AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Le Retour des étoiles (1961)

par Stanisław Lem

Autres auteurs: Voir la section autres auteur(e)s.

MembresCritiquesPopularitéÉvaluation moyenneMentions
8981123,567 (3.71)10
An astronaut returns to Earth after a ten-year mission and finds a society that he barely recognizes. Stanisław Lem's Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years--although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are "betrizated" to remove all aggression and violence--a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as "resuscitated Neanderthals," and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem's depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi les 10 mentions

Anglais (8)  Finnois (1)  Espagnol (1)  Russe (1)  Toutes les langues (11)
Affichage de 1-5 de 11 (suivant | tout afficher)
Lem' mastery lies in his uncanny diegeses, their elaborate descriptions, and strong conceptual themes. This book was a supreme analysis of space travel, especially its motivation and the reintegration of astronauts / cosmonauts into life on their return. Add that to the invention of Betrization and you have an impressive book. ( )
  MXMLLN | Jan 12, 2024 |
found this really hard to get into but really loved the idea. may revisit one day
  rottweilersmile | Mar 4, 2022 |
Less successful than many of Lem's works, but perhaps I'm setting too high a bar. Hal's return to earth and struggle to adapt is exceptional, but the culture he returns to is at the same measure too similar and too different from our own for me to understand how one came from the other. ( )
  sarcher | May 31, 2020 |
I agree with most of the positive comments by other reviewers here. In the hands of the right director, “Return from the Stars” would make an excellent film – more in the tradition of thoughtful, art-house sci-fi like “Gattaca” than as a blockbuster Hollywood movie (although someone like George Clooney would be ideal for the part of Hal – he should have filmed this novel instead of remaking “Solaris”). If you are keen on the Lem of “Futurological Congress” then maybe this book won’t be so much to your taste, as at least one other reviewer has found – but personally, I prefer Lem novels like “Solaris”,“His Master’s Voice” and “Fiasco” and for me, this one bears comparison with all of those books.

Hal’s alienation faced with a population which has been “betrizated” (a process which removes aggressive, risk-taking tendencies) reminded me of Aldous Huxley’s “Brave New World”, but with betrization taking the place of eugenics. For a novel written in 1961, a time when space exploration still had a hold over the public imagination, it is eerily prescient – because even without betrization, we seem – like the civilisation depicted in the novel - to have largely lost interest in manned space missions. Instead we have become far more interested in networking amongst ourselves – and in that sense, we are (again, just like the world depicted in the book) a civilisation which is increasingly turned in on itself, rather than outward looking. That may sound like quite a negative characterisation, but one of the things I particularly liked about the novel was its readiness to acknowledge that things aren’t necessarily quite so black and white – that there are aspects of this future world which, although they seem alien and even somewhat repellent to us now, may well be superior to our current civilisation.

For a longer review including some thoughts on how this relates to communism and whether it works well at a basic story-telling level (I think it does – it’s much more than just a novel of ideas), see:

http://paulsamael.com/blog/holiday-reading-1- ( )
  Paul_Samael | Nov 9, 2019 |


Holy cyberspace, robotics and zero-gravity! Stanislaw Lem took me completely by surprise with his 1961 novel of American astronaut Hal Bregg’s returning to Earth 127 years into the future. I was expecting the acclaimed Polish author's time traveler to be another introverted nerd like Ijon Tichy. He’s anything but - exceptionally tall, rugged, muscular, athletic, Hal is an American adventurer along the lines of Indiana Jones. Likewise, I was anticipating the focus of the novel to revolve exclusively around futuristic science, technology and culture. Return From the Stars is all that but something more - a tale of passion, intrigue and, most unexpectedly, a love story.

We follow Hal as he recounts dozens of his intriguing encounters and discoveries – to list several: airplane seats expanding into egg-shaped cocoons as a way of providing the ultimate in privacy (to my mind, a splendid invention), a woman wearing a dress with large peacock eyes that blink, an airport terminal smelling like a thousand scented soaps, a white cake that instantly foams, turns brown and hardens and has the taste of a freshly baked roll, conversations with a physician and a mathematician recounting the advances made in their respective fields in the last one hundred years. So much to report I'm forced to pick and chose. Below are highlights from Explorer Bregg's astonishing odyssey I judge among the most provocative:

BETRIZATION
No doubt about it, the procedure known as betrization is the most important change in this future world, a procedure all children are obliged to undergo. Betrization permanently alters human nature, neutralizing all traces of aggression, nastiness, mean-spiritedness and the need to dominate along with engendering an aversion to risk taking. Predictably, with such a profound transformation, the men and women, society and culture Hal encounters bear little resemblance to life back in the 20th century. Thus when all those denizens Hal meets realize he has not been betrizied, they recoil, viewing him as wild, barbaric, barely a notch above Neanderthal. Betrization is the major philosophic issue for Hal and, indirectly, for Stanislaw Lem.



BLACK BOXES
Stunning scientific breakthrough: gravity is neutralized to eliminate risk and danger. Hal sees black boxes all over the place, in elevators and in sleek, black automobiles (gleeders) that look like pencils sharpened at both ends. So when there is high speed collision, the black boxes completely absorb the impact and passengers walk away without a scratch. Bye bye to all those highway fatalities. Now that’s an improvement!

WORK
Men and women no longer perform drudge work; all is done by robots that are beautifully styled, semitransparent and have long, delicate arms. Hal tells us: “I had noticed that I had no difficulty conversing with robots, because absolutely nothing surprised them. They were incapable of surprise. A very sensible quality.” Furthermore, a physician informs our time traveling adventurer that material factors have ceased to exist - people are freed up to live harmonious, tranquil lives of leisure. The doctor admits society has softened in the last one hundred years. Reading this passage I was reminded of 19th century German philosopher G. F. W. Hegel projecting how at some future point in history the continual thesis-antithesis tug-of-war will evaporate and level out into a final synthesis.

ARCHITECTURE
Many city buildings are a single immensity, a mountain of glassy rock. The more Hal see, the more he comprehends future architects frequently use nature – mountains, rivers, valleys – as the model for their own creations. “They must have understood that in going beyond certain limits they had to abandon symmetry and regularity of form, and learn from what was largest – intelligent students of the planet.”

ART
“In the center rose a column, high, transparent as glass; something danced in it, purple, brown and violet shapes, unlike anything I knew, like abstract sculptures come to life, but very amusing. First one color then another swelled, became concentrated, took shape in a highly comical way; this melee of forms, although devoid of faces, heads, arms, legs was very human in character. I’ve never seen anything like it.” Everywhere in the city, Hal is surrounded by a dazzling array of lights, colors and shapes. Very appealing to the eye – it appears these future city dwellers have a refined and highly developed aesthetic sense. Beauty is everywhere. "The entire city took on the appearance of a gigantic art exhibit.”

FILM AND THEATER
Movies are three dimensional, vivid holographs, and even more impressive, entirely interactive. “The viewer himself, by his own choice, determined whether he would see a close-up or the whole picture.” Also, Stanislaw Lem anticipates wide screen television. Hal is astonished at all the giant images and faces on flat TV screens the size of walls. Also, theme parks, a close cousin to theater, are holographic extravaganzas – for example, there’s white water rafting where the raft and the water are all swirls of light, created in a way where rafters can experience the thrill without the danger.



BOOKS
Hal is stunned there are no paper books in the bookstore. Stanislaw Lem anticipates the Kindle and audio books. Over the next days as he becomes familiar with the future world’s literature, Hal is upset with the lack of social criticism and the complete absence of anything resembling satire, which prompts the tall astronaut to muse: “There is never good without evil.” Hal can also see the entire cultural heritage has undergone a radical re-evaluation - sexuality, social mores, attitudes toward war – have little in common with the way people viewed such things in the 20th century.

FASHION
“Suits, socks, sweaters, underwear, everything were sprayed on.” In one respect, this future US world is a vast enhancement - men and women are trim, well-built and attractive. And youthful, thanks to a number of health cures for aging, things like a cream instantly removing wrinkles. Contact sports (hockey and football), bloody sports (boxing and rodeo) have disappeared; swimming, diving and hiking are the prevailing sports and modes of exercise.

LOVE
Hal meets lovely Eri and falls deeply in love. Meanwhile, the space mission offers Hal the opportunity for more time travel and adventure. Hal has a critical decision to make: stay with Eri in this betrization world or move on. What will Hal choose? Keep in mind Hal is now a strapping man of forty and has been on a space mission for ten years without women. Also, have a good long look at Eri and take a guess which way Hal with go.



BETRIZATION REDUX
Again, the major philosophic conundrum in this future world is betrization. Conjoined with this radical biological procedure, the prime subjects of education for all toddlers, school-age children and adolescence are the principles of tolerance, peaceful coexistence and respect for others of all races. Ancient history, epochs prior to betrization, including the 20th century, are portrayed as “times of animality and barbaric, uncontrolled procreation, of catastrophe both economic and military.”

Judging from the number of Goodreads reviews (less than 200), I think it is fair to say Return From the Stars is an overlooked classic. In my humble judgement this future world is one of great beauty and magnificence. However, I can detect many readers would take exactly the opposite view. I encourage you to read for yourself and formulate your own opinions.


One of the greatest writers of science fiction, Polish author Stanislaw Lem, 1921-2006

"We traveled a long time in silence. The buildings of the city center gave way to bizarre forms of suburban architecture - under small artificial suns, immersed in vegetation, lay structures with flowing lines, or inflated into odd pillows, or winged, so that the division between the interior of a home and its surroundings was lost; these where products of a phantasmagoria of tireless attempts to create without repeating old forms." -- Stanislaw Lem, Return From the Stars
  Glenn_Russell | Nov 13, 2018 |
Affichage de 1-5 de 11 (suivant | tout afficher)
aucune critique | ajouter une critique

» Ajouter d'autres auteur(e)s (12 possibles)

Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Lem, StanisławAuteurauteur principaltoutes les éditionsconfirmé
Kurecka, MariaTraducteurauteur secondairequelques éditionsconfirmé
Marszal, BarbaraTraducteurauteur secondairequelques éditionsconfirmé
Rey, LuisArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Simpson, FrankTraducteurauteur secondairequelques éditionsconfirmé
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Informations provenant du Partage des connaissances allemand. Modifiez pour passer à votre langue.
Date de première publication
Personnes ou personnages
Informations provenant du Partage des connaissances allemand. Modifiez pour passer à votre langue.
Lieux importants
Informations provenant du Partage des connaissances allemand. Modifiez pour passer à votre langue.
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Informations provenant du Partage des connaissances allemand. Modifiez pour passer à votre langue.
Ich hatte nichts mit, nicht mal einen Mantel.
Citations
Derniers mots
Informations provenant du Partage des connaissances allemand. Modifiez pour passer à votre langue.
(Cliquez pour voir. Attention : peut vendre la mèche.)
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
Informations provenant du Partage des connaissances allemand. Modifiez pour passer à votre langue.
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais (1)

An astronaut returns to Earth after a ten-year mission and finds a society that he barely recognizes. Stanisław Lem's Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years--although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are "betrizated" to remove all aggression and violence--a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as "resuscitated Neanderthals," and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem's depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: (3.71)
0.5 1
1 1
1.5
2 11
2.5
3 37
3.5 14
4 52
4.5 7
5 26

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 203,233,214 livres! | Barre supérieure: Toujours visible