AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Eight Ghosts: The English Heritage Book of New Ghost Stories (2017)

par Rowan Routh (Directeur de publication)

Autres auteurs: Kate Clanchy (Contributeur), Mark Haddon (Contributeur), Andrew Michael Hurley (Contributeur), Sarah Perry (Contributeur), Max Porter (Contributeur)2 plus, Kamila Shamsie (Contributeur), Jeanette Winterson (Contributeur)

MembresCritiquesPopularitéÉvaluation moyenneMentions
1024266,380 (3.73)9
"Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. Eight authors were given after hours freedom at their chosen English Heritage site. Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story."--Publisher's description.… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 9 mentions

4 sur 4
This really isn't my thing, I'm not a fan of scary stories and wouldn't usually pick up a book of ghost stories. Not all of them have a traditional ghost, but there is something "other" going on in all of them. They are written by 8 different authors and are in response to a place held for posterity by English Heritage. Those that worked best for me where the ones where I had visited and the story brought back a sense of the place - for me that was in Dover and Pendennis Castles.
By not being filled with the traditional white sheet wielding ghosts this is actually more effective. The stories are a mixed bunch, in terms of style and story telling, some are set in the present, some in a recent or further distant past. The stories themselves are augmented by a brief history of the ghost story itself followed by a resume of some of the more haunted places that are held by English Heritage, included the 8 places featured in this collection.
So not really my thing, and I'm still not about to rush out and devour every ghost story, but I quite enjoyed this while I was warm and safe and reading in daylight... ( )
  Helenliz | Oct 4, 2018 |
‘’There is melancholy in lights glimpsed from a distance’’, she said, ‘’A party to which one has not been invited.’’

When I am in the car and the night has fallen, I love gazing at the lit windows of the houses that pass over my eyes. Thankfully, I don’t drive, so I can enjoy the scenery to my heart’s content. Some windows shed too bright a light, most are dimly lit and soothing. I always wonder what kind of people live inside, what their stories might be. This is one of the times when we might feel like ghosts...Watching lives from a distance, a mirror….

The quote I chose was one of many beautiful moments in this collection. Eight of the most significant British writers of our time have written stories dedicated to their favourite English landmarks, simultaneously paying homage to the great heritage of the British Ghost stories.Sarah Perry and Jeanette Winterson are only two of the writers that speak to us about spectres from the other side. And yet, is there an ‘’other side’’? The ghosts that haunt the ruins of buildings lost back in time are very much ‘’alive’’ in the world of the living. They haunt land and souls. They want to speak, to love, to punish.

The stories are as particular and unique as their creators. These aren’t ordinary, average writers and the tales included aren’t the common, run-of-the-mill, ghostly ‘’products’’. Some of them may even have you wondering why they’re actually called ‘’ghost’’ stories. There is no shocking factor here, no violent descriptions, no slasher-films gimmicks. These are tales that touch on perceptions, beliefs, feelings and memories.

The stories that stood out, in my opinion, were:

‘’They Flee From Me That Sometimes Did Me Seek’’ by Sarah Perry. Perry isn’t able to write an average text, even of she deliberately tried to. I think we have established this by now. Possibly the best new voice in the endless wealth that is British Literature, here she creates an exquisite tale that touches the thin line between the metaphysical and the absurd. The title, derived by Sir Thomas Wyatt’s beautiful poem, is the heart of the story but you’ll have to read it to understand it. One of the most attractive, elegant stories in the collection.

‘’The Bunker’’ by Mark Haddon. A weird, hallucinatory story, written in impeccably beautiful language.

‘’Foreboding’’ by Kamila Shamsie. A haunting story of finding yourself in a foreign country, realizing that ghosts aren’t the worst thing that can happen. A tale that talks about the pain of the refugees and the themes of family and death.

‘’Never Departed More’’ by Stuart Evers. One of the strangest stories in this collection. What starts as an unusual method of a troubled actress for a film based on Ophelia, becomes a journey through this world and the one beyond that is closer than we think. An -almost- psychological study, a tale steeped in madness and obsession.

‘’The Wall’’ by Kate Clanchy. A sad, yet hopeful story of a mother and a daughter who decide to deal with tragedy and rediscover themselves in the ruins of Hadrian’s Wall.

‘’As Strong As Death’’ by Jeanette Winterson. Possibly, the finest story in the collection. Well, small wonder since it’s Jeanette Winterson we’re talking about. A tale that centers on love, loss and acceptance, while taking glimpses in many pivotal moments in British history.

The Afterwards section is dedicated to a short analysis of the unique development of the British Ghost story tradition, referring to some of the most well-known spectres of the Old Albion. There is also a brief history of the landmarks that become the stage for these beautiful, absurd, haunting stories. Poetic texts, informative and a bit nostalgic for the presence of the past, inexplicable and fascinating.

To say that the writers of the stories stept on ‘’familiar’’ tropes or to claim that they ‘’played it safe’’ is more than simplistic. It’s sacrilege, permit me the use of the word. With Rowan Routh as the editor, eight gifted souls joined forces to create not mere ghost stories, but passages that touch the heart of the readers. They brought forth all that is good and inspiring and dignified in what we call ‘’Literature’’...

My reviews can also be found on https://theopinionatedreaderblog.wordpress.com ( )
1 voter AmaliaGavea | Jul 15, 2018 |
A mixed bag from some of the foremost authors of our time. Worth reading for 'Foreboding' by Kamila Shamsie and 'The Wall' by Kate Clanchy. The other stories vary from weak (Sarah Perry; Mark Haddon) to average (everyone else). The references to English Heritage sites are usually cleverly woven in, and made me want to visit some of them. ( )
  cappybear | Nov 16, 2017 |
FYI Review - this anthology contains the following (with reference to the English Heritage sites that inspired them)
-They Flee From Me That Sometime Did Me Seek by Sarah Perry (Audley End)
-Mr. Lanyard's Last Case by Michael Andrew Hurley (Carlisle Castle)
-The Bunker by Mark Haddon (York Cold War Bunker)
-Foreboding by Kamila Shamsie (Kenilworth Castle)
-Never Departed More by Stuart Evers (Dover Castle)
-The Wall by Kate Clanchy (Homesteads Roman Forts)
-As Strong As Death by Jeanette Winterson (Pendennis Castle)
-Mrs. Charbury at Eltham by Max Porter (Eltham Palace)
Also:
-Within These Walls: How the Castles, Abbeys and Houses of England Inspired the Ghost Story, afterword by Andrew Martin
-A Gazetteer of English Heritage Hauntings
-Biographical Notes ( )
  Lemeritus | Mar 2, 2024 |
4 sur 4
aucune critique | ajouter une critique

» Ajouter d'autres auteur(e)s

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Routh, RowanDirecteur de publicationauteur principaltoutes les éditionsconfirmé
Clanchy, KateContributeurauteur secondairetoutes les éditionsconfirmé
Haddon, MarkContributeurauteur secondairetoutes les éditionsconfirmé
Hurley, Andrew MichaelContributeurauteur secondairetoutes les éditionsconfirmé
Perry, SarahContributeurauteur secondairetoutes les éditionsconfirmé
Porter, MaxContributeurauteur secondairetoutes les éditionsconfirmé
Shamsie, KamilaContributeurauteur secondairetoutes les éditionsconfirmé
Winterson, JeanetteContributeurauteur secondairetoutes les éditionsconfirmé
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Évènements importants
Films connexes
Épigraphe
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
'The future is like a dead wall or thick mist hiding all objects from our view: the past is alive and stirring with objects, bright or solemn, and of unfading interest.' -From 'On the Past and Future' in Table-Talk; or, Original Essays by William Hazlitt, 1821
Dédicace
Premiers mots
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
"Did I ever tell you," said Salma, "about my friend Elizabeth?"

We sat in the cafe at Audley End, where we'd come to wheel her mercifully sleeping infant through shaded rooms, and to gaze with due respect at pendant plaster ceilings and extinct waterfowl wading nowhere behind panes of glass.

"Not that I recall." -They Flee From Me That Sometime Did Me Seek by Sarah Perry
Citations
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Now that he knew their history, the ruins were transformed. He walked slowly through all the broken rooms where queens had danced and plots had been laid and kings had been insulted and marriage proposals that would have changed history were rejected and great feasts were prepared by those whose lives went unrecorded. How beautifully the star-filled sky took theplace of stained-glass in the vast windows of the great hall. -"Foreboding" by Kamila Shamsie
"There is melancholy in lights glimpsed from a distance," she said. "A party to which one had not been invited." -"Never Departed More" by Stuart Evers
I like the town, myself: its irregular, un-Roman buildings built into the folds of the hill; its murder victims; its loaded dice and counterfeit coins; all the untidy compromise of it. I like all the evidence of the later, unplanned, inner fort too; everything that happened as the empire decayed: the grim barrack dormitories made over into wooden huts to hold a family each, the chilly open porticos in headquarters closed off against the sea winds and turned into warm little offices for probably corrupt officials. It's like a family wearing in a home, or a religion settling on some comfortable hypocrisies; or a marriage finding its own perverse, beloved shape. -"The Wall" by Kate Clanchy
We walked under the gunmetal sky towards to oldest part of the estate. The Tudor fort is so small. Like a toy for toy soldiers. Time set in stone. So much time has happened here - not only months and years, not only time passing, but time happening. -"As Strong As Death" by Jeanette Winterson
Derniers mots
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
(Cliquez pour voir. Attention : peut vendre la mèche.)
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

"Rooted in place, slipping between worlds - a rich collection of unnerving ghosts and sinister histories. Eight authors were given after hours freedom at their chosen English Heritage site. Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories. Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story."--Publisher's description.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.73)
0.5
1
1.5
2 1
2.5
3 6
3.5
4 2
4.5 4
5 2

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 204,745,508 livres! | Barre supérieure: Toujours visible