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Chargement... [ THE HILL OF KRONOS BY LEVI, PETER](AUTHOR)PAPERBACKpar Peter Levi
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Peter Levi paints a radiant portrait of the Greece he came to know through a lifetime of exploration. As a young scholar he was fascinated by its ruined cities and majestic mountains. Later, he lived in Athens through the dark days of the dictatorship when his political life led back to secret alliances made during the civil war and the earlier occupation, back to murder, starvation and corpse-filled quarries. Lastly he describes the country through the mature eyes of a family man, with the ripened sensibility of an acclaimed poet. This is a precious fusion of experience and insight from one philhellene to all those who have come to love Greece. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)914.95History and Geography Geography and Travel Geography of and travel in Europe Other European Countries GreeceClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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In an evocative way Levi (priest, poet, scholar) describes his journeys through and stays in the country from 1963 till 1978 - and in some ways for those who visited Greece this book is a real vacation. You see the light again, feel the heat, are refreshed by the sea, smell the scents, hear the sounds.
Levi also reports of his labour on Pausanias, he is the translator of Pausanias Guide to Greece for which he visited all the sites himself.
And he tells of his friendships with Seferis, Gatsos, Katsimbalis and others poets. How they all lived and some died during the terrible years of the regime of the Colonels.
In Athens “the cemetery became one of my favorite lurking places. The heroes of the war of independence lie here, in a wilderness of other monuments, and the first Greek aviator, and by now a number of my friends. The neoclassic marbles run riot, they reflower as rococo, they burst out into sunblasts of baroque. My favorite tomb is that of Makryiannis, the peasant general of 1821 whose memoirs, written with a purity and a force that has no parallel in Europe since the sixteenth century, are the foundation documents of whatever is best in Greece. They were recovered as wrapping paper from a butcher’s shop, and it was George Seferis who first pointed to their profundity and their value. During the 1939 war they circulated in typescript; the Germans put a price on the head of rebellious Makryiannis. Under the Colonels, people left red carnations at his monument. His face on the bronze plaque is consumed with rage and suffering; he has the face of a starved prophet. In his old age he wrote a long and bitter series of reproach to God. He was imprisoned, tortured, virtually starved to death, under the early monarchy. I am constantly moved to tears by his writings” (p. 138) ( )