five minutes to "read" this wordless graphic novel that's illustrated in a woodblock style that reminded me of Peter Kuper. And even at five minutes, it's pretty much a waste of time. It's not even an original idea, as the artist simply shows the rapid passage of time on a particular geographic location.

I like to take notes when I read a book for tagging purposes. Here's the complete set: islands, dinosaurs, volcanoes, forest fires, wildfires, unicorns, industrialism, war, nuclear warfare. (Yep, that was "unicorns" in the middle there.) I'm pretty sure there's some rule somewhere that any improv or fiction that ends with nuclear armageddon is just making use of a really bad cop-out.

Oh, and congratulations on the worst cover blurb of the year go to Robert MacFarlane, best-selling author of Underland: "Stark in its lines and dark in its vision, Bad Island reads you more than you read it." ( )
  villemezbrown | Nov 28, 2020 |
3 sur 3
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"A starkly beautiful, wordless graphic novel about the end of the world by the cult artist and long-time Radiohead collaborator. A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still-and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story and it will not have a happy ending. Working in his distinctive, monochromatic linocut style, Stanley Donwood carves out a mesmerizing, stark parable of environmental disaster and the end of civilization"--

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