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La civilisation de l'Europe à la Renaissance (1991)

par John Rigby Hale

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851918,673 (3.82)19
The masterpiece of Britain's leading Renaissance scholar. Winner of the Time-Life Silver Pen Award and The Royal Society of Literature Award. 'A superb evocation of the Europe of the "long 16th-century", wonderfully fresh and rich in its copious illustrative detail, full of innumerable delights. The book is the summation of John Hale's career as a historian, and as the crowning achievement of a master-designer whose richly fabricated works have given so much pleasure.' John Elliot, Regius Professor of Modern History at Oxford. 'The Civilisation of Europe in the Renaissance' is the most ambitious achievement of Britain's leading Renaissance historian. John Hale has painted on a grand canvas an enthralling portrait of Europe and its civilisation at a moment when 'Europe' first became an entity in the minds of its inhabitants. John Hale's Renaissance has no compartments. With astonishing range and subtlety of learning, he paints a gigantic picture of the age, enlivened by a multiplicity of themes, people and ideas. It contains memorable descriptions of painting, sculpture, poetry, architecture and music, but Hale is not simply concerned with the arts. He examines the dramatic changes during the period in religion, politics, economics and global discoveries. And throughout his book approaches the art of war and the art created for princes from the point of view of their impact on the imaginations, sensibilities and lives of ordinary people.… (plus d'informations)
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» Voir aussi les 19 mentions

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NA
  pszolovits | Feb 3, 2021 |
Overview of life in the late middle ages.
  jerry-book | Jan 26, 2016 |
Civilization curiously spelt with a z by this very British historian is an overview of Europe in what John Hale refers to as the long sixteenth century (he qualifies this as 1450-1620). It is not a story of the Renaissance although that period and its influence is very well covered in a large section of the book; Hale was concerned more with just how civilised the period was in comparison with today and other periods of history. Hale explains his title thus:

“I hope it will not be thought presumptuous that my title adapts that of a book of really seminal importance, Jacob Burckhardt’s The Civilization of the Renaissance in Italy of 1860. I have carried it for so long in my mental baggage as a talisman at once protective and provocative that this was not a journey I could undertake without it”

Burckhardt’s view of the Renaissance set the tone for Victorian historians and he saw that period in Italy as a rebirth. A discovery of the civilised world of the ancient Greeks and Romans whose culture and art led the renaissance Italians to soar to great heights. Hale puts this into perspective: while not denying that the rediscovery of antiquity and its resulting humanism was a key concept in the long sixteenth century, he concerns himself with an overview of `Europe and the progress towards a more civilised society.

The book has three parts. In part one Hale looks at our concept of Europe and how the men and women of Europe saw themselves. He analyses almost country by country the development from feudalism to a more city based culture. He searches for an overall pattern, but it emerges that there really isn’t one, because one city state after another sought to gain advantage over the others. England as an Island state seems to have much the same connection with Europe then as now, intrinsically part of it and yet holding itself somewhat aloof. Most of Europeans were ruled by monarchs and their warlike/aggressive culture ensured there was no lasting peace. War was the sport of kings say Hale and the evidence is there to fully support this view. A chapter on the Divisions of Europe also covers the split in the Christian religion resulting in the reformation and later in the counter-reformation.

Part two covers the renaissance and walks through the history of the Italian renaissance and how the pagan cultures of antiquity had been adapted and encompassed within a Christian culture. Hale then looks at how the rediscovery of antiquity led to a later renaissance in other European states. These took different forms; for example drama and the theatre in England, Poetry and literature in France, religious music in Germany and realism in art in the low countries. Hale identifies some key pan Europe influences/references that helped shape the culture of the times. The writing and learning of Erasmus and the Book of the Courtier by Baldassarre Castiglione are two examples and perhaps a criticism of of Hale’s book is an over reliance on these. This section does however provides an excellent overview of how we see the renaissance today.

Part three is for me the real meat of the book and it is where Hale gets to analyse the civilisation of the long sixteenth century. He manages to give a picture of just what it was like to be alive in this period, whether it was in the cities or the countryside. He talks of civility - City based values: sound education, polite manners, the discriminating use of money and a social standing which enabled its owners to play a part in public affairs. He discusses how the rising commercial world had its impact on all sections of society and in a chapter headed Civility in Danger he talks about the volatility of human nature as it moved towards greater civility and discusses crime and punishment with examples that may make your hair stand on end. A chapter headed the Control of Man talks about censorship, about the influence of the printing press, how people had access to more information. He discusses attitudes to sex and the attempt to control prostitution and of course there is the rhetoric from the clerics themselves struggling with the reformation. The final chapter The Taming of Nature takes the reader through cultivation, the making of gardens, the state of medicine, the idea of the cosmos, mechanical inventions, hesitant moves towards science and discovery. In all these things the people of the sixteenth century not only had to struggle with the unknown, but they also had to cope with the wisdom of antiquity and where necessary prove that wisdom unfounded.

The final chapter is headed our age and imagines people looking backwards from their point in time. How much progress was in evidence for them; was it the worst of ages or the best of ages: Erasmus seemed to swing between both tenants, had they managed to escape the shackles of the learning of the past and was life better now than ever before. Hale writes well, his ideas are clear and he makes plenty of reference to documents and literature from the sixteenth century. There are notes and a Bibliography and index at the back of the book. Although it is the work of a Scholar, Hale’s book could be enjoyed by the more general reader. If you wanted to read a book about culture and politics in sixteenth century Europe you would be in safe hands with Mr Hale. A 4.5 star read. ( )
1 voter baswood | Dec 8, 2015 |
This is a spectacular example of synthetic history. It incorporates many of the concerns of recent historiography while conveying a clear sense of the momentous changes and sheer exuberance that mark the cultural moment of the Renaissance. I remain curious about the author's judgment in defining the span of the period as 1420-1620. The end point makes sense, but most historians would put the beginning earlier. The book was left to be finished after the author's death, and it may be ragged or rambling in some parts, but it is mightily impressive nonetheless.
  pranogajec | Dec 8, 2014 |
I centocinquantanni che passano di solito sotto il nome di Rinascimento furono il lasso di tempo in cui il mondo occidentale si indirizzò sulla strada che ha portato ai giorni nostri. I più avveduti fra gli uomini che vissero in quel periodo sentiva di far parte di un’epoca speciale dopo il relativo immobilismo dei secoli medioevali: a parte l’appropriazione di qualche scoperta fiorita in precedenza, come la bussola, l’impressione era corretta, anche se, come in tutti i momenti innovativi, fu necessario fare i conti con i retaggi del passato. Il superamento delle vecchie idee non fu facile anche perché la parte della società esposta al cambiamento era essenzialmente un élite, mentre gran parte della popolazione – nelle campagne e negli strati ‘proletari’ delle città – veniva lambita solo marginalmente. La nuova fioritura delle arti e delle lettere stimolata anche dalla riscoperta dei classici, le scoperte geografiche e le invenzioni fondamentali come quella della stampa, una nuova attenzione scientifica orientata più sulla pratica che sulla teoria, l’esplosione dei commerci fino a una vera e propria idolatria per la mercatura: molteplici sfaccettature di un modo di pensare e di vivere rinnovato sempre più in profondità e che, pur prendendo il via soprattutto nell’Italia del Quattrocento, si diffuse ben presto nell’intero continente. Anzi, è proprio l’aumento degli interscambi commerciali e della mobilità legata agli interessi culturali (comunicazioni fra eruditi di vari Paesi, desiderio di visitare monumenti lontani, artisti chiamati a fornire la loro opera in corti lontane) – oltre, ovviamente, ai miglioramenti nella cartografia – a far percepire per la prima volta il concetto di Europa a persone i cui padri erano abituati a non guardare e ‘pensare’ oltre il proprio, limitato territorio. Con un rovescio della medaglia, però: i confini e le caratterizzazioni nazionali, a volte ai limiti del razzismo, si combinarono alle armi da fuoco sempre migliori e alla religione (sotto l’aspetto degli opposti estremismi di Riforma e Controriforma) iniziando a far scorrere il fiume di sangue che si è arrestato – seppure non del tutto – solo alla metà del Novecento. Lo storico inglese John Hale descrive questi processi storici – brutalmente banalizzati nelle frasi che precedono – in oltre seicento pagine riccamente illustrate (in bianco e nero, almeno nell’edizione Mondadori in mio possesso) e intessute di una miriade di documenti che comprendono anche brani letterari e memorialistica e provengono da ogni angolo d’Europa. Scritta negli anni Ottanta del secolo scorso – prima che l’autore fosse colpito dalla malattia che lo condurrà in pochi anni alla morte – l’opera scorre comunque con buon ritmo e per nulla ardua consentendo sia un ottimo ripasso, sia la scoperta di aspetti sconosciuti e inattesi. ( )
  catcarlo | Dec 5, 2014 |
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The masterpiece of Britain's leading Renaissance scholar. Winner of the Time-Life Silver Pen Award and The Royal Society of Literature Award. 'A superb evocation of the Europe of the "long 16th-century", wonderfully fresh and rich in its copious illustrative detail, full of innumerable delights. The book is the summation of John Hale's career as a historian, and as the crowning achievement of a master-designer whose richly fabricated works have given so much pleasure.' John Elliot, Regius Professor of Modern History at Oxford. 'The Civilisation of Europe in the Renaissance' is the most ambitious achievement of Britain's leading Renaissance historian. John Hale has painted on a grand canvas an enthralling portrait of Europe and its civilisation at a moment when 'Europe' first became an entity in the minds of its inhabitants. John Hale's Renaissance has no compartments. With astonishing range and subtlety of learning, he paints a gigantic picture of the age, enlivened by a multiplicity of themes, people and ideas. It contains memorable descriptions of painting, sculpture, poetry, architecture and music, but Hale is not simply concerned with the arts. He examines the dramatic changes during the period in religion, politics, economics and global discoveries. And throughout his book approaches the art of war and the art created for princes from the point of view of their impact on the imaginations, sensibilities and lives of ordinary people.

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