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Chargement... La route au tabac (1932)par Erskine Caldwell
Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Originally written in 1932, and set in the depression era, today's social climate would find this classic with its over exaggeration of the extremely poor and simple-minds of a southern sharecropper, Jeeter Lester, and his family extremely offensive and degrading. And if this was 1932, I would even say that this family may have been a bit "retarded"...but that's no longer politically correct. So, I would say they seem to be a bit mentally challenged or else they are very naive. Jeeter had lived and been tenant farmers of this land all his life, as was his father and his grandfather, who had started out growing tobacco. His father found the soil more suitable and prosperous for growing cotton. Jeeter barely squeezed out just enough dollars to survive each year growing cotton until the owner of the land gave up farming, himself, altogether and moved to the city. The Lesters were allowed to remain in their homes on the land rent free, but the loans for farming were cut off and repairs to the homes would be left up to the tenants, which the tenants didn't give much thought about. This story is a crazy twist on some peoples reactions to the realities of life. But, the fact is, the basis of how they thought and behaved during those times, even the wasteful, mindless spending of some of the poorest of poors, I believe to be true. We see it even today...all the time, everywhere. This novel shows, in an exaggerated way, of course, the degree Jeeter was willing to stoop for survival. It was always a selfish motive, even though it really was about money for food. He thought of himself first before the other family members. The problem was he was lazy, always talking the talk, and never took any action. This was the year he would burn the fields, rent a donkey and plow and plant seed-cotton and purchase the guano. But, year after year, all he did was sit on the porch and blame the rich man or God for his woes for not lending him the money. He was not flexible, and he was unwilling to change with the times. All of his children, except two, Dude and the hair-lipped Ellie Mae, had left home for the city to carve out livings for themselves. In this twisted story, an older widowed preacher woman, Bessie, age 39, marries the 16 year old, Dude Lester. Dude readily agrees because Bessie's husband had left behind $800 in the bank, which she used to purchase a brand new car and dangled before him, even though her house was so dilapidated and leaking everywhere because the roof was caving in and they had no food and no money to even put oil or gas in the car to keep it running. No one sees anything unusual in this. Afterall, they all see they may get a little piece of the pie. The car was trashed within the first week. But hey, they were proud. It was still purchased brand new and still ran, and she had her Dude, who she was going to turn into a preacher man. I had some problems with this book. First was with Lov and Pearl - I know things were different in the rural South during the Depression but it bothered me that Pearl was married off (I am pretty sure without her consent) at the age of 12. That isn't a flaw in the book, just something that creeped me out. Initially I was bothered by the whole situation about Bessie's car too especially That realization helped me have some sympathy for the characters until the end of the book. But that sympathy dried up with the callousness displayed towards the grandmother when Published in 1932, this book tells the story of Jeeter Lester, his wife, Ada, daughters, Pearl and Ellie May, son Dude, and son-in-law, Lov Bensey. The Lesters are a family of poor sharecroppers living in rural Georgia during the Great Depression. Lov married Pearl when she was twelve years old, and he is upset that she will not speak to or sleep with him. The family has had seventeen children, but some have died young and others moved to the nearby city of Augusta. The storyline is focused on the many hardships and sufferings of the rural poor. The characters seem like caricatures. Several are preoccupied with anticipating their own deaths. This book is considered a classic. I appreciate that it is a novel about the Great Depression, written contemporaneously, but do not expect anything pleasant. It is grim, bleak, and tragic – too dark for me. I am glad it is short (187 pages), or I might not have finished. aucune critique | ajouter une critique
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Drama.
Fiction.
HTML: Set during the Depression in the depleted farmlands surrounding Augusta, Georgia, Tobacco Road is the story of the Lesters, a family of white sharecroppers so destitute that most of their creditors have given up on them. Debased by poverty to an elemental state of ignorance and selfishness, the Lesters are preoccupied by their hunger, sexual longings, and fear that they will one day descend to a lower rung on the social ladder than the black families who live near them. Caldwell's skillful use of dialect and his plain style make the book one of the best examples of literary naturalism in contemporary American fiction. The novel was adapted as a successful play in 1933. .Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.52Literature English (North America) American fiction 20th Century 1900-1944Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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Biografi
Caldwell var son till en präst och arbetade som professionell fotbollsspelare, livvakt och var även manusförfattare i Hollywood under kortare perioder.
Caldwell var en av de mest produktiva sydstatsförfattarna. Han har skrivit ett trettiotal romaner, ett stort antal noveller och flera reportageböcker. Han vann ryktbarhet med romanerna Tobacco Road (1932; ”Tobaksvägen”, dramatiserad av Jack Kirkland 1933) och God’s Little Acre (1933; ”Guds lilla land”). Liksom Caldwells övriga böcker är de präglade av folklig humor, social indignation och sensualism. Från 1939 var han gift med fotojournalisten Margaret Bourke-White, och under andra världskriget arbetade han som krigskorrespondent i Ukrainska SSR, Sovjetunionen.
Caldwells 30- och 40-talsprosa gjorde honom till en av de ledande ”hårdkokta” författarna och även till en av USA:s mest lästa författare. Hans senare produktion har anklagats för sensationalism och har väckt föga uppmärksamhet bland kritikerna. Call It Experience (1951) och With All My Might (1987) är två självbiografiska böcker. ( )