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"In the vast literature of love, The Seducer's Diary is an intricate curiosity--a feverishly intellectual attempt to reconstruct an erotic failure as a pedagogic success, a wound masked as a boast," observes John Updike in his foreword to Søren Kierkegaard's narrative. This work, a chapter from Kierkegaard's first major volume, Either/Or, springs from his relationship with his fiancée, Regine Olsen. Kierkegaard fell in love with the young woman, ten years his junior, proposed to her, but then broke off their engagement a year later. This event affected Kierkegaard profoundly. Olsen became a muse for him, and a flood of volumes resulted. His attempt to set right, in writing, what he feels was a mistake in his relationship with Olsen taught him the secret of "indirect communication." The Seducer's Diary, then, becomes Kierkegaard's attempt to portray himself as a scoundrel and thus make their break easier for her. Matters of marriage, the ethical versus the aesthetic, dread, and, increasingly, the severities of Christianity are pondered by Kierkegaard in this intense work.… (plus d'informations)
bluepiano: There are interesting connections between these books: The Seducer is based on the life of P.L. Moller, a critic with whom Kierkegaard had a bitter and notorious feud that plays a large part in the novel. Diary of a Seducer was quite possibly a dig at Moller. And Stangerup's book is one of a trilogy of historical novels each of which depicts one of Kierkegaard's 'life's stages'.… (plus d'informations)
Johannes Forførerens Dagbog er et af Søren Kierkegaards (1813-1855) mest kendte og elskede værker. Det udkom i 1843 som en del af Kierkegaards hovedværk Enten-Eller og er en fortælling om den dæmoniske Johannes’ forførelse af den unge pige Cordelia Wahl. Den berømte og berygtede dagbog, der er elsket af både mænd og kvinder, skildrer en anden forførertype end den man møder i Mozarts Don Juan som Kierkegaard har skrevet om i det musikfilosofiske essay De umiddelbare erotiske stadier eller det musikalsk-erotiske fra Enten-Eller (der i vores udgivelse har fået titlen Hør, hør, hør Mozarts Don Juan). Filosoffen Jens Staubrand har skrevet en indledning til Johannes Forførerens Dagbog, der er gennemredigeret og meget nænsomt bearbejdet til nudansk.
"In the vast literature of love, The Seducer's Diary is an intricate curiosity--a feverishly intellectual attempt to reconstruct an erotic failure as a pedagogic success, a wound masked as a boast," observes John Updike in his foreword to Søren Kierkegaard's narrative. This work, a chapter from Kierkegaard's first major volume, Either/Or, springs from his relationship with his fiancée, Regine Olsen. Kierkegaard fell in love with the young woman, ten years his junior, proposed to her, but then broke off their engagement a year later. This event affected Kierkegaard profoundly. Olsen became a muse for him, and a flood of volumes resulted. His attempt to set right, in writing, what he feels was a mistake in his relationship with Olsen taught him the secret of "indirect communication." The Seducer's Diary, then, becomes Kierkegaard's attempt to portray himself as a scoundrel and thus make their break easier for her. Matters of marriage, the ethical versus the aesthetic, dread, and, increasingly, the severities of Christianity are pondered by Kierkegaard in this intense work.
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