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Pudd'nhead Wilson par Mark Twain
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Pudd'nhead Wilson (original 1894; édition 2007)

par Mark Twain (Auteur), Louis J. Budd (Introduction)

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3,105494,370 (3.67)87
At the beginning of "Pudd'nhead Wilson" a young slave woman, fearing for her infant's son's life, exchanges her light-skinned child with her master's. From this rather simple premise Mark Twain fashioned one of his most entertaining, funny, yet biting novels. On its surface, "Pudd'nhead Wilson" possesses all the elements of an engrossing nineteenth-century mystery: reversed identities, a horrible crime, an eccentric detective, a suspenseful courtroom drama, and a surprising, unusual solution. Yet it is not a mystery novel. Seething with the undercurrents of antebellum southern culture, the book is a savage indictment in which the real criminal is society, and racial prejudice and slavery are the crimes. Written in 1894, "Pudd'nhead Wilson" glistens with characteristic Twain humor, with suspense, and with pointed irony: a gem among the author's later works.… (plus d'informations)
Membre:bluedream
Titre:Pudd'nhead Wilson
Auteurs:Mark Twain (Auteur)
Autres auteurs:Louis J. Budd (Introduction)
Info:Signet Classics (2007), Mass Market Paperback, 176 pages
Collections:Lus mais non possédés
Évaluation:**
Mots-clés:fiction

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Pudd'nhead Wilson par Mark Twain (1894)

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One thing I like about Mark Twain is his theme of people being different than everything thinks they are. He explored that theme in Huckleberry Finn and The Prince and the Pauper, and also in Pudd'nhead Wilson. In PW, the title character is intelligent, but everyone thinks he's stupid (a pudd'nhead). Everyone thinks the foreign twins are wonderful, until they change and think the twins are villains. And everyone thinks they can identify a black person, until they can't.

I didn't like this book as well as some of Twain's others. It felt unfinished. The title character didn't get much airtime. It's hard to judge how effective the denouement with the fingerprinting would have been to a contemporary reader. It may have been a clever revelation, since using fingerprinting as evidence was brand new at the time. But to a modern reader, the outcome of Pudd'nhead's hobby of taking fingerprints is obvious from the beginning.

This book feels dated, where most of Twain's other works have stood the test of time. But it's still Twain. ( )
  TheGalaxyGirl | Jun 9, 2023 |
Dos niños nacen el mismo día en la misma casa en una pequeña población del viejo Sur: Chambers, hijo de la esclava Roxy, y Tom, hijo del amo Driscoll. Los dos son en apariencia blancos y casi idénticos. Aterrada ante la perspectiva de ver a Chambers `vendido río abajo`, Roxy intercambia a los niños, convirtiendo al esclavo en amo y al amo en esclavo.
  Natt90 | Jan 21, 2023 |
The court case at the end saved this story. I found this book to be very predictable with no characters that I could really latch on to, whether for good or evil. Everyone seemed to be a supporting character with no one stepping up to be a star until Pudd'nhead takes on that final case. It is a short story (139 pages) and an easy read. Entertaining, but far from exceptional. ( )
  282Mikado | Apr 13, 2022 |
I use the history tag because the book teaches a lot of history, perhaps unwittingly, and it's a fascinating look at race, slavery, and perception. It reads like a forerunner of Faulkner. Although I gave it a 4 star rating for its shape, I enjoyed it as if it were a 5 star. ( )
  LuanneCastle | Mar 5, 2022 |
Two babies are switched in their infancy. One is pure white blood and heir to an estate. The other is 1/16 black, and a slave, although he looks as white as any. The slave child's mother switches the infants, to guarantee that her own son is never "sold down the river" but will instead inherit an estate.
The character of the two boys becomes clear as they grow older, and the imposter child (now educated and dignified) is clearly the one lacking in empathy and moral integrity. When that young man commits a heinous murder, it is up to "Pudd'nhead Wilson," a local eccentric who has always wanted to be a lawyer, to find the murderer.
The upsetting aspect of this book was that Twain seems to be suggesting that Roxy (the 1/8 negro mother) and Tom (the 1/16 negro boy) were as awful as they were because of their black heritage. Far from being an indictment of the "one drop" rule - this story seems to encourage that idea. Roxy and Tom are the clear villains of the story, and they are both considered black, because they have trace degrees of "black blood" in them. The underlying theme of the book seemed racist to me, and therefore not something I would recommend. ( )
  fingerpost | Jun 21, 2021 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Twain, Markauteur principaltoutes les éditionsconfirmé
Budd, LouisIntroductionauteur secondairequelques éditionsconfirmé
Holbrook, DavidDirecteur de publicationauteur secondairequelques éditionsconfirmé
Leavis, F. R.Introductionauteur secondairequelques éditionsconfirmé
Morris, WrightAvant-proposauteur secondairequelques éditionsconfirmé
Williams, Sherley AnneIntroductionauteur secondairequelques éditionsconfirmé
Wollebæk, PerTraducteurauteur secondairequelques éditionsconfirmé
Wollebæk, PerAvant-proposauteur secondairequelques éditionsconfirmé
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The scene of this chronicle is the town of Dawson's Landing, on the Missouri side of the Mississippi, half a day's journey, per steamboat, from St. Louis.

-Pudd'nhead Wilson
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This work is the novel Pudd'nhead Wilson, a single work, originally published in the U.S. in The Tragedy of Pudd'nhead Wilson and the Comedy of Those Extraordinary Twins.

Editions that include both Pudd'nhead Wilson and Those Extraordinary Twins are a different work and should be separated.
Please keep the Norton Critical Edition books un-combined with the rest of them - it is significantly different with thorough explanatory annotations, and with additional essays and reviews by other writers. Thank you.
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At the beginning of "Pudd'nhead Wilson" a young slave woman, fearing for her infant's son's life, exchanges her light-skinned child with her master's. From this rather simple premise Mark Twain fashioned one of his most entertaining, funny, yet biting novels. On its surface, "Pudd'nhead Wilson" possesses all the elements of an engrossing nineteenth-century mystery: reversed identities, a horrible crime, an eccentric detective, a suspenseful courtroom drama, and a surprising, unusual solution. Yet it is not a mystery novel. Seething with the undercurrents of antebellum southern culture, the book is a savage indictment in which the real criminal is society, and racial prejudice and slavery are the crimes. Written in 1894, "Pudd'nhead Wilson" glistens with characteristic Twain humor, with suspense, and with pointed irony: a gem among the author's later works.

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