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Why It Does Not Have To Be In Focus par…
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Why It Does Not Have To Be In Focus (édition 2013)

par Jackie Higgins (Auteur)

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This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. In an age where anyone with a camera can call him- or herself a photographer, an apparent lack of technique might be mistaken for a lack of artistic sophistication. In this delightful follow-up to Why Your Five-Year-Old Could Not Have Done That, Jackie Higgins offers superb examples to counter that assumption, such as Hiroshi Sugimoto's anachronistic use of a 19th-century large-format camera to produce intentionally fuzzy pictures, and Richard Prince's controversial technique of "re-photographing" photos, which unleashed a barrage of criticism that he was profiting from others' work. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph.… (plus d'informations)
Membre:jabsticks
Titre:Why It Does Not Have To Be In Focus
Auteurs:Jackie Higgins (Auteur)
Info:Thames & Hudson Ltd (2013), 224 pages
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Why It Does Not Have To Be In Focus: Modern Photography Explained par Jackie Higgins

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leuk compact boek over de betekenis van (zelf)portretten in de fotografie. Soms onverwachte keuzes. Mijn heldin Francesca Woodman is er ook bij. ( )
  stefanbrouwer | May 5, 2016 |
Appealing title. I like to push the boundaries; but in this case hardly any of the pictures appealed to me. This is the art of "installations" and stuff that makes me feel like an old-fashioned philistine. So why is most photography in the galleries and the media still in focus? ( )
  vguy | Mar 2, 2014 |
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This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. In an age where anyone with a camera can call him- or herself a photographer, an apparent lack of technique might be mistaken for a lack of artistic sophistication. In this delightful follow-up to Why Your Five-Year-Old Could Not Have Done That, Jackie Higgins offers superb examples to counter that assumption, such as Hiroshi Sugimoto's anachronistic use of a 19th-century large-format camera to produce intentionally fuzzy pictures, and Richard Prince's controversial technique of "re-photographing" photos, which unleashed a barrage of criticism that he was profiting from others' work. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph.

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770The arts Photography, computer art, cinematography, videography Photography

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