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Sympathetic Magic (Crab Orchard Series in Poetry)

par Amy Fleury

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Amy Fleury's bewitching new collection of poems, Sympathetic Magic, unveils the everyday manifestations of sympathy as well as the connections wrought by "sympathetic magic"--that indelible tether that binds people, places, and objects across time and distance. Fleury's lyrics journey across the landscapes of childhood and old age, body and spirit, past and future, exploring the boundless permutations of sympathy as it appears in the most surprising locations. Connections reveal themselves in the aggressive silence of the small town or the round penmanship of a loved one, and echo throughout the solitude and regeneration of the forest as well as the antiseptic air of the hospital. At the center of these travels lies the narrator, stretching her limbs from the heart of the heartland, her body a compass summoning us from all directions, emphasizing with tender simplicity that "we all live under the self-same moon, no matter the phase."… (plus d'informations)
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As the title poem announces, "Sometimes what is needed comes to hand." These poems are both needed and close at hand. Amy Fleury's voice is never overly intellectual, never too familiar. These poems are calm and contemplative, yet they bring necessary images to life, whether it is through the exploration of minutiae from a Kansas landscape like the "First Morel" or the touching encounter between father and daughter in "Ablution" or the perception of nuns and saints in their "Niches." It is great to see a poet who vacillates so dexterously between intensely personal poems and poems of complete objectivity. Read these poems whether you are in "the waters of loving" or "the sump of loss" or somewhere between. They will do you good. ( )
  kdunkelberg | Jan 23, 2015 |
Good poetry does one of three things for me. First, it basks the mundane in the brightest of lights. Suddenly I can see all those things I'd never noticed before: the crevices of a freshly made sheet atop a bed, the creases within an outstretched hand, the hopelessness in a can of baked beans. Second, it tells a story. In a mere thirty or forty lines, the rhythm gives way to a tale some prose writers take 100,000 words to tell. Lastly, it moves me. A good poem has the power to reach my soul and make me weep (or occasionally smile). If a poem succeeds in regards to only one of these areas, I consider it a success.

Amy Fleury's collection Sympathetic Magic is certainly strong in two, if not all three, of these areas. First of all, the language is phenomenal. I'd say this is Fleury's greatest poetic skill. She can reshape those everyday events and make them so beautiful. She can dissect a dead and forgotten object and breathe new life into it. I love the sound of these poems, as well as the colors they paint. As far as story, there are several poems in this collection that not only told a complete story, but a captivating one. I was pulled into these tales. Now, in regards to a poem that moves me, there is certainly considerable heart on display in Sympathetic Magic. I could see it, but unfortunately it never quite struck my emotional chords. The issue was no fault of the authors, but rather a disconnect between myself and the subject; those poems which were truly the most heartfelt regarded the physical and mental deterioration of a parent. I saw the heart beating deep in these poems, but I couldn't personally find the pulse. There's probably a reason for this, but I'll leave this for my psychologist to chew over.

This is a great collection. If you love poetry or just the beauty of words, I highly recommend it. ( )
  chrisblocker | Jun 25, 2014 |
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Amy Fleury's bewitching new collection of poems, Sympathetic Magic, unveils the everyday manifestations of sympathy as well as the connections wrought by "sympathetic magic"--that indelible tether that binds people, places, and objects across time and distance. Fleury's lyrics journey across the landscapes of childhood and old age, body and spirit, past and future, exploring the boundless permutations of sympathy as it appears in the most surprising locations. Connections reveal themselves in the aggressive silence of the small town or the round penmanship of a loved one, and echo throughout the solitude and regeneration of the forest as well as the antiseptic air of the hospital. At the center of these travels lies the narrator, stretching her limbs from the heart of the heartland, her body a compass summoning us from all directions, emphasizing with tender simplicity that "we all live under the self-same moon, no matter the phase."

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