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The Deeper the Water the Uglier the Fish

par Katya Apekina

MembresCritiquesPopularitéÉvaluation moyenneMentions
1375199,185 (3.39)2
It's 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother's dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success. The girls, grieving and homesick, are at first wary of their father's affection, but soon Mae and Edie's close relationship begins to fall apart--Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother's downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne's romantic past clicks into focus, the family fractures further. Moving through a selection of first-person accounts and written with a sinister sense of humor, THE DEEPER THE WATER THE UGLIER THE FISH powerfully captures the quiet torment of two sisters craving the attention of a parent they can't, and shouldn't, have to themselves. In this captivating debut, Katya Apekina disquietingly crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession.… (plus d'informations)
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» Voir aussi les 2 mentions

5 sur 5
What an excellent novel! It is shortish, 350 pages with lots of white space as the storyline switches from person to person every 3 pages or so- it only takes a couple of days to read. The style works very effectively and you experience two full stories and many lesser ones, and yes, some are creepy. The voice of the main character, Edie, is a little familiar in feel and tone to some other literary characters, but what a great feisty voice it is, so I enjoyed her segments in particular. A great read I’d highly recommend. 4.5 stars. ( )
  diveteamzissou | Apr 21, 2023 |
Promised myself not to read hype debut fiction because my dislike goes so deep. Told from multiple viewpoints but there’s only one narrative voice and that voice begs like me, like me, look what I can do. Renewing my promise because it’s unfair to me (the reader) to punish myself and unfair to the writer, to be both hyped and trashed. Back to nonfiction while I cool tf down. ( )
  uncleflannery | May 16, 2020 |
Ruthlessly gothic, but with just a dash of Jodi-Picoult-like familial feeling so that the story became somehow all the more troubling than if it had been purely gothic.

The novel reminded me of last year's magnificently terrifying horror film "Hereditary," which like this novel also features an artist-parent who tortures her children, plus a smidge of self-immolation.

But because this novel comes to me outside of a tidy genre framework, and because it instead just barely nudges into a "maybe this could happen in the real world" space, I found the story unusually disturbing, and a little confusing to read. It's in something of an 'uncanny valley' for me that way. If the novel were pure genre then its excesses would be more enjoyable. But the novel instead asks me to feel real feelings, for situations that aren't realistic, and I guess I resented that a bit. ( )
  poingu | Feb 22, 2020 |
Fantastic read!!! ( )
  KellyFordon | Mar 6, 2019 |
Here's an ugly story to match the title. A famed writer gets his start with his confessional novel about a much younger girl, the daughter of a dear friend, whom he seduces and marries. She is mentally ill, and as she attributes the cause to her husband, she banishes him from her life with her their two young daughters. Everything these two touch is infected by their toxicity - especially the daughters. With no other relatives, the girls are sent to NYC and reunited with their father, who uses the younger daughter to recreate his life with his underage wife for his writer's blocked overdue novel. Some decent writing, especially from the PoV of the elder daughter, but all the mildly happier-than-anticipated endings in the world can't save this. It reminded me of the novel Eileen by Ottessa Moshfegh, which won critical acclaim but was overflowing with characters to despise. I could go on but there's just nothing redeeming here. ( )
3 voter froxgirl | Nov 7, 2018 |
5 sur 5
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It's 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother's dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success. The girls, grieving and homesick, are at first wary of their father's affection, but soon Mae and Edie's close relationship begins to fall apart--Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother's downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne's romantic past clicks into focus, the family fractures further. Moving through a selection of first-person accounts and written with a sinister sense of humor, THE DEEPER THE WATER THE UGLIER THE FISH powerfully captures the quiet torment of two sisters craving the attention of a parent they can't, and shouldn't, have to themselves. In this captivating debut, Katya Apekina disquietingly crooks the lines between fact and fantasy, between escape and freedom, and between love and obsession.

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