AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

No title

MembresCritiquesPopularitéÉvaluation moyenneMentions
3,0632094,436 (3.58)320
"From the beloved Pulitzer Prize-winning author--now in the fiftieth year of her remarkable career--a brilliantly observed, joyful and wrenching, funny and true new novel that reveals, as only she can, the very nature of a family's life. "It was a beautiful, breezy, yellow-and-green afternoon." This is the way Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The whole family--their two daughters and two sons, their grandchildren, even their faithful old dog--is on the porch, listening contentedly as Abby tells the tale they have heard so many times before. And yet this gathering is different too: Abby and Red are growing older, and decisions must be made about how best to look after them, and the fate of the house so lovingly built by Red's father. Brimming with the luminous insight, humor, and compassion that are Anne Tyler's hallmarks, this capacious novel takes us across three generations of the Whitshanks, their shared stories and long-held secrets, all the unguarded and richly lived moments that combine to define who and what they are as a family"--… (plus d'informations)
Membre:
Titre:
Auteurs:
Info:
Collections:
Évaluation:
Mots-clés:Aucun

Information sur l'oeuvre

A Spool of Blue Thread par Anne Tyler

  1. 30
    Rien que la vie par Alice Munro (RidgewayGirl)
    RidgewayGirl: Both books focus on ordinary lives and families with a strong sense of place. Both are written by a master at the top of her game.
  2. 10
    Some Luck par Jane Smiley (cat.crocodile)
  3. 10
    L'Ange de pierre par Margaret Laurence (BookshelfMonstrosity)
    BookshelfMonstrosity: These character-driven novels sensitively present elderly protagonists whose memories unfold to reveal the charms and struggles of family life. Both have a strong sense of place: Baltimore in A Spool of Blue Thread; Manitoba in The Stone Angel.… (plus d'informations)
  4. 10
    Sur la route de tara par Maeve Binchy (thea-block)
    thea-block: Common themes and tones run throughout both stories: home-town feel; descriptions of the lifetimes of somewhat ordinary/somewhat extraordinary people; love and loss, regret and gratefulness, parents and children.
  5. 00
    Someone par Alice McDermott (zhejw)
  6. 00
    The Chaperone par Laura Moriarty (thea-block)
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 320 mentions

Anglais (203)  Néerlandais (2)  Français (1)  Allemand (1)  Toutes les langues (207)
Rien ne force particulièrement l'admiration dans ce roman. L'auteur jette un regard sur certains personnages, révèle quelques secrets, dévoile une ou deux joies. Par contre, ce qui m'a frappé, c'est la mesure du bonheur entre les générations, ce que l'on pourrait juger comme la réussite, le courage ou la rébellion, car les critères ne sont pas tout à fait les mêmes, et Tyler nous les communique avec beaucoup de finesse. À lire avec l'oeil aiguisé, à l'affût des petites perles. ( )
  Cecilturtle | Apr 5, 2018 |
Readers anticipating an easy “domestic” novel will be terrifically surprised...Tyler’s genius as a novelist involves her ability to withhold moral judgment of her characters.....Tyler is in full command of her scenes and her characters, grounding her reader in time and space in every sequence of this tightly written and highly readable novel. .....Breaking with a conventional linear structure, the final and most compelling chapters belong to Abby and relay the series of events that led to her falling in love with Red, a story that exists only in Abby’s memory, told here to the reader. The discoveries in these final pages are likely to force readers to reflect back on the earlier chapters and view them in an entirely new — and much darker — light. Here we see the truth about every love story: It was merely an accident of chance.
 
Readers of any age should have no trouble relating to Abby's complaint that "the trouble with dying ... is that you don't get to see how everything turns out. You won't know the ending." Her daughter protests, "But, Mom, there is no ending." To which Abby replies, "Well, I know that." And then Tyler adds the unspoken kicker her fans have come to look for: "In theory." We can only hope that Tyler will continue spooling out her colorful Baltimore tales for a long time to come.
 
Now 73, Tyler has hinted that this might be her last novel. If so, she may not have ended with a masterpiece, but she has given us plenty of reminders of her lavish strengths: the quiet authority of her prose; the ultimately persuasive belief that a kindly eye is not necessarily a dishonest one; and perhaps above all, the fact that, 50 years after she started, she still gives us a better sense than almost anyone else of what it’s like to be part of a family – which for most of us also means a better sense than almost anyone else of what it’s like to be alive.

And if all that’s not enough to earn a top-table place, then maybe it’s time to rethink the criteria for qualification.
 


Indeed, very little happens in her books. Characters get caught up in repetitive, dead-end conversations which merely fill the gaps, and where silence, existentialist terror and a fear of death continually lingers.

But in this passing of time — where seasons change, flowers wither, then bloom again, people marry, babies are born and the elderly die slowly with dignity — Tyler then weighs in with her own subtle commentary as a narrator who exudes tremendous skill and precision.

It is in these details that she attempts to convey truth, meaning and esthetic beauty. And Tyler’s narrative is a brilliant testament to why the novel still provides an enormously important role in our culture, allowing us to capture the little bits of humanity that somehow seem to bypass us in the real world. ...A Spool of Blue Thread primarily focuses on domestic dreams and disputes, daily ceremonial acts and relationships. Love, loss, and death are about the only certainties the author can guarantee. Family is all we have, Tyler’s prose seems to suggest.
 
Tyler is in the top rank of American writers, and moments in this novel have an affinity with Canada’s Alice Munro too. But what she has that neither Robinson nor Munro possess to the same degree is an irrepressible sense of the comedy beneath even the most melancholy surface – or sometimes peeking just above it – in human affairs.

Tyler is good on irony too....Tyler is sensitive to the tragicomedy of old age and its indignities. Her writing is characterised by an amused, sweeping tolerance that acknowledges imperfection at all ages. ..Tyler writes with witty economy..It takes organised wit to write about human muddle as Tyler does, without once losing our attention or the narrative’s spool of blue thread.
 

» Ajouter d'autres auteur(e)s

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Anne Tylerauteur principaltoutes les éditionscalculé
Farr, KimberlyNarrateurauteur secondairequelques éditionsconfirmé
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Lieux importants
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
Late one July evening in 1994, Red and Abby Whitshank had a phone call from their son Denny.
Citations
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
And then that clear-eyed, calm-faced boy would shine forth from Red's sags and wrinkles, from his crumpled eyelids and hollowed cheeks and the two deep crevices bracketing his mouth and just his general obtuseness, his stubbornness, his infuriating belief that simple, cold logic could solve all of life's problems, and she would feel unspeakably lucky to have ended up with him. (p. 166)
"There, there," Nora told her. "This will get easier, I promise. God gives us never more than we can handle." Jeannie only cried harder. "Actually, that's not true," Denny said in an informative tone of voice. He was leaning back against the fridge with his arms folded. Nora glanced at him, still smoothing Jeannie's shoulder. "He gives people more than they can handle every day of the year," Denny told her. "Half the world is walking around just... destroyed, most of the time." (p. 175)
And meanwhile Linnie Mae was heading up the walk with her spine very straight and her hat level, all innocent and carefree. Not even a glance backward to find out how he was taking this. Why had he worried for one second about abandoning her at the train station? She would have done just fine without him! She would do just fine anywhere. (p. 337)
Derniers mots
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
(Cliquez pour voir. Attention : peut vendre la mèche.)
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
Informations provenant du Partage des connaissances anglais. Modifiez pour passer à votre langue.
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais (1)

"From the beloved Pulitzer Prize-winning author--now in the fiftieth year of her remarkable career--a brilliantly observed, joyful and wrenching, funny and true new novel that reveals, as only she can, the very nature of a family's life. "It was a beautiful, breezy, yellow-and-green afternoon." This is the way Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The whole family--their two daughters and two sons, their grandchildren, even their faithful old dog--is on the porch, listening contentedly as Abby tells the tale they have heard so many times before. And yet this gathering is different too: Abby and Red are growing older, and decisions must be made about how best to look after them, and the fate of the house so lovingly built by Red's father. Brimming with the luminous insight, humor, and compassion that are Anne Tyler's hallmarks, this capacious novel takes us across three generations of the Whitshanks, their shared stories and long-held secrets, all the unguarded and richly lived moments that combine to define who and what they are as a family"--

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.58)
0.5
1 18
1.5 1
2 66
2.5 22
3 252
3.5 98
4 305
4.5 42
5 117

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 204,396,050 livres! | Barre supérieure: Toujours visible