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Chargement... Ivory: A Legend of Past and Future (original 1988; édition 2022)par Mike Resnick (Auteur)
Information sur l'oeuvreIvoire par Mike Resnick (1988)
Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. En el año 6303, cuando la tierra está desprovista de algo más grande que un insecto o un ratón y la mayoría de la gente se ha ido a las estrellas, Duncan rojas recibe a un visitante de lo más inusual. Su nombre es Bukoba Mandaka, y es el último de los Maasai. Mandaka quiere que Rojas, investigador principal de Records of Big Game de Braxton, encuentre los colmillos del elefante del Kilimanjaro, colmillos que pesan más de 200 libras casda uno. ¿Por qué? Mandaka no lo dirá, pero pagará enormes sumas por ellos. Y Rojas no puede resistir el desafío de rastrear algo perdido durante 3000 años. Ivory is a Science Fiction tale spanning millennia with some fantasy trappings. The science fiction parts include extraterrestrial aliens and human colonies spanning the galaxy. The fantasy aspect includes a long dead prophetic shaman, vague mystical abilities, and the ghost of an immense elephant. Duncan Rojas, an almost totally emotionless and asocial researcher whose day job is to authenticate hunting trophies, is hired by Bukoba Mandaka, the last member of the Maasai tribe to locate a pair of 7,000 year old elephant tusks. Through flashbacks to events uncovered by Rojas using an extremely sophisticated computer, the history of the tusks is revealed although the reason Mandaka wants them is not until near the end of the story. I found this to be an imaginative and engaging story. The premise is certainly different although the mix of science fiction and fantasy seemed a bit awkward to me. I especially had a hard time with the elephant spirit, which is never really explained, other than it is the ghost of an immense and very intelligent elephant who wants its tusks back. What it really is, how it came to be, or what it means is only vaguely alluded to. The characters are interestingly quirky but do not provoke much in the way of empathy. The two main characters are about as emotionless as the computer Rojas used for his research. They are both compulsively driven to accomplish their mission, Rojas by choice and Mandaka because of his belief that he has no choice but neither is engagingly human. The book is well written and compelling. Once the mystery of the tusks is presented, you want to find out what happened to them and some of the flashbacks, almost short stories in themselves, are quite enjoyable. In the far future, the last Maasai hires the best researcher, the cold Rojas, to find the tusks of the Kilimanjaro Elephant. Rojas’s search takes him from the nineteenth century on Earth to the rest of the galaxy. As he searches, he uncovers past tragedies, treachery, and always, another clue to the tusks. At last, Rojas and Mandaka reach the end of their quest. It’s well written, but I never felt a pull to read it. It is not an engrossing work. aucune critique | ajouter une critique
Appartient à la sérieBirthright (14) Ivoire (Omnibus) Appartient à la série éditorialeGallimard, Folio SF (378) Présence du futur (508-509) ContientPrix et récompensesListes notables
Set in the year 6303 when most of the worlds wildlife is dead, Duncan Rojas, is approached by Bukoba Mandaka, the last of the Maasai, to find the tusks of a Kilimanjaro elephant. He accepts, and carries out his search back and forth through time, in card games, wars and rivalries. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.54Literature English (North America) American fiction 20th Century 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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We experience the overall story via the viewpoint of Rojas, the researcher who’s trying to locate the ancient tusks. Like many of Resnick’s main characters, he becomes obsessed with the job, almost as much as the man who hired him. With the aid of a broad-spanning IT system, he pieces together episodes in the tusks’ history.
Each episode is a story of its own, with no overlap of characters or places. The episodes showcase how people behave towards each other: a mixture of negotiating, threatening, backstabbing and deception which one might deem cynically accurate. I laughed at an academic rivalry depicted quite early on.
The episodes build up towards an effective finale that pulls the whole history together. As with many of his books, I found the end satisfying and thought-provoking.