AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

John Gardner on Writing: On Becoming a Novelist, On Writers and Writing, On Moral Fiction

par John Gardner

MembresCritiquesPopularitéÉvaluation moyenneDiscussions
21Aucun1,050,147 (3)Aucun
Three books in one volume: Advice and reflections on modern fiction from "one of the greatest creative writing teachers we've ever had" (Frederick Busch). In On Becoming a Novelist, John Gardner advises the aspiring fiction author on such topics as the value of creative writing workshops, the developmental stages of literary growth, and the inevitable experience of writer's block. Drawn from his two decades of experience in creative writing, Gardner balances his compassion for his students with his knowledge of the publishing industry, and truthfully relates his experiences of the hardships that lie ahead for aspiring authors. In On Writers & Writing, acclaimed novelist John Gardner discusses the craft of fiction writing, taking to task some of his best-known contemporaries in the process. Gardner criticizes some for writing disingenuous fiction, and commends others who produce literature that acts as a life-affirming force. He offers insights into and exacting critiques on such writers as Vladimir Nabokov, John Updike, Saul Bellow, and John Cheever, while addressing his personal influences and delivering broad-ranging observations on literary culture. And in On Moral Fiction, John Gardner's thesis is simple: "True art is by its nature moral." Since the book's first publication, the passion behind Gardner's assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality.… (plus d'informations)
  1. 00
    A escritora morta par Núria Añó (Utilisateur anonyme)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

Aucune critique
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

Three books in one volume: Advice and reflections on modern fiction from "one of the greatest creative writing teachers we've ever had" (Frederick Busch). In On Becoming a Novelist, John Gardner advises the aspiring fiction author on such topics as the value of creative writing workshops, the developmental stages of literary growth, and the inevitable experience of writer's block. Drawn from his two decades of experience in creative writing, Gardner balances his compassion for his students with his knowledge of the publishing industry, and truthfully relates his experiences of the hardships that lie ahead for aspiring authors. In On Writers & Writing, acclaimed novelist John Gardner discusses the craft of fiction writing, taking to task some of his best-known contemporaries in the process. Gardner criticizes some for writing disingenuous fiction, and commends others who produce literature that acts as a life-affirming force. He offers insights into and exacting critiques on such writers as Vladimir Nabokov, John Updike, Saul Bellow, and John Cheever, while addressing his personal influences and delivering broad-ranging observations on literary culture. And in On Moral Fiction, John Gardner's thesis is simple: "True art is by its nature moral." Since the book's first publication, the passion behind Gardner's assertion has both provoked and inspired readers. In examining the work of his peers, Gardner analyzes what has gone wrong, in his view, in modern art and literature, and how shortcomings in artistic criticism have contributed to the problem. He develops his argument by showing how artists and critics can reintroduce morality and substance to their work to improve society and cultivate our morality.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3)
0.5
1
1.5
2
2.5
3 1
3.5
4
4.5
5

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 203,242,036 livres! | Barre supérieure: Toujours visible