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BBC Radio Presents: Hamlet [1993 performance] (1993)

par William Shakespeare, Renaissance Theatre Company

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Among Shakespeare's plays,Hamletis considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning filmHenry V, gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with BBC Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production ofHamletis an invaluable aid for students, teachers and all true lovers of Shakespeare -- a recording to be treasured for decades to come.… (plus d'informations)
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I think I finally understand the fuss about Shakespeare.

I've read and enjoyed his sonnets. I'm familiar with the basic storyline of most of his plays. But I've never found the plays themselves very accessible or coherent. There were some passing Shakespeare interludes in college, but they were surface at best. I tried a personal Shakespeare regime once, reading through my Complete Shakespeare on a somewhat-regular basis. The project fizzled; I just couldn't keep my head in it.

But finally, audiobooks came to the rescue. Hearing the play, with all the characters voiced by different actors, is almost as good as seeing it. I think I've found my Shakespeare remedy. This audiobook is a BBC dramatization and features an all-star cast with Kenneth Branagh as Hamlet. I really enjoyed everyone's performances.

Hamlet, Prince of Denmark is probably Shakespeare's most famous work, a tragedy that explores madness, revenge, alienation, incest, and passion. It's an archetypal story that has been told and retold many times since (and before) Shakespeare's play, and will probably continue to be staged endlessly in various media. Disney's animated film The Lion King is a perfect example of how this story can be adapted to almost any medium and setting.

One of the main objections many modern readers have to Shakespeare is the language. It can be tough, especially if you're slogging through it on your own, weighted down with the helpful but heavy annotations and footnotes of most print versions. So I was delighted when the language not only made sense to me, but astounded me with its beauty and strength. Though I struggled somewhat at times to understand, for the most part I was able to follow what was going on and appreciate the way it was written. This is probably funny, but my first thought on hearing the language of the play was that it sounded like C. S. Lewis's Narnian nobility, especially Prince Rilian in The Silver Chair. I never really made the connection, but this was entirely deliberate on Lewis's part. He describes Rilian: "He was dressed in black, and altogether looked a little bit like Hamlet." (Rilian is, of course, rather mad as well.) I have always loved the archaic dignity and grace of their speech—and it always seemed to me that there wasn't nearly enough of it in the Chronicles. Well, I've found the fountainhead now and I'm drinking eagerly. All unwitting, I was prepared for the language of Shakespeare by Lewis. Just one more reason to love Narnia and read it to my children!

It's astonishing how many familiar quotes come from this play. The list seems endless: every dog has his day, to be or not to be, frailty, thy name is Woman, murder most foul, and many, many more. Half the fun of listening was to hear things I already knew, fresh where they began. Wikipedia attempts to sketch a broad outline of the authors and thinkers inspired by Shakespeare's Hamlet; I don't think its influence can be measured. It's had an incredible impact on the imaginations of countless writers, and though I knew this theoretically going in, it's quite another thing to experience it for myself and hear all these everyday phrases in their original context.

The theology is alternately wonderful and dreadful (with the wonderful parts being, I think, unintentional). The worst part is when Hamlet refrains from killing his uncle because he finds him at his prayers with his soul supposedly cleansed and ready for heaven—while Hamlet's father was murdered suddenly, without the chance of shriving his soul, and is therefore most likely in Hell. This is a very Roman Catholic, works-based view of salvation, and I think its innate illogic is obvious.

But there are other parts that hit me hard with their spiritual resonance, like this passage:

Use every man after his desert,
and who should 'scape whipping?
Use them after your own honor and dignity:
the less they deserve, the more merit is in your bounty.


It isn't in a religious context at all, but the spiritual import of this thought is so profound. The more I think about it, the more profound it becomes.

In short: Hamlet is brilliant. I know some of it went over my head, but the pieces I grasped are sharply intelligent and pithy. And the best part of this entire experience? It leaves me hungry for more Shakespeare. ( )
12 voter atimco | Mar 31, 2012 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
William Shakespeareauteur principaltoutes les éditionscalculé
Renaissance Theatre Companyauteur principaltoutes les éditionsconfirmé
Branagh, Kennethauteur secondairetoutes les éditionsconfirmé
Dench, Judiauteur secondairetoutes les éditionsconfirmé
Jacobi, Derekauteur secondairetoutes les éditionsconfirmé

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Among Shakespeare's plays,Hamletis considered by many his masterpiece. Among actors, the role of Hamlet, Prince of Denmark, is considered the jewel in the crown of a triumphant theatrical career. Now Kenneth Branagh plays the leading role and co-directs a brillant ensemble performance. Three generations of legendary leading actors, many of whom first assembled for the Oscar-winning filmHenry V, gather here to perform the rarely heard complete version of the play. This clear, subtly nuanced, stunning dramatization, presented by The Renaissance Theatre Company in association with BBC Broadcasting, features such luminaries as Sir John Gielgud, Derek Jacobi, Emma Thompson and Christopher Ravenscroft. It combines a full cast with stirring music and sound effects to bring this magnificent Shakespearen classic vividly to life. Revealing new riches with each listening, this production ofHamletis an invaluable aid for students, teachers and all true lovers of Shakespeare -- a recording to be treasured for decades to come.

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