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Fashion jewellery : made in Italy

par Deanna Farneti Cera

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In Italy there has always been a tradition of making jewellery from semi precious metal, as copies or prototypes of fine jewellery pieces. Made in Italy moves chronologically through the last 100 years, with pieces from the beginning of the 20th century, through to the years spent under fascist rule, when pieces had to be strictly made with local material such as wood, cork, straw, venetian glass and coral. The fifties and sixties allowed for the very first big names in fashion jewellery to arise: Giuliano Fratti, Emma Caimi Pellini, Coppola e Toppo, Luciana de Reutern, Canesi, Ornella... The book reserves a special place for an important phenomenon that took place in Milan at the end of the 1970s - "Made in Italy" - when Italian fashion entered - and dominated - the international scene, and Italian designers such as Armani, Versace, Ferre, Moschino and Prada found incredible success all over the world. Throughout the eighties and nineties, and well into the year 2000 further names in fashion jewellery were pushed to the fore: Ugo Correani, Sharra Pagano, Carlo Zini, Angela Caputi, Maria Calderara, Giorgio Vigna, Fabio Cammarata, Emilio Cressoni, Robert Tomas, Irene Moret, Silvia Beccaria, among others. The final section of the book is devoted to new talents, selecting ten designers whose jewels are particularly interesting and innovative. This section also contains lists of the major museums, galleries, schools and magazines in Europe that are dedicated to contemporary jewellery, illustrating that the line dividing the contemporary artist's studio jewellery from contemporary fashion jewellery is becoming more and more difficult to define. Made in Italy applies special focus to the most important, interesting pieces, through both period images taken from exclusive fashion magazines, and through stunning photographs of actual pieces, resulting in almost 400 illustrations. AUTHOR: Deanna Farneti Cera graduated from the University of Bologna and worked as Assistant Director and Curator at Bologna's Municipal Museum of Modern Art. In 1987 she organised the exhibition Gioie di Hollywood in Venice. She was general curator of the international exhibition Jewels of Fantasy which opened in Milan, and went on to tour several European and American museums. The catalogue of that exhibition has become 'the cornerstone work on the subject'. She is the author of many books on jewellery and costume jewellery. Among them is her latest publication: Fashion Jewels: Coppola e Toppo ISBN 9781851496112, also published by ACC Editions. SELLING POINTS: A stunning survey of fashion jewellery made in Italy during the 20th century, and its symbiotic relationship with Italian fashion 312 colour and 63 b/w illustrations… (plus d'informations)
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In Italy there has always been a tradition of making jewellery from semi precious metal, as copies or prototypes of fine jewellery pieces. Made in Italy moves chronologically through the last 100 years, with pieces from the beginning of the 20th century, through to the years spent under fascist rule, when pieces had to be strictly made with local material such as wood, cork, straw, venetian glass and coral. The fifties and sixties allowed for the very first big names in fashion jewellery to arise: Giuliano Fratti, Emma Caimi Pellini, Coppola e Toppo, Luciana de Reutern, Canesi, Ornella... The book reserves a special place for an important phenomenon that took place in Milan at the end of the 1970s - "Made in Italy" - when Italian fashion entered - and dominated - the international scene, and Italian designers such as Armani, Versace, Ferre, Moschino and Prada found incredible success all over the world. Throughout the eighties and nineties, and well into the year 2000 further names in fashion jewellery were pushed to the fore: Ugo Correani, Sharra Pagano, Carlo Zini, Angela Caputi, Maria Calderara, Giorgio Vigna, Fabio Cammarata, Emilio Cressoni, Robert Tomas, Irene Moret, Silvia Beccaria, among others. The final section of the book is devoted to new talents, selecting ten designers whose jewels are particularly interesting and innovative. This section also contains lists of the major museums, galleries, schools and magazines in Europe that are dedicated to contemporary jewellery, illustrating that the line dividing the contemporary artist's studio jewellery from contemporary fashion jewellery is becoming more and more difficult to define. Made in Italy applies special focus to the most important, interesting pieces, through both period images taken from exclusive fashion magazines, and through stunning photographs of actual pieces, resulting in almost 400 illustrations. AUTHOR: Deanna Farneti Cera graduated from the University of Bologna and worked as Assistant Director and Curator at Bologna's Municipal Museum of Modern Art. In 1987 she organised the exhibition Gioie di Hollywood in Venice. She was general curator of the international exhibition Jewels of Fantasy which opened in Milan, and went on to tour several European and American museums. The catalogue of that exhibition has become 'the cornerstone work on the subject'. She is the author of many books on jewellery and costume jewellery. Among them is her latest publication: Fashion Jewels: Coppola e Toppo ISBN 9781851496112, also published by ACC Editions. SELLING POINTS: A stunning survey of fashion jewellery made in Italy during the 20th century, and its symbiotic relationship with Italian fashion 312 colour and 63 b/w illustrations

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