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Pond (2015)

par Claire-Louise Bennett

Autres auteurs: Voir la section autres auteur(e)s.

MembresCritiquesPopularitéÉvaluation moyenneMentions
5922639,973 (3.54)29
"Longlisted for the 2016 International Dylan Thomas Prize "What Bennett aims at is nothing short of a re-enchantment of the world... This is a truly stunning debut, beautifully written and profoundly witty." -The Guardian Immediately upon its publication in Ireland, Claire-Louise Bennett's debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience--from the best way to eat porridge or bananas to an encounter with cows--rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments--the ending of an affair, or the ambivalent beginning with a new lover. As the narrator's persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page"-- "A tour de force fiction debut, darkly humorous and utterly original, in which the habits and observations of a solitary young woman illuminate her inner life with uncanny, irresistible intimacy"--… (plus d'informations)
  1. 00
    Vertigo par Joanna Walsh (rrmmff2000)
    rrmmff2000: Female narrators getting the heart of the strangeness of living,
  2. 00
    Notes of a Crocodile par Miaojin Qiu (wandering_star)
    wandering_star: similarly elliptical, sideways on look at the world through the eyes of someone who doesn't quite fit in
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» Voir aussi les 29 mentions

Affichage de 1-5 de 26 (suivant | tout afficher)
I sometimes didn't know what was going on—but that was perfectly OK, and even, dare I say, right. I feel there's some mystery at the end that I'll spend the rest of my life unsuccessfully, yet sort of thrillingly, trying to figure out. ( )
  KatrinkaV | Jan 22, 2024 |
I do love me some quirky books. But they have to be special, elevated quirky books, as at this point I have read quite a few. The voice here is odd -- maybe doesn't connect with me most of the time. Example: going on and on about replacement cooker control knobs? Some things are very random here. I'd say most things within the book. I never really get a handle on the character, the purpose of the book. And when the purpose was lost to me, and so much is so random, I started to tune out. I don't want to call it frivolous.... but the topics here seem to lean that way when you are otherwise thinking of heavy real life things. So the timing of reading this book might sway a reader's perception of it. I don't want to be unfair to any book, if it is my fault as a reader. But I think I have read a few books like this, variations on this theme, that are really some of my favorite haunting books. My favorite chapter was 'Morning,1908' -- which I have since found was published by itself... so maybe this is why the book seems so scattered to me. It might be unrelated pieces published together? One tag calls it "short stories", so there you go. ( )
  booklove2 | Nov 8, 2023 |
I completely agree with the reviews that say this reading experience is similar to that of being stuck in conversation with the egomaniacal person at a party who just never stops talking. ( )
  cbwalsh | Sep 13, 2023 |
Poel. Door Claire-Louise Bennett.

Na Kassa 19 is er nu ook eindelijk Poel in vertaling. Wat grappig is want eigenlijk is Poel Bennett’s debuut. Ik las dus, zoals de meeste mensen, eerst Kassa 19.

Poel raakte me meer. Het is een boek om op een lome zomermiddag te lezen, in een hangmat tussen de bomen terwijl in de verte kinderen aan het joelen zijn tijdens hun fantasierijke spelletjes. Of licht aangeschoten, door grote glazen tintelfrisse rosé, in een lommerrijke zomerbar op een binnenkoer midden in de drukte van een grootstad.

Het is een trip waar je jezelf zonder schroom aan moet overgeven, op een soort van automatische piloot. Je moet je analytische blik kunnen losmaken, jezelf openstellen om ontroerd, geprikkeld en geraakt te worden. Hou ook je potlood te alle tijden bij de hand om mooie zinnen en wijze, herkenbare alinea’s te onderlijnen.

Claire-Louise Bennett heeft een unieke stem, dat leerden we al door Kassa 19. In Poel doet ze me qua schrijfstijl en onderwerp soms een beetje denken aan Marlen Haushofer in De wand. Niet geheel toevallig haalt ze dit boek zelf ook aan. Benieuwd naar meer moois van haar! ( )
  Els04 | Aug 23, 2023 |
Very pleased to have read this work from a brand new writer. The NY Times had a very nice review of the book which prompted me to try it. Very introspective but spare and economical, and really quite funny. Wonderful words and sentences and paragraphs. Not sure if it is a novel or related short stories, but who cares. Wonderful!

http://www.nytimes.com/2016/07/15/books/review-pond-makes-misanthropy-compelling... ( )
  steve02476 | Jan 3, 2023 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Claire-Louise Bennettauteur principaltoutes les éditionscalculé
Bonné, EvaTraducteurauteur secondairequelques éditionsconfirmé
Fastrup, KarenTraducteurauteur secondairequelques éditionsconfirmé
Lind, Carl-JohanTraducteurauteur secondairequelques éditionsconfirmé
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"Longlisted for the 2016 International Dylan Thomas Prize "What Bennett aims at is nothing short of a re-enchantment of the world... This is a truly stunning debut, beautifully written and profoundly witty." -The Guardian Immediately upon its publication in Ireland, Claire-Louise Bennett's debut began to attract attention well beyond the expectations of the tiny Irish press that published it. A deceptively slender volume, it captures with utterly mesmerizing virtuosity the interior reality of its unnamed protagonist, a young woman living a singular and mostly solitary existence on the outskirts of a small coastal village. Sidestepping the usual conventions of narrative, it focuses on the details of her daily experience--from the best way to eat porridge or bananas to an encounter with cows--rendered sometimes in story-length, story-like stretches of narrative, sometimes in fragments no longer than a page, but always suffused with the hypersaturated, almost synesthetic intensity of the physical world that we remember from childhood. The effect is of character refracted and ventriloquized by environment, catching as it bounces her longings, frustrations, and disappointments--the ending of an affair, or the ambivalent beginning with a new lover. As the narrator's persona emerges in all its eccentricity, sometimes painfully and often hilariously, we cannot help but see mirrored there our own fraught desires and limitations, and our own fugitive desire, despite everything, to be known. Shimmering and unusual, Pond demands to be devoured in a single sitting that will linger long after the last page"-- "A tour de force fiction debut, darkly humorous and utterly original, in which the habits and observations of a solitary young woman illuminate her inner life with uncanny, irresistible intimacy"--

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