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A Good House (1999)

par Bonnie Burnard

Autres auteurs: Voir la section autres auteur(e)s.

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6321636,948 (3.72)25
A runaway #1 bestseller in Canada, this richly layered first novel tells the story of the intricacies and rituals that shape a family's life over three generations A Good House begins in 1949 in Stonebrook, Ontario, home to the Chambers family. The postwar boom and hope for the future colors every facet of life: possibilities seem limitless for Bill, his wife, Sylvia, and their three children. In the fifty years that follow, the possibilities narrow into lives, etched by character, fate, and circumstance. Sylvia's untimely death marks her family indelibly but in ways only time will reveal. Paul's perfect marriage yields an imperfect child. Daphne unabashedly follows an unconventional path, while Patrick discovers that his happiness requires a series of compromises. Bill confronts the onset of old age less gracefully than anticipated, and throughout, his second wife, Margaret, remains, surprisingly, the family anchor. With her remarkable ability to probe the hidden, often disturbing landscapes of love and to illuminate the complexities of human experience, Bonnie Burnard brings to her deceptively simple narrative a clarity that is both moving and profound.… (plus d'informations)
  1. 10
    The Stone Diaries par Carol Shields (Nickelini)
  2. 00
    Nous étions les Mulvaney par Joyce Carol Oates (Nickelini)
    Nickelini: Both books are set in small towns and cover the story of one family over many years. Oates's book is darker and more satirical; the characters in Burnard's book are more likeable and believable.
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» Voir aussi les 25 mentions

Affichage de 1-5 de 16 (suivant | tout afficher)
I hadn't read any of Bonnie Burnard's work before this. I think this was probably a Library Thing recommendation based on my high ratings of books by Canadian authors such as Carol Shields, Elizabeth Hay, Miriam Toews, Alice Munro, Joan Barfoot, and nearly-Canadian Beth Powning. Burnard is, however, not in the same class as this group, in my opinion. I did like her slow, understated style, but I felt I didn't get to know her characters as much as I would have liked. The essential underlying story was well told and worth telling. Of course, being in a 'second tier' of Canadian women authors still puts her way above a lot of her peers! ( )
  oldblack | Dec 9, 2017 |
A wonderful book a bout regular people who have a pretty normal life. one family and their relationships and choices, all realistic and non-dramatic. After reading two books that were a little bit more "out there' it was really nice to read something that was an everyday experience kind of book. it sounds boring, but it is simply "safe". ( )
  LDVoorberg | Dec 3, 2017 |
This is a book I enjoy re-reading. Everytime it comes back to me after being loaned to a friend, I sit down to read the first chapter and I get hooked.

A Good House follows a Canadian family over 5 decades - checking in every five-8 years or so, like the film series Seven Up. A husband comes home from the war. Kids grow up, mothers die, fathers remarry and new bavies come. college, grandchildren, divorce, love affairs. Wedding dinners by a lake. Wakes and funerals. Everything and nothing, but described thoughfully, deeply. Not pretentious or ponderous, it just kind of is. Like life. ( )
  laurenbufferd | Nov 14, 2016 |
A Good House tells the story of the Chambers family from 1949 through 1997, and follows the waves of their births, deaths, marriages, and divorces. It is set in a fictional small town northwest of London, Ontario toward Lake Huron, but could really be set in any small town in North America. Just substitute "going off to university," with "going off to college," and "Muskoka chair" with "Adirondack chair," and the book could be set in the US.

What I enjoyed most about this novel was Burnard's unique writing style where she packs a wealth of information in each sentence, and then packs her paragraphs with these full sentences. In doing this, she creates nuanced, rounded characters and tells a story without a lot of action. What she achieves on the page reminds me of the folk art landscape painting where every element is given equal weight and importance. And like folk art painting, Burnard's book is interesting and worthwhile, but it's not fabulously sophisticated high art either. However, it was good enough to win the 1999 Giller Prize, and that says something.

Recommended for: I think this would appeal to the reader who enjoys books by Carol Shields and that sort. I loved Burnard's packed sentences, but others might find them tedious. It is an impressive first novel. ( )
  Nickelini | Apr 22, 2013 |
This book is set in Stonebrook, Ontario. It begins just after WWII, and the book ends in the year of 1997. The book is a family history of the Chambers family-their lives, loves, births, weddings, divorces and deaths. That's a lot to cover especially when the family is a large and gregarious one. But Ms. Burnard does an admirable job of this. This book was the 1999 winner of the prestigious Giller Prize and I think it was a well-deserved honour. Her writing style is deceptively simple, but the character development of this large cast of characters is remarkable. The book covers all sorts of family events and catastrophies, but does it in such an understated style. It is not often that an author can achieve such a complete job of character development within one book. It usually takes a series to achieve this. But Ms. Burnard accomplishes this difficult task with aplomb. These characters live and breathe. The book paints a very rich and complex picture of human nature and human foibles indeed. ( )
2 voter Romonko | Apr 10, 2012 |
Affichage de 1-5 de 16 (suivant | tout afficher)
...You don't just read A Good House, you move into it for a while. And if it's a more forgiving place than your childhood home, so much the better. Burnard's characters can show what thriving families have always known.
ajouté par GYKM | modifierChatelaine
 
Burnard's wise and assured first novel is an accomplishment to celebrate.
 
...this gem of a first novel... is essential Burnard: appearances are lovingly, nostalgically recreated to be followed by a devastating insight that belies all we initially see... It is a legend of pain, pretense and hopeless love, the stuff that small towns, even big towns, are made of.
ajouté par GYKM | modifierTime
 
...the finest novel published in some years in our country. Its grace, its generosity, its humanity are present on each of its pages.
ajouté par GYKM | modifierThe Ottawa Citizen
 

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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Bonnie Burnardauteur principaltoutes les éditionscalculé
Santen, Karina vanTraducteurauteur secondairequelques éditionsconfirmé
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Fed by the rolling fields and the running miles of shallows country ditches to the east of town, Stonebrook Creek approached by town aslant, cutting through Livingston's gully, then flowing past the burning mounds of garbage at the dump, a ripe, evolving depth of trash that came alive at night with the industrious plunder of racoons, an afternoon home-away-from-home for the town's mostly good-natured dogs.
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A runaway #1 bestseller in Canada, this richly layered first novel tells the story of the intricacies and rituals that shape a family's life over three generations A Good House begins in 1949 in Stonebrook, Ontario, home to the Chambers family. The postwar boom and hope for the future colors every facet of life: possibilities seem limitless for Bill, his wife, Sylvia, and their three children. In the fifty years that follow, the possibilities narrow into lives, etched by character, fate, and circumstance. Sylvia's untimely death marks her family indelibly but in ways only time will reveal. Paul's perfect marriage yields an imperfect child. Daphne unabashedly follows an unconventional path, while Patrick discovers that his happiness requires a series of compromises. Bill confronts the onset of old age less gracefully than anticipated, and throughout, his second wife, Margaret, remains, surprisingly, the family anchor. With her remarkable ability to probe the hidden, often disturbing landscapes of love and to illuminate the complexities of human experience, Bonnie Burnard brings to her deceptively simple narrative a clarity that is both moving and profound.

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