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Quarrel & Quandary: Essays

par Cynthia Ozick

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In her new collection of essays, Cynthia Ozick, everywhere acclaimed as a critic, novelist, and storyteller, examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. She writes--quarrelsomely--aboutCrime and Punishment, about William Styron'sSophie's Choice, about the Book of Job. She inquires into the subterranean dispositions and quandaries of Kafka and Henry James. She discusses the difficulties inherent in the translation of great books, whether into film or into another language. She explores what she calls "the selfishness of art" and courts controversy with her views onThe Diary of Anne Frankand its transformation for the stage. Her reflections on the "rights of history" and the "rights of imagination" tap a profound concern for truth in regard to the Holocaust. She considers the shifting splendors of New York City, past and present. And she revisits her youth more deeply and with more feeling--and comedy--than ever before, in essays that reveal some of the formative experiences of her life as a writer. Quarrel & Quandaryis a literary event and a cause for celebration.… (plus d'informations)
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» Voir aussi les 9 mentions

3 sur 3
My faves from this book: Dostoevsky's Unabomber, A Drug Store Eden, The Synthetic Sublime, The Rights of History and the Rights of Imagination, Who Owns Anne Frank?, and Public Intellectuals.
  trotta | Mar 4, 2021 |
Ozick really succeeds at crafting essays of literary criticisms that are explorations of a subject and content. Whether it's Dostoevsky and criminality or appropriation of Anne Frank she has a keen wit and insight. I'd almost go as far to say firebrand. I also thought her meditation on the book of Job and poetry were alone well worth the cost of the book. I can't say I was as enthralled with her personal essays toward the end of the collection but overall this is a great set of essays in the classic tradition of the form. ( )
  b.masonjudy | Apr 3, 2020 |
Quarrel and Quandary, a collection of essays, is the first book by Cynthia Ozick that I’ve read, and I finished it feeling impressed. Perhaps what stands out most strongly to me is her serious, firm, no-nonsense, occasionally devastating argumentation style. I would not ever want to be the subject of Ozick’s critique; she can be frighteningly effective when goes on the attack.

The essays cover a range of material. Many of them are literary in nature, including essays on Kafka, Dostoevsky, Sebald, Henry James, and others. Other essays explore broader literary phenomena such as the various adaptations of The Diary of Anne Frank and the treatment of the Holocaust in fiction. These last two are good examples of what I mean by her devastating argumentation style; she is angry at theatrical adaptations of the diary that downplay the horror of Anne’s fate in order to focus on the diary’s hopeful messages. In the essay on Holocaust fiction, she critiques Sophie’s Choice and Bernard Schlink’s The Reader for covering over some of the worst aspects of Holocaust history by focusing on exceptions and rare cases in the stories they tell. That essay (which you can read here) is a nuanced discussion of the tension between the right of authors to write about whatever they want and their responsibility to be ethical human beings.

Read the rest of the review at Of Books and Bicycles.
  rhussey174 | Aug 23, 2011 |
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In her new collection of essays, Cynthia Ozick, everywhere acclaimed as a critic, novelist, and storyteller, examines some of the world's most illustrious writers and their work, tackles compelling contemporary literary and moral issues, and looks into the wellsprings of her own lifelong engagement with literature. She writes--quarrelsomely--aboutCrime and Punishment, about William Styron'sSophie's Choice, about the Book of Job. She inquires into the subterranean dispositions and quandaries of Kafka and Henry James. She discusses the difficulties inherent in the translation of great books, whether into film or into another language. She explores what she calls "the selfishness of art" and courts controversy with her views onThe Diary of Anne Frankand its transformation for the stage. Her reflections on the "rights of history" and the "rights of imagination" tap a profound concern for truth in regard to the Holocaust. She considers the shifting splendors of New York City, past and present. And she revisits her youth more deeply and with more feeling--and comedy--than ever before, in essays that reveal some of the formative experiences of her life as a writer. Quarrel & Quandaryis a literary event and a cause for celebration.

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