This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1910 edition. Excerpt: ... NOTES I--ON THE MORNING OF CHRIST'S NATIVITY Milton began this Ode on Christmas Day, 1629. The odes on The Passion and The Circumcision were probably intended to accompany it. It is significant to find the poet selecting such themes already in his youth. This Ode, or Hymn, the first of Milton's great poems, is a -wonderful achievement both in its conception and lyrical quality for one so young, just twenty-one, and still at the University. Its careful elaboration is too marked; like L'Allegro and Il Penseroso, it was doubtless more or less of a set exercise, and the poet had not yet learned to perfect his art to the point where it conceals itself. The tendency in it, also, to the use of conceit, or extravagant metaphor, characteristic of the age, and of Cambridge particularly, is so marked that it has been called a piece of frozen Marinism (referring to the assumed influence of the Italian, Marini, in promoting such conceit). But, none the less, it is one of the most beautiful poems in the language. We cannot do better than to recall here Verity's fine appreciation of it. "Milton reveals here many of those qualities which have won for Paradise Lost a place apart in our literature. The Hymn is a foretaste of the epic. We have the same learning, full for the classical scholar of far-reaching suggestion: the same elevation and inspired enthusiasm of tone: even (to note a small but not valueless detail) the same happy device of weaving in the narrative names that raise in us a vague thrill of awe, a sense of things remote and great and mysterious: above all, the same absolute grandeur of style. No other English poet rivals Milton in a certain majesty of music, a dignity of sound so irresistible that the only thing to which we can...