AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

American Indian Ballerinas

par Lili Cockerille Livingston

MembresCritiquesPopularitéÉvaluation moyenneDiscussions
33Aucun730,855 (4)Aucun
This book is the first authorized biography of four twentieth-century American Indian ballerinas: Maria Tallchief, Rosella Hightower, Marjorie Tallchief, and Yvonne Chouteau. All raised in Oklahoma during the 1920s and 1930s, these women went on to achieve international fame, each uniquely responsible for changing the image of a ballerina. Lili Cockerille Livingston, who worked with all four of the ballerinas during her own career as a dancer, draws upon her extensive interviews with the women to bring their stories to life. In their own words, they tell about their childhoods in Oklahoma, their early rises to fame, the ups and downs of their personal lives, the challenges of combining marriage and motherhood with a dancing career, and their recent achievements as mentors and teachers of a younger generation of dancers. In tracing the diverse careers of the ballerinas, Livingston fills important gaps in the history of ballet. She sheds new light on the development of New York City Ballet, American Ballet Theatre, and the now-defunct Harkness Ballet and Grand Ballet du Marquis de Cuevas. In addition, she reveals the harshness of touring for dancers, the effect of World War II on the dance world, and revolutionary changes in choreography and training that took place during the women's performing years. Livingston also explores the tribal backgrounds of the women, showing how their rich cultural heritage contributed to their development as artists and their unique performing styles. At the same time she provides a fascinating glimpse into the worlds of the Osage, Choctaw, and Cherokee-Shawnee tribes to which the Tallchief sisters, Hightower, and Chouteau respectively belong.… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

Aucune critique
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

This book is the first authorized biography of four twentieth-century American Indian ballerinas: Maria Tallchief, Rosella Hightower, Marjorie Tallchief, and Yvonne Chouteau. All raised in Oklahoma during the 1920s and 1930s, these women went on to achieve international fame, each uniquely responsible for changing the image of a ballerina. Lili Cockerille Livingston, who worked with all four of the ballerinas during her own career as a dancer, draws upon her extensive interviews with the women to bring their stories to life. In their own words, they tell about their childhoods in Oklahoma, their early rises to fame, the ups and downs of their personal lives, the challenges of combining marriage and motherhood with a dancing career, and their recent achievements as mentors and teachers of a younger generation of dancers. In tracing the diverse careers of the ballerinas, Livingston fills important gaps in the history of ballet. She sheds new light on the development of New York City Ballet, American Ballet Theatre, and the now-defunct Harkness Ballet and Grand Ballet du Marquis de Cuevas. In addition, she reveals the harshness of touring for dancers, the effect of World War II on the dance world, and revolutionary changes in choreography and training that took place during the women's performing years. Livingston also explores the tribal backgrounds of the women, showing how their rich cultural heritage contributed to their development as artists and their unique performing styles. At the same time she provides a fascinating glimpse into the worlds of the Osage, Choctaw, and Cherokee-Shawnee tribes to which the Tallchief sisters, Hightower, and Chouteau respectively belong.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (4)
0.5
1
1.5
2
2.5
3
3.5
4 2
4.5
5

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 204,507,218 livres! | Barre supérieure: Toujours visible