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Murder in the Closet: Essays on Queer Clues in Crime Fiction Before Stonewall

par Curtis Evans

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"Literary studies of queer themes and characters in crime fiction have tended to focus on the more positive and explicit representations since the riots, while pre-Stonewall works are thought to reference queer only negatively or obliquely. This collection of new essays questions that view with an investigation of queer aspects in crime fiction published over eight decades"--… (plus d'informations)
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FYI REVIEW This book contains essays by the following writers with extensive bibliographies for TBR miners.
-Introduction by Curtis Evans
Part One: Locked Doors
-The Queer Story of Fergus Hume by Lucy Sussex
-A Redemptive Masquerade: Gender Identity in Samuel Hopkins Adams’ The Secret of Lonesome Cove by J.F. Norris
-Dropping Hairpins in Golden Age Detective Fiction: Man-Haters, Green Carnations and Gunsels by Noah Stewart
“Queer in some ways”: Gay Characters in the Fiction of Agatha Christie
-Agatha Christie: Norms and Codes by Michael Moon
-The Unshockable Mrs. Bradley: Sex and Sexuality in the Work of Gladys Mitchell by Brittain Bright
-“Less beautiful in daylight”: Josephine Tey and the Anxiety of Gender by J.. Bernthal by J.C. Bernthal
-“Mutually devoted”: Female Relationships in Josephine Tey’s Miss Pym Disposes by Moira Redmond
-“The man with the laughing eyes”: Socialism and Same-Sex Desire in G. D. H. Cole’s The Death of a Millionaire by Curtis Evans
-Humdrum Ecstasies: C. H. B. Kitchin and His Detective, Malcolm Warren by Michael Moon
-“Two young men who write as one”: Richard Wilson Webb, Hugh Callingham Wheeler, Male Couples and The Grindle Nightmare by Curtis Evans
-Queering the Investigation: Explanation and Understanding in Todd Downing’s Detective Fiction by Charles J. Rzepka
-“A bad, bad past”: Rufus King, Clifford Orr, College Drag and Detective Fiction
-Foppish, Effeminate, or “a little too handsome”: Coded Character Descriptions and Masculinity in the Mystery Novels of Mignon G. Eberhart by Curtis Evans
Part Two: Skeleton Keys
-“The finest triumvirate of perversion, horror and murder written this spring”: Frank Walford’s Twisted Clay by James Dong
-Wayne Lonergan’s Long Shadow: A Forties Murder and Its Literary Legacy by Drewey Wayne Gunn
-“Claude was doing all right”: Homosexuality, Hard-Boiled Crime Fiction and the Evolution of Ross Macdonald by Tom Nolan
-“Elegant stuff … of its sort”: Gore Vidal’s Edgar Box Detective Novels by Curtis Evans
-“Adonis in person”: Same-Sex Intimacy and Male Eroticism in the Detective Novels of Beverley Nichols by J.F. Norris
-More Than Fiction: Troublesome Themes in the Life and Writing of Nancy Spain by Bruce Shaw
-Man to Man: The Two-Men Theme in the Novels of Patricia Highsmith by Nick Jones
-Kiss Kiss Bang Bang: Joseph Hansen’s Known Homosexual by Josh Layton
-I Am the Most! Camping It Up in George Baxt’s Pharoah Love Mystery Series by J.F. Norris
  Lemeritus | Jul 3, 2023 |
A look at mystery writing from the 1880s to the 1960s in which characters can be read as gay or lesbian. Some of the essays are more convincing than others. I've added some of the books discussed to my TBR list but for the most part they were by authors I was already aware of. ( )
1 voter Robertgreaves | Dec 20, 2021 |
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In Murder in the Closet: Essays on Queer Clues in Crime Fiction Before Stonewall, seventeen contributors in twenty-three essays explore queer aspects of crime fiction published between the late Victorian era and the height of the Swinging Sixties, beginning with the works of the prolific author Fergus Hume, whose first detective novel, The Mystery of a Hansom Cab, became a worldwide bestseller upon its publication in Australia in 1886, and ending with early mysteries by American writers Joseph Hansen and George Baxt, works whose telltale titles like Known Homosexual (1968) and A Queer Kind of Death (1966) indicate that by the mid-to-late Sixties the closet door was hanging precariously on its hinges. -Introduction
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"Literary studies of queer themes and characters in crime fiction have tended to focus on the more positive and explicit representations since the riots, while pre-Stonewall works are thought to reference queer only negatively or obliquely. This collection of new essays questions that view with an investigation of queer aspects in crime fiction published over eight decades"--

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