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Electric Light (2001)

par Seamus Heaney

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454654,755 (3.84)15
The powerful collection by the bestselling translator of "Beowulf" "In the finland of perch, the fenland of alder, on air""That is water, on carpets of Bann stream, on hold""In the everything flows and steady go of the world."--from "Perch" Seamus Heaney's collection travels widely in time and space, visiting the sites of the classical world and revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime. This is a book about origins (not least, the origins of words) and oracles: the places where things start from, the ground of understanding -- whether in Arcadia or Anahorish, the sanctuary at Epidaurus or the Bann valley in County Derry. "Electric Light" ranges from short takes to conversation poems. The pre-Socratic wisdom that everything flows is held in tension with the elegizing of friends and fellow poets. These gifts of recollection renew the poet's calling to assign things their proper names; once again Heaney can be heard exting his word hoard and roll call in this, his eleventh collection.… (plus d'informations)
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» Voir aussi les 15 mentions

Affichage de 1-5 de 6 (suivant | tout afficher)
Far too clever for me to get much from it. The writing is beautiful, but so complex I was spending so long working it out that the poems didn't really get a chance. ( )
  mjhunt | Jan 22, 2021 |
And the poet draws from his word-hoard a weird tale
Of a life and a love balked, which I reword here
Remembering earth-tremors once on Dartmoor,
The power station wailing in its pit
Under the heath, as if our night walk led
Not to the promised tor but underground

To sullen halls where encumbered sleepers groaned. ( )
  drbrand | Jul 3, 2020 |
[a: Seamus Heaney|29574|Seamus Heaney|https://images.gr-assets.com/authors/1200407647p2/29574.jpg] has no equal.

Here, an excerpt from his poem "Audenesque":

Worshipped language can't undo
Damage time has done to you:
Even your peremptory trust
In words alone here bites the dust.

Dust-cakes still -- see Gilgamesh --
Feed the dead. So be their guest.
Do again what Auden said
Good poets do: bite, break their bread.



He is a dense poet, one I don't even pretend I can truly grasp the whole of. Still, I read, and will doubtless read again, and again, and again. There's so much to delve into, so much to see and to feel.

Truly, the world is a blessed place to have had, and to still have, his poetry available in it. ( )
  Lepophagus | Jun 14, 2018 |
It might have been a five-star if I had gotten all of the allusions and what not. I'm not a big reader of poetry, but you can't go wrong with Heaney. ( )
  StefanieBrookTrout | Feb 4, 2017 |
Oh, Seamus. What can I say? He chronicles "the must and drift of talk". ( )
  anru | Jan 11, 2008 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Seamus Heaneyauteur principaltoutes les éditionscalculé
Mirck, HanzTraducteurauteur secondairequelques éditionsconfirmé
Nijmeijer, PeterTraducteurauteur secondairequelques éditionsconfirmé

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for Matthew and Caroline
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Where the flat water Came pouring over the weir out of Lough Neagh As if it had reached an edge of the flat earth And fallen shining to the continuous Present of the Bann.
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The powerful collection by the bestselling translator of "Beowulf" "In the finland of perch, the fenland of alder, on air""That is water, on carpets of Bann stream, on hold""In the everything flows and steady go of the world."--from "Perch" Seamus Heaney's collection travels widely in time and space, visiting the sites of the classical world and revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime. This is a book about origins (not least, the origins of words) and oracles: the places where things start from, the ground of understanding -- whether in Arcadia or Anahorish, the sanctuary at Epidaurus or the Bann valley in County Derry. "Electric Light" ranges from short takes to conversation poems. The pre-Socratic wisdom that everything flows is held in tension with the elegizing of friends and fellow poets. These gifts of recollection renew the poet's calling to assign things their proper names; once again Heaney can be heard exting his word hoard and roll call in this, his eleventh collection.

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