I have loved these books since I was at school, so it is hard to review them! There are lots of things my more woke self doesn't like, primarily that the main plot is that Dark Furred Moles with a Bad Religion come and take over. And maybe if I'd met these books as an adult, I would find the 'he prayed to the Stone and then knew what to do' mechanism to be less fulfilling than I did when I was young - so much of the plot works because the moles have a deep spiritual sense to wait for another mole to arrive, or to go to a specific place.

But if you want an epic story of staying true to your faith, journeying, turning away from violence, living through impossible conditions, suffering from your mistakes but still finding the strength to go on, and always holding on to love and community, the Duncton books still deliver.

They are delightfully sexually non judgy, although a lot of the moles do find a mate and settle down for life, it is pretty much a given when it's mating time the moles will hook up with whoever is near, and that the True Love for one mole doesn't invalidate the love for another. ( )

This is the sequel to the book Duncton Wood, where William Horwood first introduced the idea of moles and told us the tale of Rebecca and Bracken. Here we pick up the story with their son, Tryfan. We journey with him as he learns his task for the Stone; as he watches the rise of the Word and evil Henbane; and as he loves and loses the one mole he's destined for.

As the title suggests, this novel concerns a quest - ultimately for the Stone Mole, who is prophesied to be coming to aid moledom and the Stone in their darkest hour. Tryfan is heavily involved in this coming of the Stone Mole, as he travels firstly to the Wen and meets sweet Feverfew, then goes north to Whern, the dark heart of the Word.

Horwood's strength is the characters he introduces in this book. We have a large cast of extremely characterful and colourful moles, from the scribes Boswell and Tryfan to the ex-grikes Alder and Marram. I particularly love Mayweed - he, alone, grants this book an extra star above what it might have received from me. His loquacious language and wonderful vulnerability are lovely to read about. Considering the massive cast, each receives enough screentime to be well-developed and take their rightful place in the story.

The same issues I had with Duncton Wood raise their heads here - there are some problems with pacing, mainly with the passage into the Wen which is both dreary in description and slow to read through. In this book a new side to this is added with the extremely loooooong monologues by Tryfan about the nature of faith and how to worship the Stone properly. I understand that his character is meant to preach the coming of the Stone Mole and lead moles to accept the Stone, but it is very dull - especially if you don't feel faith for a religion yourself.

The internal consistency is all over the place, for a number of reasons. The first is that this book was clearly written when the first ended up being successful, since it seems tacked onto Duncton Wood by the most tenuous of links. The rise of the Word, the prophecies about the Stone Mole, the history of Scirpus, Rune's true nature - none of these were even hinted at in the first book, so here the information is rather thrown at the reader with large sections of exposition.

I just do not get how moledays, molemonths and moleyears fit into human terms of time. Horwood had a brief go at explaining the way the moleyears are actually months for humans, but then trampled all over that logic by having Boswell and Rune survive for a ridiculous length of time.

Thirdly, in the original book, it seemed very much as though Stone worship was a simple allegory for paganism, what with using standing stones as a focus and Avebury being an important system. The importance of Midsummer and Longest Night as the times that moles came out to worship in strength also lent impetus to this idea. However, in this book, I'm not entirely sure that the Stone is paganism, what with the coming of the Stone Mole, which has a huge parallel with the coming of Christ. The snoutings performed by the mole of the Word could be seen as similar to crucifictions. Basically, I'm confused! At least it is easy to tell that we need to be rooting for the moles of the Stone to succeed!

Another couple of issues with the prose is that using terms such as 'somemole' and 'nomole' really jar you out of the flow of the words. Plus I had no appreciation for the simplistic and folksy rhymes that accompany healing and worship.

Lastly, I had a terrible time reading some of the descriptions of the woundings done in the name of the Word, especially the graphic snoutings and the attack on Tryfan. Deeply uncomfortable. We avoided explicit sex scenes this time round, but the sighings and ecstacy and other choices of words Horwood used were just wrong!

I enjoyed the book overall and will complete my read of the trilogy (the third book being Duncton Found), but I certainly don't agree with the review emblazoned on the back of my paperback copy that states this novel bears comparison with the Lord of the Rings. It most certainly doesn't, and isn't the enchanting read suggested, but it is just interesting enough. ( )

The second book in the Duncton Chronicles. As pleasurable as the first book. Enchanting and has moved me beyond words

The second in the Duncton Chronicles. A very well written story of the troubles and strifes of moledom laying in wait for the Stone Moles coming. An excellent fantasy book, dealing with issues of religion, conflicting beliefs, love and community. For those of you who haven't read Duncton Wood, the story is very easy to pick up and follow as i myself began the chronicles with this book. It is truely captivating and a great read. I would recommend this book even to those of you who don't quite get on with the idea of animals talking etc ( )