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Chargement... La guerre de facepar Martha Gellhorn
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Reason Read: AAC. Martha Gellhorn was a novelist, journalist, and travel writer. 1934 to 1998 This book is a summary of all the wars that she had visited and wrote about in her lifetime. Ms Gellhorn was a pacifist and she writes about the people who live their lives in the turmoil of war. She writes about the lies that the government tells people to justify the wars and she reveals the propaganda that even Americans are subjected to to justify war. I felt like this writing was factual and trustworthy and without bias except for the author's pacifism. She is a new to me author. She is an interesting person who lived an interesting life. This curt bit of advice, from the Russian writer (and wife of the poet, Osip Mandelstam) Nadezdha Mandelstam, is one that Martha Gellhorn quotes at the conclusion of the chapter titled “Rule by Terror” in the section titled Wars in Central America (p. 321). It was sage advice (under the then-present circumstances) in Ms. Mandelstam’s time; it was sage advice in Ms. Gellhorn’s time. It remains sage advice in our time. On pp. 151-152, Ms. Gellhorn writes “On the night of New Year’s Day, I thought of a wonderful New Year’s resolution for the men who run the world: get to know the people who only live in it.” This was something she wrote on the first day of January, 1945, which was over 68 years ago. Things haven’t changed much since then — as Ms. Gellhorn predicted they wouldn’t in her coverage of conflicts from the Spanish Civil War up to and through the Reagan’s interventions in both El Salvador and Nicaragua. Before I ran across Ms. Mandelstam’s suggestion, I originally thought of titling my review “Read this book at your own risk!” — or “Read this book and weep.” Why? Because I suspect you’ll feel a similar shame while reading it. Shame as an American, certainly. But also shame as a human being. The history of our species is not a pretty one. And The Face of War begins only with the Spanish Civil War! Martha Gellhorn is no knee-jerk liberal. She’s a solid, unflinching liberal — by conviction. And her conviction is the result of first-person observation, investigation and inquiry. In other words, not of hearsay or conjecture. At the end of May, I read and reviewed Naomi Klein’s The Shock Doctrine. In my opinion, that book could sit side by side with this one on the same shelf of woe. Both women are profoundly competent journalists. Both are the kind of journalist we need more of — unflinching, compassionate and, above all (for those who’d heed their prophetic words), intelligent. I’ll risk making the same recommendation I made with The Shock Doctrine. Buy this book and read it cover to cover! As with Ms. Klein’s book, we’re talking history; but we’re also talking (almost) current events. And although Martha Gellhorn is now dead, I feel certain that if she were still alive, she’d be observing, investigating, inquiring and writing about similar atrocities in Afghanistan and Iraq. After all, was George W. Bush’s “shock and awe” qualitatively different from the Nazi doctrine of Schrecklichkeit (“frightfulness”)? Since I assume this review will be read — if at all — by Americans, I’ll conclude it with a quote from p. 281 that speaks to us most directly: “(i)t is not easy to be the citizen of a Superpower, nor is it getting easier. I would feel isolated with my shame if I were not sure that I belong, among millions of Americans, to a perennial minority of the nation(: t)he obstinate bleeding hearts who will never agree that might makes right and (who) know that if the end justifies the means, the end is worthless.” R. I. P. at last, Ms. Gellhorn. You’ve earned it. RRB 07/05/13 Brooklyn, NY An exceptional collection of sharp and compassionate reporting of the tragedy and suffering of war, this 1986 edition covers Gellhorn's experiences in the frontline of war -- from Spain, Finland, China, Western Europe, Java, Vietnam, the 1967 Arab-Israeli War, and Central America. It also includes an article on the Nuremberg Trials and the Peace conference in Luxembourg. Gellhorn portrays very vividly and with such candor the unflinching belief of the citizens of Barcelona in the Republic during the siege, amidst the rubble and the daily horror of death and destruction; the tenacity of young Polish soldiers as they pushed into Italy at the head of the Allied front; the painful images of injured children; the wretchedness of the Vietnamese hamlets being wiped out by the US bombings, and so on. She writes of a harrowing experience of going up in a bomber, and knowing first-hand what the "boys" were in for every time they fly in a mission. As women were not allowed to report from the front, she boarded a hospital boat to witness the D-Day landing and reported from there. Fearless, utterly bold and independent, as much a trailblazer in war reporting as in women's rights, her writing is compelling and powerful. Her writing is thoughtful, never dry, always directed at the human element. Regarded as one of the greatest war correspondents of all time, she also became one of the most vocal anti-war advocate. aucune critique | ajouter une critique
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"Il faut lire les reportages de guerre de l'épouse d'Hemingway pour découvrir une légende de la presse américaine." L'Express. Entre ses premières armes lors de la guerre civile espagnole, aux côtés de son futur mari Ernest Hemingway, et les derniers feux de la guerre au Panama, en 1990, la journaliste américaine Martha Gellhorn a couvert les plus grands conflits du XXe siècle. Les deux reporters se sont rencontrés à Key West, ont ensemble vu et raconté la guerre, jusqu'au moment où, quand elle part en 1943 suivre l'avancée de l'armée américaine en Italie, "Papa" lui lance, exaspéré : "Tu es une correspondante de guerre sur le front ou une épouse dans mon lit ?" Ils divorcent en 1945 et Martha Gellhorn, des combats sur l'île de Java à ceux du Vietnam, en passant par la guerre des Six Jours, va progressivement s'imposer, tant par son art de l'observation (elle était aussi photographe) que par l'immense qualité de sa plume, comme l'une des personnalités marquantes de la presse américaine. "Des articles exceptionnels, où l'on perçoit tous les états d'âme par lesquels Martha Gellhorn est passée pour voir et parfois comprendre les souffrances de la guerre." Télérama. "Enfin redécouverte, enfin traduite en français." Le Monde des Livres Aucune description trouvée dans une bibliothèque |
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The World War II columns resonated most with me, particularly the column on Dachau (which I’ve visited) and the Nuremberg Trials. I felt like I was missing some context for the columns on the wars in Central America. Gellhorn’s perspective on the Six Day War is the most intriguing part of this collection. Gellhorn’s view of Israel was shaped by her eyewitness experience of the Holocaust at Dachau and other places in Europe. ( )