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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. In this second edition of The Two Gentlemen of Verona, Kurt Schlueter approaches Shakespeare's early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which in combination show high-flown human ideals as incompatible with each other and with human nature. Since the first known production at David Garrick's Drury Lane Theatre, the play has tempted major directors and actors, though changing conceptions of the play often fail to recognise its subversive impetus. This updated edition includes a new introductory section by Lucy Munro on recent stage and critical interpretations, bringing the thoroughly researched, illustrated performance history up to date.… (plus d'informations)
Écrite en 1594, Les deux gentilshommes de Vérone de William Shakespeare est sans doute sa toute première œuvre. Cela se ressent à travers une intrigue fort simple dont le déroulement, et surtout la conclusion, paraissent aujourd’hui maladroits.A Vérone, deux gentilshommes amis, Valentin et Protée, s’entretiennent de l’amour : Valentin raille son camarade qui se consume pour la belle Julia et part en voyage à Milan. Lorsque Protée obtient de la belle Julia la confirmation de ses sentiments à son égard, il ne se sent plus de joie, mais son père l’envoie à son tour à Milan. Il y retrouve Valentin, faisant depuis son arrivée la cour à la belle Sylvia, pourtant promise à un autre. Tombé aussitôt amoureux de Sylvia, Protée va tout faire pour la voler à son ancien ami. ( )
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
Cease to persuade, my loving Proteus; Home-keeping youth have ever homely wits; Were't not affection chains thy tender days To the sweet glances of thy honour'd love, I rather would entreat thy company To see the wonders of the world abroad, Than, living dully sluggardiz'd at home, Wear out thy youth with shapeless idleness.
Valentine. Cease to persuade, my loving Proteus: Home-keeping youth have ever homely wits. Were it not affection chains your tender days To the sweet glances of your honored love, I rather would entreat your company To see the wonders of the world abroad, Than, living dully sluggardized at home, Wear out your youth with shapeless idleness. But since you love, love still, and thrive therein, Even as I would, when I to love begin.
Citations
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
O, how this spring of love resembleth The uncertain glory of an April day!
That man that hath a tongue, I say, is no man, If with his tongue he cannot win a woman.
Come not within the measure of my wrath.
Derniers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
Come, Proteus; 'tis your penance, but to hear The story of your loves discovered: That done, our day of marriage shall be yours; One feast, one house, one mutual happiness.
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
This work is for the complete The Two Gentlemen of Verona only. Do not combine this work with abridgements, adaptations or "simplifications" (such as "Shakespeare Made Easy"), Cliffs Notes or similar study guides, or anything else that does not contain the full text. Do not include any video recordings. Additionally, do not combine this with other plays.
Directeur de publication
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. In this second edition of The Two Gentlemen of Verona, Kurt Schlueter approaches Shakespeare's early comedy as a parody of two types of Renaissance educational fiction: the love-quest story and the test-of-friendship story, which in combination show high-flown human ideals as incompatible with each other and with human nature. Since the first known production at David Garrick's Drury Lane Theatre, the play has tempted major directors and actors, though changing conceptions of the play often fail to recognise its subversive impetus. This updated edition includes a new introductory section by Lucy Munro on recent stage and critical interpretations, bringing the thoroughly researched, illustrated performance history up to date.
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