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Chargement... The Year of the Witching (édition 2020)par Alexis Henderson (Auteur)
Information sur l'oeuvreThe Year of the Witching par Alexis Henderson
Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Female submission by sadistic, narcissistic males. Doesn’t sound very original? Well think again. This story is that, yes, but it’s also so much more. I’m not sure if it’s considered YA but it seems much too dark for that qualification in my opinion. What I love is that the witches in this book are real! Finally, a story about truly creepy, powerful, shaking in your shoe’s witches! Lately any title with the word “witch” ends up being ok. I did Finish the second book in the A Discovery of Witches series but, that’s more time travel and magical. This is more a chill you to the bones kind of read. The Year of the Witching is set in a fictional puritanical society similar to that of Salem, where women are persecuted for witchcraft and other crimes that the men of cloth get away with scot-free. Bethel is a society based in hypocrisy and its history is riddled with untruths. I appreciated how Alexis Anderson told a feminist story in which the main character, Immanuelle, is a strong female who is dedicated to changing Bethel for the better by protecting the vulnerable and punishing those who abuse their power behind the Church. There were some positively spooky scenes set in the Darkwood and the witches were both frightening and captivating. Yet, towards the middle of the book, the story began to slow for me a bit. For one, I wanted more interactions with the witches and more magic. I felt the story stalled a bit until we reached the climax. I also felt the relationship between Ezra and Immanuelle was more of a friendship and I could never buy their romance. Their relationship needed to be more developed and I would have loved to delve more into the relationship between Vera and Immanuelle as well. Overall, this was a good debut, there were just certain elements I wanted more of that I hope to get more of in a second book maybe? Loved the idea on paper, but it's a DNF at 50% for me. No obvious problems with anything so far and there has been the odd moment of fascinating imagery, but I am discovering the more horror I consume, the more I am aware of what I like and don't like. For me, this was copetant all round, but, beyond the premise, nothing sparked any interest in me. The narrative is slow and ponderous, which I enjoy in a gothic story with rich prose, but the writing and characterisation weren't of a quality to keep me interested. The audiobook performance is fine, but not exciting. It all just comes together to in no way offend or evoke animosity, but I made the call that this just wasn't for me. I really did want to love this. Giving there stars because there's nothing wrong with this and it absolutely could be a me problem. I you want some witchy goings on and have more patience than me, I would still say it's worth looking into. aucune critique | ajouter une critique
Appartient à la sérieBethel (1) Prix et récompensesListes notables
"A young woman living in a rigid, repressive society discovers dark powers within herself, with terrifying and far-reaching consequences, in this stunning, feminist fantasy debut. In the lands of Bethel, where the Prophet's word is law, Immanuelle Moore's very existence is blasphemy. The daughter of an union with an outsider that cast her once-proud family into disgrace, Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the women in the settlement. But a chance mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still walking there, and they bestow a gift on Immanuelle: the diary of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her"-- Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.6Literature English (North America) American fiction 21st CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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Even though The Year of the Witching is set in a fictional universe, the allusions to our own past and present are very clear. The town of Bethel brings to mind early Puritanical societies where women were seen as inferior, and everything revolves around the church. Even several names were biblical; Immanuelle, Leah, And Ezra, to name a few. Intersectionality also plays a big role. Immanuelle, being a woman, is seen as inferior in Bethel, a place where men have all the power and can have multiple wives who are often much younger than them. She’s also biracial, which adds to her feelings of not belonging anywhere.
The only critique I have is with the witches. I wanted to know more about them, and I was disappointed by how little time was spent with them and the direction their story went. Despite that, I loved this book.
Henderson blends supernatural themes with the fears women and people of color deal with all the time. Her description of the witches is incredible and terrifying, and yet the book gave me the same kind of vibes that the movie The VVitch did. It has a very foreboding feeling to it. The Year of the Witching is an excellent comment on religious hypocrisy, patriarchy, and racism, but it’s also a frightening dark fantasy with witches, blood, and ghosts. ( )