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La dernière croisière du Dragon-Zéphyr (1983)

par Norman Spinrad

Autres auteurs: Voir la section autres auteur(e)s.

Séries: Second Starfaring Age (1)

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378167,398 (3.33)2
In the Second Starfaring Age, humans travel the universe via a technology they barely understand, propelled by a space drive consisting of mysteriously complex mechanisms and, symbiotically linked to it, a living woman, the Void Pilot. Pilots are rare, and the ability to be a Pilot also entails physical wasting and a shortened life. But Pilots live only for the timeless moments of Transition, when their ships cross the emptiness of space in an instant. Now Void Pilot Dominique Alia Wu has begun to catch a glimpse of something more, something transcendent in that eternal moment . . . and she needs the cooperation of her Captain to achieve it permanently. Even at risk to the survival of the Ship. Norman Spinrad has been one of SF's most adventurous writers since the 1960s, an internationally praised peer of such writers as Harlan Ellison, Michael Moorcock, and Samuel R. Delany. His stories of the Second Starfaring Age, The Void Captain's Tale and the later novel Child of Fortune, form a single epic praised by the Encyclopedia of Science Fiction as an eroticized vision of the Galaxy . . . an elated Wanderjahr among the sparkling worlds.… (plus d'informations)
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This book was a whole lot of work for not much payoff. The writing is mannered and needlessly complicated; Spinrad might use 30 words, a third of them with at least 5 syllables and a couple of them in French, German or Spanish, to say "I got out of bed."

The basic premise is that mankind has discovered an FTL technology left behind by an alien race, and uses it to travel between the stars, without really understanding how it works. Sounds pretty traditional so far, right? But in Spinrad’s universe the FTL drive works by putting the “pilot” through an instantaneous mind blowing orgasm (I kid you not) each time the ship “jumps.” Pilots (who must be female, by the way) become addicted to the experience, forgetting about all else, spending their lives recovering from the last mind blowing orgasm and desperately waiting for the next jump. To keep the crew of the ship from going bonkers out in the void of space, a bizarre haute decadent culture has developed around keeping the crew entertained. While the colonists being transported deep sleep, a group of the vapid super-wealthy elite and their hangers-on engage in a non-stop orgy of food, drugs, drinks, sex, arts and the like. Think “Paris Hilton in Space” and you won’t be far wrong.

A couple of the characters were interesting, but I can’t really say that any were really likable. And at least the mannered writing provided quite a bit a variety to the repeated descriptions of various sex acts. A few interesting ideas, but all in all, not recommended. ( )
  clong | Dec 28, 2007 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Norman Spinradauteur principaltoutes les éditionscalculé
Berkey, JohnArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Daly, GerryArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Greif,OzzieArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Silva,OrlandoArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Taylor, GeoffArtiste de la couvertureauteur secondairequelques éditionsconfirmé

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In the Second Starfaring Age, humans travel the universe via a technology they barely understand, propelled by a space drive consisting of mysteriously complex mechanisms and, symbiotically linked to it, a living woman, the Void Pilot. Pilots are rare, and the ability to be a Pilot also entails physical wasting and a shortened life. But Pilots live only for the timeless moments of Transition, when their ships cross the emptiness of space in an instant. Now Void Pilot Dominique Alia Wu has begun to catch a glimpse of something more, something transcendent in that eternal moment . . . and she needs the cooperation of her Captain to achieve it permanently. Even at risk to the survival of the Ship. Norman Spinrad has been one of SF's most adventurous writers since the 1960s, an internationally praised peer of such writers as Harlan Ellison, Michael Moorcock, and Samuel R. Delany. His stories of the Second Starfaring Age, The Void Captain's Tale and the later novel Child of Fortune, form a single epic praised by the Encyclopedia of Science Fiction as an eroticized vision of the Galaxy . . . an elated Wanderjahr among the sparkling worlds.

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