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In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.… (plus d'informations)
I have quite mixed feelings about this book. I expected to like it: this is Kate Atkinson after all, mistress of the clever, well constructed plot. But though it's well written, though it tells a good tale, I was never fully absorbed. I had the odd feeling of looking down at the story from a height without any real connection to it. The war time section was better. Somehow, the chapters set in the 1950s failed to convince me. I'm writing this review over a week since I finished the book and .... I can't remember the ending. Maybe three stars is a bit generous then. ( )
Not very much into spy stories, but if it's by Kate Atkinson, I'll read it. The story moves in time and focuses on the people and details instead of the plot. Not among my favourites, but a worthy read. ( )
This idea of consequences, and of every choice exacting a price later, runs like a watermark through Transcription, as it did through its two predecessors. At times, the novel is guilty of making its historical parallels a little too emphatic:... Transcription stands alongside its immediate predecessors as a fine example of Atkinson’s mature work; an unapologetic novel of ideas, which is also wise, funny and paced like a spy thriller. While it may lack the emotional sucker punch of A God in Ruins, Transcription exerts a gentler pull on the emotions, offering at the end a glimmer of hope, even as it asks us to consider again our recent history and the price of our individual and collective choices. It could hardly be more timely.
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
‘In wartime, truth is so precious that she should always be attended by a bodyguard of lies.’ Winston Churchill
This Temple of the Arts and Muses is dedicated to Almighty God by the first Governors of Broadcasting in the year 1931, Sir John Reith being Director General. It is their prayer that good seed sown may bring forth a good harvest, that all things hostile to peace or purity may be banished from this house, and that the people, inclining their ear to whatsoever things are beautiful and honest and of good report, may tread the path of wisdom and uprightness. Translation of Latin inscription in the foyer of British Broadcasting House
Z Stands for ‘Zero’, the hour still abed When a new England rises and the old one is dead. From the Right Club’s ‘War Alphabet’
Dédicace
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
For Marianne Velmans
Premiers mots
Informations provenant du Partage des connaissances anglais.Modifiez pour passer à votre langue.
‘MISS ARMSTRONG? MISS Armstrong, can you hear me?’
Citations
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Recently she had bought a new book, by Elizabeth David - "A Book of Mediterranean Food". A hopeful purchase. The only olive oil she could find was sold in her local chemist in a small bottle. "For softening earwax?" he asked when she handed over her money.
Derniers mots
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Références à cette œuvre sur des ressources externes.
Wikipédia en anglais
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▾Descriptions de livres
In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever. Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.
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