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Chargement... Superman: Sacrificepar Greg Rucka, Gail Simone, Mark Verheiden
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. 812 The way that this was presented...clearly this was supposed to be some sort of huge life-changing moment of grappling with morality and relationships? But if you present me with an incredibly ripped Diana who does not have time for any supervillain moral quandary nonsense, I'm going to feel amazingly good about it. Superman and Batman need to Get Over it and also accept that every superhero group needs at least one of this person. Team Diana all the way. When planning out my "Infinite Crisis" reading project, I almost skipped over this one, but it turns out to be somewhat less tangential than I imagined. It starts with a story called "Power," where Superman overreacts to a villain's threat. Poor guy, between this story, For Tomorrow, and Day of Vengeance, he is not having a good time this year. We then jump ahead to "Sacrifice," which takes place between the pages of The OMAC Project. Here, we learn that Maxwell Lord has been undermining Superman, slowly conditioning him into a weapon he can activate at command. Much of this was covered in a text recap page in The OMAC Project, and I'm not sure it really benefits from being fully dramatized here; the story is pretty repetitive: first Superman imagines Brainiac is controlling Lois, then Darkseid. At least John Byrne is there to draw (some of) the pictures! The best part of the story is definitely the final one, already reprinted in The OMAC Project, where Wonder Woman resolves to do what she has to do to put an end to all this. Then there are three followup stories, one ("Affirmative Defense") where Wonder Woman tries to decide if she did the right thing, all while handling the next crisis, and another ("Fragmentation") where Superman remembers everything you just read in "Sacrifice," though this time he imagines it was Doomsday going after Lois. Again, the Wonder Woman one is the more interesting: I think I just don't care about the "dilemma" posed by this strand of Superman stories, an examination of whether or not Superman is too dangerous/powerful to even exist. It's just totally a false dilemma: Superman is not the danger, Maxwell Lord is. If Superman didn't exist, the threat posed by Max would be no less potent. Finally, in "Home," Superman and Superboy team up to save Steel from an OMAC at the North Pole. It's perfunctory and not very interesting. Though Sacrifice promises fascinating repercussions (we'll see if these actually happen), it's just not a very interesting story on its own, I think. I like what I saw of it in The OMAC Project, but what we see here is mostly the set-up, not the pay-off. DC Comics Crises: « Previous in sequence | Next in sequence » aucune critique | ajouter une critique
Appartient à la sérieAction Comics TPBs (829) Adventures of Superman TPBs (642-643) Infinite Crisis (2) Superman TPBs (218-220) Superman TPBs Post-Crisis Continuity (218-220) Est contenu dans
From critically acclaimed writer Greg Rucka comes the controversial story that forever altered the relationship between Superman and Wonder Woman, and sets up Geoff Johns' best-selling graphic novel epic, INFINITE CRISIS. Max Lord has taken over Superman's mind and has him in total thrall. With his peers and loved ones threatened, Superman is helpless. But not Wonder Woman-who must battle past the Man of Steel and decisively end the threat. Her actions, and their repercussions, are explored here! Collects SUPERMAN #218-220, ADVENTURES OF SUPERMAN #642-643, ACTION COMICS #829 and WONDER WOMAN #219-220. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)741.5973The arts Graphic arts and decorative arts Drawing & drawings Cartoons, Caricatures, Comics Collections North American United States (General)Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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