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Chargement... Warlight: A novel (édition 2018)par Michael Ondaatje (Auteur)
Information sur l'oeuvreWarlight par Michael Ondaatje
  
» 14 plus Books Read in 2019 (75) Five star books (156) Booker Prize (284) Best Spy Fiction (130) Books Read in 2021 (1,958) Books Read in 2018 (1,728) Books about World War II (218) TLS 6011 (18) Historical Fiction (21) Actuellement, il n'y a pas de discussions au sujet de ce livre.   )1   HelenBaker | Apr 15, 2024 |  lelandleslie | Feb 24, 2024 |  ) bschweiger | Feb 4, 2024 | ) jjbinkc | Aug 27, 2023 |  ) GordonPrescottWiener | Aug 24, 2023 |
 Ondaatje’s shrewd character study plays out in a smart, sophisticated drama, one worth the long wait for fans of wartime intrigue. By now we know what we are going to get from an Ondaatje novel: A moody, murky, lightly pretentious and mostly nonlinear investigation of lives and stories that harbor tantalizing gaps. There will be disquisitions on arcane topics including, frequently, mapmaking. Wartime and/or criminality will feature in the foreground or background. The nature of storytelling will be weighed and found fascinating. The spine of the plot, unlike the spine of a steamed fish, will be nearly impossible to remove whole.....Ondaatje’s new novel, “Warlight,” is his best since “The English Patient.” That sounds like a publicist’s dream quote, but perhaps it isn’t exactly. I was among that sodality of readers who didn’t cotton to “The English Patient,” finding it merely moody, murky and lightly pretentious, a tone poem in search of a whetstone....There’s an unpleasant sense that Ondaatje is regaling us rather than simply putting across a story. In his overweening interest in secrets and tall tales, in his relish for how stories are told, he’s taken the Salman Rushdie exit off the Paul Auster turnpike....Yet his burnished, lukewarm sentences don’t snap to life like the people he enjoys. Reading him on these scruffy men and women is like listening to someone try to play “Long Tall Sally” on solo cello. It’s not awful, but it’s weird. We are in familiar Ondaatje territory here – sensuous prose, curious characters, missing threads, unstable footings. But which of these fragments has real significance? “Do we eventually become what we are originally meant to be?” ponders the narrator – and the reader – as each searches for meaning....This mesmerizing novel begins in 1945, when Nathaniel’s parents disappear, leaving Nathaniel, then 14, and his 16-year old sister in a grimy, postwar South London, “in the care of two men who may have been criminals.” Ostensibly, both parents are going to Singapore for a year, for their father’s new job. Meanwhile, the two men – Walter (tagged “the Moth” by the children for his “shy movements”) and “the Pimlico Darter” (an ex-welterweight boxer) – fill the house with bizarre visitors....Every sentence that Ondaatje writes defies gravity with its elegance, yet is weighty with significance. Water rushes out of taps “like time itself.” There are baffling loose ends and moments of tension. And yet, underneath the uncertainty there is a sturdy cohesion that makes this one of Ondaatje’s most successful and satisfying novels.  A boy alone in postwar London is drawn into shadowy worlds in this suspenseful yet frustrating story from the English Patient author....Michael Ondaatje likes writing about uncertainties, mysteries and doubts, not quite with the Keatsian ambition of resisting “any irritable reaching after fact and reason”, but because he relishes the idea of thoughts being fluid and characters essentially unknowable....scenes are habitually softened by half-lights, and all action and most reflection are slowed by rich (some would say overwritten) prose. Hence, too, the procedures of his other novels, in which similarly striking narrative potential is mostly kept in check, or actually stifled...In Ondaatje’s new novel, his eighth, his appetite for imprecision is stronger than ever..Rather than closing the book convinced that psychological insights have been generated by Jamesian withholdings, we might equally well feel that characters have been flattened by our simply not knowing enough about them, and that our interest in their doings is diminished by the same means. Prix et récompensesDistinctionsListes notables
Dans Londres dévasté par les bombardements de la Deuxième Guerre mondiale, la vie est dure, les denrées sont rares, l’avenir est incertain. C’est le moment que choisissent les parents de Nathaniel et de Rachel pour leur annoncer qu’ils doivent les quitter parce que leur père vient d’être nommé en poste à Singapour. Ils sont confiés à un tuteur qu’ils surnomment « Papillon de nuit ». Entre le départ de leur père et le comportement désinvolte de leur mère, les deux adolescents s’apprêtent à découvrir que le présent comme le passé de leur famille sont embrouillés par le jeu des apparences. « Nous avions l’habitude des récits incomplets », de dire Nathaniel.Au fur et à mesure que la vie s’organise dans la maison où viennent s’installer d’étonnants pensionnaires, les enfants commencent peu à peu à mettre en place les pièces du puzzle. Les tuteurs qui veillent sur eux sont-ils des criminels? Pourquoi leurs parents ont-ils menti? Servent-ils une noble cause ou des intérêts inavouables? D’où viennent ces étrangers qui partagent maintenant leur quotidien? Ce n’est qu’à l’âge adulte qu’ils découvriront toutes les clés de l’énigme, mais ce sera à une époque où eux-mêmes auront à se pencher sur les mensonges qui les ont accompagnés tout au long de leur propre existence. Inspiré par les maîtres du roman d’espionnage, l’auteur du Patient anglais fait alterner l’ombre et la lumière dans un suspens feutré qui prend des allures de chasse aux fantômes. Aucune description trouvée dans une bibliothèque |
Discussion en coursAucunCouvertures populaires
 Google Books — Chargement...GenresClassification décimale de Melvil (CDD)813.54Literature English (North America) American fiction 20th Century 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne: (3.73)
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