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Chargement... Mourir l'été (1998)par William Trevor
   Actuellement, il n'y a pas de discussions au sujet de ce livre.  kjuliff | Mar 4, 2024 |   La morte di una giovane donna lascia una bimba orfana e il marito alla ricerca di una bambinaia: una di quelle che si presentano si infatua di lui e inizia a odiare la suocera che infine ha deciso di badare alla piccola. Il passato della ragazza in un orfanotrofio dai contorni inquietanti è visto attraverso gli occhi dell’amico Albert, giovanotto non proprio registrato che bada a una vecchia signora invalida: si tratta dello scontro di due mondi (proletario e medio-borghese che è stato alto) dal quale nessuno esce indenne. La morte del titolo finisce per bussare due volte e così facendo può sembrare che le cose tornino a posto, ma il lettore fa davvero fatica a entrare in sintonia con uno qualsiasi dei personaggi: è probabilmente ciò a cui puntava lo scrittore così da poter insinuare nelle ultime righe l’ennesimo sospetto. La scrittura distaccata riflette l’atteggiamento da analisi di cui all’inizio e non favorisce di certo la partecipazione creando una sensazione straniante che a volte rende poco confortevole immergersi nello scorrere del racconto. (  ) catcarlo | Nov 4, 2020 |  )1  Hagelstein | Jul 15, 2017 | Death in Summer revolves around Thaddeus Davenant, whose young wife, Letitia Iveson, was killed in a freak accident on a bicycle. Letitia leaves behind their six-month-old baby girl Georgina; her mother, Mrs Iveson, advises Thaddeus to employ a child minder. One of those interviewed is Pettie, a girl who was brought up in a foster home abused by a sinister "Sunday uncle". She grows increasingly obsessed with Thaddeus and his baby after seeing them just once. christinejoseph | Jun 29, 2016 |  )1 charlie68 | Aug 29, 2014 | aucune critique | ajouter une critique
Prix et récompensesListes notables
William Trevor's Last Stories is forthcoming from Viking. A New York Times Bestseller and Notable Book From the winner of the 1999 David Cohen British Literature Prize comes an unforgettably chilling novel, written with the compassion and artistry that define Trevor's fiction. There were three deaths that summer. The first was Letitia's, sudden and quite unexpected, leaving her husband, Thaddeus, haunted by the details of her last afternoon. The next death came some weeks later, after Thaddeus's mother-in-law helped him to interview for a nanny to bring up their baby. None of the applicants were suitable--least of all the last one, with her sharp features, her shabby clothes that reeked of cigarettes, her badly typed references--so Letitia's mother moved herself in. But then, just as the household was beginning to settle down, the last of the nannies surprisingly returned, her unwelcome arrival heralding the third of the summer tragedies. "William Trevor is an extraordinarily mellifluous writer, seemingly incapable of composing an ungraceful sentence. . . . His skill is very real, and equals his great compassion. With Death in Summer, these two qualities combine in a beautiful and resonant way."--The New York Time Book Review "Possibly the most perfect of Trevor's novels . . . Astonishing."--Los Angeles Times Book Review "Beautifully paced and mesmerizing . . . Offering us a compelling mystery on many levels through . . . finely drawn, perfect glimpses of touchingly imperfect lives."--The Washington Post Book World Nominated for a Los Angeles Times Book Prize Aucune description trouvée dans une bibliothèque |
Discussion en coursAucunCouvertures populaires
 Google Books — Chargement...GenresClassification décimale de Melvil (CDD)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne: (3.69)
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5
Not William Trevor at his best, this short novel is still worth a read if you like his other books. Trevor’s prose is easy on the ear, and even at his most mediocre he manages to keep the reader interested.
There’s a garden, am old house, a loveless marriage and a death. The usual stuff and the usual mystery at the end. But it appears hastily done and lacks the depth of earlier Trevor novels.
I recommend this book for readers who enjoy Trevor’s writings, but it’s not for those experiencing a Trevor novel for the first time. (