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Chargement... El Gran Vidrio: Tres autobiografías (édition 2007)par Mario Bellatin
Information sur l'oeuvreThe Large Glass par Mario Bellatin
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. El Gran Vidrio es una fiesta que se realiza anualmente en las ruinas de los edificios destruidos en la ciudad de México, donde viven cientos de familias. El hecho de habitar entre los resquicios dejados por las estructuras quebradas representa un símbolo mayor de invisibilidad social. Es quizá por eso que cuando deciden pertenecer al resto, cuando carnavalizan de alguna manera su situación, deciden llamar El Gran Vidrio a su celebración. La clave duchampiana de la experiencia le da la opción a Mario Bellatin de cobijarse en una retórica particular, la del ocultamiento a partir de lo imposible -hecho que precisamente permite una exposición extrema-, para recrear tres autobiografías que muestran, a través de su hermetismo, lo que una autobiografía tradicional es incapaz de transmitir. Excellent, though I only really enjoyed the first section, and even that was slightly marred by the extraordinary pretension of numbering the sentences. Those who are particularly interested in 'the body' will find a lot to like in the three pieces in this book, as will those interested in dream-like literature, and those interested in epatering the bourgeoisie; unfortunately, none of those describe me. The writing isn't bad, though not nearly well done enough to excuse the translator's blather about mystical experience. Most importantly, it's interesting. So, in short: good, in all the important ways, but not something I'm excited by. aucune critique | ajouter une critique
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Fiction. Translated from the Spanish by David Shook. In his autobiographies, celebrated Mexican innovator Mario Bellatín recounts his childhood as a bathhouse spectacle, the treatment of an illness suffered by his Sufi spiritual mentor, and his complicated search for a quality second-hand Renault 5. Like the Duchamp sculpture from which it takes its name, Mario Bellatín's THE LARGE GLASS deconstructs the very form it embraces, revealing the artifice of the autobiographical form as well as the importance of the stories we tell about ourselves. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)863.7Literature Spanish and Portuguese Spanish fiction 21st CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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