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Everybody Was So Young: Gerald and Sara Murphy: A Lost Generation Love Story (1998)

par Amanda Vaill

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5411144,674 (4.04)22
New York Times Bestseller: "A marvelously readable biography" of the couple and their relationships with Picasso, Fitzgerald, and other icons of the era (The New York Times Book Review).   Wealthy Americans with homes in Paris and on the French Riviera, Gerald and Sara Murphy were at the very center of expatriate cultural and social life during the modernist ferment of the 1920s. Gerald Murphy--witty, urbane, and elusive--was a giver of magical parties and an acclaimed painter. Sara Murphy, an enigmatic beauty who wore her pearls to the beach, enthralled and inspired Pablo Picasso (he painted her both clothed and nude), Ernest Hemingway, and F. Scott Fitzgerald.   The models for Nicole and Dick Diver in Fitzgerald's Tender Is the Night, the Murphys also counted among their friends John Dos Passos, Dorothy Parker, Fernand Léger, Archibald MacLeish, Cole Porter, and a host of others. Far more than mere patrons, they were kindred spirits whose sustaining friendship released creative energy. Yet none of the artists who used the Murphys for their models fully captured the real story of their lives: their Edith Wharton childhoods, their unexpected youthful romance, their ten-year secret courtship, their complex and enduring marriage--and the tragedy that struck them, when the world they had created seemed most perfect.   Drawing on a wealth of family diaries, photographs, letters and other papers, as well as on archival research and interviews on two continents, this "brilliantly rendered biography" documents the pivotal role of the Murphys in the story of the Lost Generation (Los Angeles Times).   "Often considered minor Lost Generation celebrities, the Murphys were in fact much more than legendary party givers. Vaill's compelling biography unveils their role in the European avant-garde movement of the 1920s; Gerald was a serious modernist painter. But Vaill also shows how their genius for friendship and for transforming daily life into art attracted the most creative minds of the time." --Library Journal… (plus d'informations)
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Gifted artist Gerald Murphy and his elegant wife, Sara, were icons of the most enchanting period of our time; handsome, talented, and wealthy expatriate Americans, they were at the very center of the literary scene in Paris in the 1920s. In Everybody Was So Young, Amanda Vaill brilliantly portrays both the times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald (Nicole and Dick Diver in Tender is the Night were modeled after the Murphys). The era of the Lost Generation has always fascinated me, and Vaill provides a delicious keyhole look at this period and the people who made it so colorful. ( )
  patriciau | Dec 27, 2018 |
I am trying to wrap my brain around just how special Sara and Gerald Murphy's reputation was between post World War I and pre World War II. Just the who's who name dropping when describing their inner circle alone is spectacular. Even at an early age, both Sara and Gerald hobnobbed with notables (Sara was warned not to wear a long scarf while flying with the Wright brothers and Gerald was schoolmates with Dorothy (Rothschild) Parker). The Murphys vacation spot of choice was a rocky beach in the south of France. It was easy to rub elbows with the big names for Paris was a hotbed for creativity during the 1920s. Artists, photographers, writers, poets and fashionistas alike flocked to the city center and soon made their way to the French Riviera. Gerald and Sara knew how to entertain all ages. Their children were treated to elaborate parties including a scavenger hunt that took them by sailboat across the Mediterranean. It was a charmed life...until it wasn't. Interspersed with the good times are episodes of tragedy - illnesses, death, Fitzgerald's drinking and subsequent estrangements from longtime friends. But, it was probably the tragic deaths of their two sons, Baoth and Patrick that were the most devastating and marked the end of an era for Sara and Gerald. ( )
  SeriousGrace | Sep 27, 2017 |
This book sparked a "Lost Generation" reading jag. Started with Fitzgerald, led to Dos Passos, Hemingway and Gertrude Stein. Wonderful story about an artistic couple with the wealth to explore their eccentricities. I thought it was slated to become a movie, but haven't seen any progress. ( )
  stacykurko | Oct 29, 2015 |
This is one of the best biographies I have read. Besides being well researched, it is elegantly and engagingly written. Heartbreaking at times, and at others enlightening. An example of its enlightening quality, who would have thought that Ernest Hemingway would have been such a devoted friend to Sara and Gerald Murphy's dying child. ( )
  lucybrown | Sep 27, 2015 |
This is one of the best biographies I have read. Besides being well researched, it is elegantly and engagingly written. Heartbreaking at times, and at others enlightening. An example of its enlightening quality, who would have thought that Ernest Hemingway would have been such a devoted friend to Sara and Gerald Murphy's dying child. ( )
  lucybrown | Sep 27, 2015 |
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Sara Sherman Wiborg Murphy was a figure of myth long before the Fitzgeralds and the Hemingways and MacLeishes met her in France. 
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New York Times Bestseller: "A marvelously readable biography" of the couple and their relationships with Picasso, Fitzgerald, and other icons of the era (The New York Times Book Review).   Wealthy Americans with homes in Paris and on the French Riviera, Gerald and Sara Murphy were at the very center of expatriate cultural and social life during the modernist ferment of the 1920s. Gerald Murphy--witty, urbane, and elusive--was a giver of magical parties and an acclaimed painter. Sara Murphy, an enigmatic beauty who wore her pearls to the beach, enthralled and inspired Pablo Picasso (he painted her both clothed and nude), Ernest Hemingway, and F. Scott Fitzgerald.   The models for Nicole and Dick Diver in Fitzgerald's Tender Is the Night, the Murphys also counted among their friends John Dos Passos, Dorothy Parker, Fernand Léger, Archibald MacLeish, Cole Porter, and a host of others. Far more than mere patrons, they were kindred spirits whose sustaining friendship released creative energy. Yet none of the artists who used the Murphys for their models fully captured the real story of their lives: their Edith Wharton childhoods, their unexpected youthful romance, their ten-year secret courtship, their complex and enduring marriage--and the tragedy that struck them, when the world they had created seemed most perfect.   Drawing on a wealth of family diaries, photographs, letters and other papers, as well as on archival research and interviews on two continents, this "brilliantly rendered biography" documents the pivotal role of the Murphys in the story of the Lost Generation (Los Angeles Times).   "Often considered minor Lost Generation celebrities, the Murphys were in fact much more than legendary party givers. Vaill's compelling biography unveils their role in the European avant-garde movement of the 1920s; Gerald was a serious modernist painter. But Vaill also shows how their genius for friendship and for transforming daily life into art attracted the most creative minds of the time." --Library Journal

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