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Chargement... Leonardo da Vinci (Em Portugues do Brasil) (original 2017; édition 2017)par Walter Isaacson (Auteur)
Information sur l'oeuvreLéonard de Vinci. La biographie par Walter Isaacson (2017)
Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Wonderful book! We should all be so curious and observant. This was my first audio book. I thought it was well done. I wasn’t expecting to enjoy it (being read to as opposed to reading it myself) so much. I think it could be easy to get hooked on this. As a bonus, I also own the hardcover so I was able to look at the pictures while reading. Уолтер Айзексон специализируется на биографиях гениев. Сравнительно недавно большой успех имела его книга о Стиве Джобсе, а ранее — об Эйнштейне и Бенджамине Франклине. К концу карьеры Айзексон решил обратиться к имени, синонимичному понятию «гений», и, как выясняется, даже годы изучения неординарных личностей не смогли достаточно подготовить его к масштабам Леонардо. А как иначе отнестись к человеку, кто в списке своих талантов рисование ставит на последнее место, а в перечне дел на день ставит «разобраться с устройством языка дятла»? Дятел, кстати, действительно на редкость странен в этом отношении. Продолжая шокировать читателя неординарностью да Винчи, Айзексон тем не менее предлагает лайфхаки, основанные на жизни и мировоззрении флорентийца, пригодные и для не столь гениального человека. My biggest gripe here is that Isaacson acts like a cheerleader for the subject. Given da Vinci’s mythical status in the common consciousness that’s not really helpful. We get part art criticism, mostly handed down courtesy of Kenneth Clark, and part surrounding history of the period. That’s where the book really had an opportunity to use its massive size, detailing the context of the people Leonardo interacts with, and to a certain extent it tries to do this, it just falls a bit short, as we have to get back to talking about how great a painter the perennial procrastinator was. There’s also side-tracks concerning the authenticity (or not) of paintings that have caused some controversy and spawned entire books in recent history. Maybe out of a sense of completeness, but it really just furthers the lack of focus the biography has. Is this the historical Leonardo da Vinci? Speculations about the inner psychology of the same (something Isaacson returns to several times if just to explain how it’s Freudian bunk - then did we need to cover it?). Art criticism (again, mostly through the established opinions of others)? A man with a rich and varied life in a dynamic time period might well need multiple volumes to cover all aspects of his being. Trying to combine them into one book didn’t work that well. Despite these criticisms it kept me engaged while on tour in Florence which nets it an extra star. aucune critique | ajouter une critique
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"He was history's most creative genius. What secrets can he teach us? The author of the acclaimed bestsellers Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting new biography. Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius"-- Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)709.2The arts Modified subdivisions of the arts History, geographic treatment, biography Biography (artists not limited to a specific form)Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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The text is focused on the visual documentation leonardo left and with little insight into his logical thinking. More a history of art book overall / with a puzzling self help conclusion and a long deviation following some attribution questions around some drawing.
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