NF

This book was a gift, and I couldn't wait to dig into it. I've been fascinated for a long time with the intersection of theology, art, and culture, and, while film isn't usually the medium that I explore, this book promised to be an insightful look into how modern storytellers do theology.

The author's premise is that the Christian story is so pervasive as to permeate all artistic expression in some way, a premise with which I agree. After setting the groundwork for his thesis, he proceeds to dig into an examination of several films and television programs to expand on how redemptive and theological imagery play out. He cautions up front that he is not encouraging the reader to view all of his examples, as well as that some of his examples will prove off-putting for some readers. The point here is for the reader to begin to think more analytically about what they are viewing.

There isn't any heavy theology going on here. This is a light and quick read, but it's an informative and enlightening read. Cosper didn't introduce any concepts with which I wasn't already familiar, but I thoroughly enjoyed his discussion in any case. For anyone whose inclinations turn to this type of discussion, this is certainly and must-read. ( )