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L'apprenti (1989)

par Orson Scott Card

Autres auteurs: Voir la section autres auteur(e)s.

Séries: Les chroniques d'Alvin le faiseur (3)

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The saga of Alvin Maker, set in an alternative version of the American frontier country, continues, in a tale full of folklore and magic. Young Alvin returns to the town of his birth and begins his apprenticeship with Makepeace Smith, committing seven years of his life in exchange for the skills and knowledge of a blacksmith. But Alvin must also learn to control and use his own talent, that of a Maker, else his destiny will be unfulfilled.… (plus d'informations)
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Affichage de 1-5 de 25 (suivant | tout afficher)
Good third in series. ( )
  kslade | Dec 8, 2022 |
En una colonia norteamericana del siglo XIX, la magia y los conjuros son tan efectivos entre el hombre blanco como entre los pieles rojas. Alvin, hijo de una familia de colonos, está llamado a ser un Hacedor: un antagonista de los poderes innominables que persiguen la destrucción de todo lo creado. Alvin aprenderá entonces el oficio de herrero a la vez que tratará de adquirir los poderes necesarios para vencer a la maléfica fuerza del Deshacedor.
  Natt90 | Jun 30, 2022 |
On one hand, Prentice Alvin feels quite a lot like the previous two Alvin Maker stories. We have a continuation of the alternate timeline, this time dealing with how apprenticeships and slavery work in this world. We learn more about the town where Alvin was born, which we haven't seen in a while, including Peggy--the torch who has been keeping an eye on him this entire time.

On the other hand, it doesn't feel like the story went anywhere. Alvin learns a bit more about his powers, but it's mostly shades on what he's known before. He's still weirdly good at everything. On top of that, he spends seven years apprenticing as a blacksmith--even though he's better than his master by the time he's ~13 years old. Peggy runs off, comes back disguised as an old woman, and still doesn't interact terribly much with Alvin. In end end, we come back to the town where Alvin grew up. Almost a decade has passed, but what really has changed?

One of the new aspects this time around was a storyline centering around a slave owner who, inspired by the Unmaker, has decided that he must save all of the black people by turning them white--by way of impregnating the women and selling off the resulting 'part white' offspring. It's disturbing and I'm not really sure the plot gains enough from it. Having the Unmaker convince a preacher to try to murder Alvin? Sure. This? Eesh.

Random nit: Apparently Alvin can cross a river and essentially baptise someone in the water now? I thought the entire point was that water was the element of the Unmaker and would try to kill him at any opportunity?

Related to that: Sudden modern theories of atoms and DNA are sudden. Anatomy (in the form of Alvin's healing) made sense. Cut someone open and you can see everything that Alvin can see with his powers. This feels like Card went from just letting the magic be fuzzy and unspecified to wanting a basis for how the magic actually worked. It made some sense in the more philosophical parts of the Ender sequels (since those were set thousands of years in the future). Here, in alternate history hundreds of years ago, it just doesn't feel like it fits.

Side note: A living golden plow? That's... weird.

I think I'll go ahead and continue with Alvin Journeyman, although at this point I'm no longer entirely sure why... ( )
  jpv0 | Jul 21, 2021 |
I'd not read the first in the series - started with this one. Its OK. ( )
  symcbean | Nov 28, 2020 |
Alvin's apprenticeship as a blacksmith, but it is also his apprenticeship as a Maker. Very good story, but a little to graphic right at the beginning. ( )
  BookstoogeLT | Dec 10, 2016 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Card, Orson Scottauteur principaltoutes les éditionsconfirmé
Dewey, SimonArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Nolan, DennisArtiste de la couvertureauteur secondairequelques éditionsconfirmé
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For all my good teachers, especially:

Fran Schroeder,
fourth grade, Millikin Elementary, Santa Clara, California,
for whom I wrote my first poems.

Ida Huber,
tenth-grade English, Mesa High School, Arizona,
who believed in my future more than I did.

Charles Whitman,
playwriting, Brigham Young University,
who made my scripts look better than they deserved.

Norman Council,
literature, University of Utah,
for Spenser and Milton, alive.

Edward Vasta,
literature, University of Notre Dame,
for Chaucer and for friendship.

and always Francois.
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Let me start my history of Alvin's prenticeship where things first began to go wrong.
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The saga of Alvin Maker, set in an alternative version of the American frontier country, continues, in a tale full of folklore and magic. Young Alvin returns to the town of his birth and begins his apprenticeship with Makepeace Smith, committing seven years of his life in exchange for the skills and knowledge of a blacksmith. But Alvin must also learn to control and use his own talent, that of a Maker, else his destiny will be unfulfilled.

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