Interessant per a amants de l'obra de Capote, com jo, donat que en moltes cartes trobem informació interessant sobre les seves obres i el procès creatiu, però en molts moments es fa avorrit i pesat. ( )

Again with my obsession. Reading these letters was a treat. Capote agonized over every word in his published work, so it was fun to read things he just tossed off as if he was chatting to a friend (which he did mostly by letter for many, many years). The letters reveal a kind, loving soul; not the impression one would get if one only knew about his rather wild later years. Many of the letters are gossipy, many are poignant enough to break your heart.

Books like this also make me sad, in a way, that technology has changed. I mean, who's going to want to read "The Collected E-mails of So-and-So"?

I do strongly recommend this book for Capote devotees.

Some of my favorite bits:

pp. 45,46, from a letter to Robert Linscott (his editor): I am working on the book and it is really my love and today I wrote two pages and oh Bob I do want it to be a beautiful book because it seems important to me that people try to write beautifully, now more than ever because the world is so crazy and only art is sane and it has been proven time after time that after the ruins of a civilization are cleared away all that remains are the poems, the paintings, the sculpture, the books.

p. 54, from a letter to Leo Lerman: If it were not for N. and you and my friends I would never come home. Not that I think it is so much better here, it is merely that I am better. Or maybe that is only because so far I don't understand the meanings of things too well, and am therefore not disturbed, as I would be at home, by the look of a child's face, a tone of voice, an accent, the quality of light in a street: nothing connects with memory, reverberates: do you see what I mean, how nice it is not to be pursued by desperate knowledge?

p. 102, from a letter to Andrew Lyndon: A copy of The World Next Door has reached me; have you tried to read it? Every now and then there are some good things in it--but I've never had the patience to pick raisins out of pudding--and God knows he writes a pudding prose, weak, lazy, hurried.

p. 123, from a letter to Leo Lerman: ...and I've got a start on the book that all along I should've known was the one possible book for me--because it really is mine. There is always such a tragic tendency to disregard what is one's own--just as we are often nicer to strangers than we are to our friends.

p. 398, from a letter to Alvin Dewey III: One cannot be taught to write. One can only learn to write by writing--and reading. Reading good books written by real artists--until you understand why they are good. I'm quite sure you have never done this; and you must.

p. 404, from a letter to Alvin Dewey III: However, you go out of your way to find an odd or long word, where a simpler one would do. Most beginning writers do this--apparently under the impression that good writing is fancy writing. It isn't. Strive for simplicity--the plain, everyday word is usually the best. It is how you arrange them that counts. ( )