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Le Tueur aveugle (2000)

par Margaret Atwood

Autres auteurs: Voir la section autres auteur(e)s.

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16,471384312 (3.93)1 / 1071
Fiction. Mystery. Science Fiction. Historical Fiction. HTML:The bestselling author of The Handmaid's Tale and The Testaments weaves together strands of gothic suspense, romance, and science fiction into one utterly spellbinding narrative, beginning with the mysterious death of a young woman named Laura Chase in 1945.

Decades later, Lauraâ??s sister Iris recounts her memories of their childhood, and of the dramatic deaths that have punctuated their wealthy, eccentric familyâ??s history. Intertwined with Irisâ??s account are chapters from the scandalous novel that made Laura famous, in which two illicit lovers amuse each other by spinning a tale of a blind killer on a distant planet.

These richly layered stories-within-stories gradually illuminate the secrets that have long haunted the Chase family, coming together in a brilliant and astonishing fin
… (plus d'informations)
Récemment ajouté parmfennn, ankitasa, taydawspi, melmtp, bibliothèque privée, JoeB1934, ella.holder, spelldavid, BVottero, AngelaLynnPantilione
  1. 192
    Expiation par Ian McEwan (browner56)
    browner56: Two superbly crafted explorations of the cathartic power that comes from the act of writing.
  2. 70
    Le testament caché par Sebastian Barry (rbtanger)
  3. 51
    La Promenade au phare par Virginia Woolf (the_awesome_opossum)
  4. 41
    Dans les coulisses du musée par Kate Atkinson (Smiler69)
  5. 41
    Un parfum de cèdre par Ann-Marie MacDonald (jhedlund, djmccord73)
    djmccord73: family history, secrets
  6. 20
    A Tale for the Time Being par Ruth Ozeki (sturlington)
    sturlington: Writers and books within books.
  7. 20
    Les Heures par Michael Cunningham (sturlington)
  8. 10
    La Poursuite du bonheur par Douglas Kennedy (Pedrolina)
  9. 21
    L'étrange disparition d'Esme Lennox par Maggie O'Farrell (rbtanger)
  10. 10
    Stella Descending par Linn Ullmann (KayCliff)
    KayCliff: Laura Chase in The Blind Assassin falls to her death from a bridge over a ravine, just as Stella falls to hers from a roof. The Blind Assassin is concerned with finding out why Laura fell, with newspaper reports given, excerpts from a novel quoted, and passages of narration from Laura's sister -- all out of chronological sequence; just as the cause of Stella's fall is sought through Ullmann's novel by a variety of narrators, with excerpts from a video, all simililarly out of chronological order. Both Stella and Laura act as nurses, and fall prey to unprincipled men. Both novels include a pair of sisters whose mother dies when they are young, leaving the elder girl to take care of the younger; children with absent or unknown fathers; and someone very old, near to their own death, who loved Laura/Stella. Laura's sister fancies, `there was no floor to my room: I was suspended in the air, about to plummet. My fall would be endless -- endlessly down'. Stella's daughter tells her sister, `Mama fell off a roof, Mama's falling still. She falls and falls and never hits the ground'.… (plus d'informations)
  11. 33
    The History of Love par Nicole Krauss (PrincessPaulina)
    PrincessPaulina: Main characters are seniors, reexamining their biographies at the end of their lives.
  12. 00
    Glass Mountain par Cynthia Voigt (electronicmemory)
    electronicmemory: Two books that are slow, close character studies of our protagonists. They both have lovely prose, vivid imagery and nuance.
  13. 11
    The Chaperone par Laura Moriarty (thea-block)
    thea-block: Pictures of the whole a woman's life, exploring how early decisions effect the rest of their lives.
  14. 34
    L'amour aux temps du choléra par Gabriel Garcia Marquez (electronicmemory)
    electronicmemory: Historical settings come alive in these novels about the complexities of life among close-knit high society social circles.
  15. 01
    Autumn Laing par Alex Miller (jll1976)
    jll1976: Similar themes and style. Also a 'death bed confessional'.
  16. 78
    La voleuse de livres par Markus Zusak (Utilisateur anonyme)
  17. 02
    My Life as a Fake par Peter Carey (PghDragonMan)
    PghDragonMan: Deception is layered on deception until even the truth looks false.
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» Voir aussi les 1071 mentions

Anglais (374)  Espagnol (2)  Néerlandais (2)  Italien (1)  Hébreu (1)  Finnois (1)  Français (1)  Norvégien (1)  Toutes les langues (383)
> Par LEXPRESS.fr : Le Tueur aveugle par Margaret Atwood
01/11/2005 ... Un roman à trois voix autour de l'histoire d'une famille marquée par le suicide d'une jeune femme. (Booker Prize 2000)
____________________
Margaret Atwood, Le tueur aveugle, traduit de l'anglais par M. Albaret-Maatsch, Robert Laffont (2002), 662 p.
  Joop-le-philosophe | Dec 15, 2018 |
Die Lebensgeschichte der Iris hebt sich wohltuend von jenen Romanen ab, die junge Frauen der 'besseren' Gesellschaft nach einer privilegierten Kindheit in ein Erwachsenendasein ohne Brüche und Krisen führen. Dennoch ist es schade, dass Margaret Atwood ihrer Heldin letztlich so wenig 'Mumm' mitgibt - es müssen dreißig Jahre von Iris' Leben vergehen, bis sie zum ersten Mal aufbegehrt.

Margaret Atwood erzählt Iris' und Lauras Geschichte auf drei Ebenen: anhand von Iris' Rückblick, Lauras Manuskript und diversen Zeitungsausschnitten. Atwood hat mit "Der blinde Mörder" nicht nur die Geschichte eines Frauenlebens geschrieben, sondern auch einen historischen Roman, eine Liebesgeschichte, eine Sciencefiction-Story und die Geschichte zweier Schwestern. Sie belohnt das Interesse des Lesers mit einer Geschichte von außergewöhnlicher Dichte, der es gelingt, die sozialen, industriellen und politischen Ereignisse in einer kanadischen Kleinstadt nachzuzeichnen und eine Chronik des 20. Jahrhunderts darzustellen.
 
Margaret Atwood poses a provocative question in her new novel, "The Blind Assassin." How much are the bad turns of one's life determined by things beyond our control, like sex and class, and how much by personal responsibility? Unlike most folks who raise this question so that they can wag their finger -- she's made her bed, and so on -- Atwood's foray into this moral terrain is complex and surprising. Far from preaching to the converted, Atwood's cunning tale assumes a like-minded reader only so that she can argue, quite persuasively, from the other side.
ajouté par stephmo | modifierSalon.com, Karen Houppert (Dec 12, 2000)
 
In her tenth novel, Margaret Atwood again demonstrates that she has mastered the art of creating dense, complex fictions from carefully layered narratives, making use of an array of literary devices - flashbacks, multiple time schemes, ambiguous, indeterminate plots - and that she can hook her readers by virtue of her exceptional story-telling skills. The Blind Assassin is not a book that can easily be put to one side, in spite of its length and the fact that its twists and turns occasionally try the patience; yet it falls short of making the emotional impact that its suggestive and slippery plot at times promises.
ajouté par stephmo | modifierThe Guardian, Alex Clark (Sep 30, 2000)
 
Ms. Atwood's absorbing new novel, ''The Blind Assassin,'' features a story within a story within a story -- a science-fiction yarn within a hard-boiled tale of adultery within a larger narrative about familial love and dissolution. The novel is largely unencumbered by the feminist ideology that weighed down such earlier Atwood novels as ''The Edible Woman'' and ''The Handmaid's Tale,'' and for the most part it is also shorn of those books' satiric social vision. In fact, of all the author's books to date, ''The Blind Assassin'' is most purely a work of entertainment -- an expertly rendered Daphne du Maurieresque tale that showcases Ms. Atwood's narrative powers and her ardent love of the Gothic.
 
In her ingenious new tale of love, rivalry, and deception, The Blind Assassin, Margaret Atwood interweaves several genres — a confessional memoir, a pulp fantasy novel, newspaper clippings — to tease out the secrets behind the 1945 death of 25-year-old socialite Laura Chase.
 

» Ajouter d'autres auteur(e)s (26 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Margaret Atwoodauteur principaltoutes les éditionscalculé
Belletti, RaffaellaTraducteurauteur secondairequelques éditionsconfirmé
Dionne, MargotNarrateurauteur secondairequelques éditionsconfirmé
Pulice, Mario JConcepteur de la couvertureauteur secondairequelques éditionsconfirmé
Tarkka, HannaTraducteurauteur secondairequelques éditionsconfirmé
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Imagine the monarch Agha Mohammad Khan, who orders the entire population of the city of Kerman murdered or blinded—no exceptions. His praetorians set energetically to work. They line up the inhabitants, slice off the heads of the adults, gouge out the eyes of the children. . . . Later, processions of blinded children leave the city. Some, wandering around in the countryside, lose their way in the desert and die of thirst. Other groups reach inhabited settlements...singing songs about the extermination of the citizens of Kerman. . . .

—Ryszard Kapuściński
I swam, the sea was boundless, I saw no shore.
Tanit was merciless, my prayers were answered.
O you who drown in love, remember me.

— Inscription on a Carthaginian Funerary Urn
The word is a flame burning in a dark glass.

—Sheila Watson
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Ten days after the war ended, my sister Laura drove a car off a bridge. The bridge was being repaired: she went right through the Danger sign. The car fell a hundred feet into the ravine, smashing through the treetops feathery with new leaves, then burst into flames and rolled down into the shallow creek at the bottom. Chunks of the bridge fell on top of it. Nothing much was left of her but charred smithereens.
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Farewells can be shattering, but returns are surely worse. Solid flesh can never live up the bright shadow cast by its absence.
What virtue was once attached to this notion—of going beyond your strength, of not sparing yourself, of ruining your health! Nobody is born with that kind of selflessness: it can be acquired only by the most relentless discipline, a crushing-out of natural inclination, and by my time the knack or secret of it must have been lost.
I'm sorry, I'm just not interested.
Or perhaps she's just softening me up: she's a Baptist, she'd like me to find Jesus, or vice versa, before it's too late. That kind of thing doesn't run in her family: her mother Reenie never went in much for God. There was mutual respect, and if you were in trouble, naturally you'd call on him, as with lawyers, but as with lawyers, it would have to be bad trouble. Otherwise it didn't pay to get too mixed up with him.
She knew the family histories, or at least something about them. What she would tell me varied in relation to my age, and also in relation to how distracted she was at the time. Nevertheless, in this way I collected enough fragments of the past to make a reconstruction of it, which must have borne as much relation to the real thing as a mosaic portrait would to the original. I didn't want realism anyway: I wanted things to be highly coloured, simple in outline, without ambiguity, which is what most children want when it comes to the stories of their parents. They want a postcard.
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Fiction. Mystery. Science Fiction. Historical Fiction. HTML:The bestselling author of The Handmaid's Tale and The Testaments weaves together strands of gothic suspense, romance, and science fiction into one utterly spellbinding narrative, beginning with the mysterious death of a young woman named Laura Chase in 1945.

Decades later, Lauraâ??s sister Iris recounts her memories of their childhood, and of the dramatic deaths that have punctuated their wealthy, eccentric familyâ??s history. Intertwined with Irisâ??s account are chapters from the scandalous novel that made Laura famous, in which two illicit lovers amuse each other by spinning a tale of a blind killer on a distant planet.

These richly layered stories-within-stories gradually illuminate the secrets that have long haunted the Chase family, coming together in a brilliant and astonishing fin

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