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This volume contains the three works which together make up Jonathan Swift's early satiric and intellectual masterpiece, A Tale of a Tub: the Tale itself, The Battel of the Books, and The Mechanical Operation of the Spirit. Incorporating much new knowledge, this 2010 edition provides the first full scholarly treatment of this important work for fifty years. The introduction discusses publication, composition, and authorship; sources, analogues and generic models; reception; and religious, scientific and literary contexts (including the ancients and moderns controversy). Detailed explanatory notes address many previously unexplained issues in this famously rich and difficult work. Texts have been fully collated and edited according to modern principles and are accompanied with a textual introduction and full textual apparatus. Illustrations include title pages, the eight engravings from the fifth edition, and original designs for these engravings. Extensive associated contemporary materials, including Edmund Curll's Key and William Wotton's Observations, are provided.… (plus d'informations)
Well-known book but not easy. Clever defence of Anglicanism/Lutheranism against Catholicism and Calvinism through analogy. Full of obscure references which require a detailed knowledge of the historical period. What the tub is I did not gather.
Jonathan Swift is a brilliant satirist and if I was a contemporary of Swift's or aware of the issues he was mocking, then I might have enjoyed this book. Instead, this short book is filled with long digressions mocking organized religion or possibly government. I have to admit that about half way through I was completely lost and really not following his mockery.
If I had been reading this book in print, I would have saved my place with a bookmark and put it back on the shelf to revisit later, maybe after I learned more about the times. But this was a book that I had subscribed to through Daily Lit, which sends installments every day via email. This is the 2nd book that I've tried this way and I have to say that I don't think this format of reading works for me. The installments are all the same length so sometimes I found myself wanting to read more, or wanting to walk away and then return to the book. But once I was half way through a LONG email, I felt like I had to finish it and it was more like slogging through required reading vs. reading for pleasure. ( )
Swift's Tale of a Tub may not be as well known as Gulliver's Travels, but it is perhaps his signature work. The Tale is a rambling, frequently scathing satire directed at Catholics, Calvinists, Authors, Critics, and a host of leading intellectuals of Swift's day. It has moments that are very funny, and finds some pretty inventive ways to skewer its targets. Much of it is targeted at people and issues that have long since been forgotten, making it somewhat unaccessable to the modern reader. The appended Battle of the Books is short, accessible, and pretty funny. ( )
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
To Hermann Real and Heinz Vienken and to the memory of Irvin Ehrenpreis
Premiers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
The present volume contains the contents of the volume which Swift himself first published early in 1704, namely, A Tale of a Tub, A Full and True Account of the Battle of the Books, and A Discourse of the Mechanical Operation of the Spirit, A Fragment. (Introduction)
The wits of the present age being so very numerous and penetrating, it seems the grandees of Church and State begin to fall under horrible apprehensions lest these gentlemen, during the intervals of a long peace, should find leisure to pick holes in the weak sides of Religion and Government. (Preface)
Whoever hath an ambition to be heard in a crowd must press, and squeeze, and thrust, and climb, with indefatigable pains, till he has exalted himself to a certain degree of altitude above them. (A Tale of a Tub)
Citations
Derniers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
The Kingdom of Absurdities [c], first printed in 1779 as 'sketches from Swift's own hand writing', is related to the ninth of the 'Treatises writ by the same Author' (p. I), and may be compared with a longer unfinished piece surviving in manuscript, entitled 'Of Publick Absurdityes in England'. (Introduction)
Besides, I have been unhappily prevented in that design by a certain domestic misfortune, in the particulars whereof, though it would be very seasonable and much in the modern way to inform the gentle reader, and would also be of great assistance towards extending this preface into the size now in vogue, which by rule ought to be large in proportion as the subsequent volume is small; yet I shall now dismiss our impatient reader from any further attendance at the porch, and having duly prepared his mind by a preliminary discourse, shall gladly introduce him to the sublime mysteries that ensue. (Preface)
Therefore, I shall here pause a while till I find, by feeling of the world's pulse and my own, that it will be of absolute necessity (for us both) to resume my pen. (A Tale of a Tub)
This volume contains the three works which together make up Jonathan Swift's early satiric and intellectual masterpiece, A Tale of a Tub: the Tale itself, The Battel of the Books, and The Mechanical Operation of the Spirit. Incorporating much new knowledge, this 2010 edition provides the first full scholarly treatment of this important work for fifty years. The introduction discusses publication, composition, and authorship; sources, analogues and generic models; reception; and religious, scientific and literary contexts (including the ancients and moderns controversy). Detailed explanatory notes address many previously unexplained issues in this famously rich and difficult work. Texts have been fully collated and edited according to modern principles and are accompanied with a textual introduction and full textual apparatus. Illustrations include title pages, the eight engravings from the fifth edition, and original designs for these engravings. Extensive associated contemporary materials, including Edmund Curll's Key and William Wotton's Observations, are provided.
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