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Chargement... The Traditionpar Jericho Brown
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Summer 2021 (July); I started a grand quest through a large assortment of poetry & short story collections recommended from my APSI (AP Summer Institute) for AP Literature, and this is one of the many as you will see. A brand new piece by an author I'd not heard of yet, I found my experience with Jericho Brown's piece eye-opening and surprising. He has an amazing lyrical way with words, and I was moved toward tears during a few different pieces in this. aucune critique | ajouter une critique
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Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive. Poems of fatherhood, legacy, blackness, queerness, worship, and trauma are propelled into stunning clarity by Brown's mastery, and his invention of the duplex-a combination of the sonnet, the ghazal, and the blues-is testament to his formal skill. The Tradition is a cutting and necessary collection, relentless in its quest for survival while reveling in a celebration of contradiction. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)811.6Literature English (North America) American poetry 21st CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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In Brown's 'Duplex' that begins the third section he owns this intent: 'I begin with love, hoping to end there / I don't want to leave a messy corpse.' A kind of brutal honesty that wants the person, place, thing the poem is confronting - to be there tomorrow - knowing in the present culture of fear and its violent offspring - that is not a given.
Nothing, whether it's lovers, family, community, faith, escapes this critical eye - something Brown ties together in 'Stake' when he asks 'How / old will I get in a nation / that believes we can grow out / of a grave' (43). For the poems' harshness they carry with them an undercurrent of hope that is never far away, but a current that requires digging beneath the false mythologies in order to find it. Important, essential collection.
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