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Perfect Red

par Jennie Nash

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It's 1952 in New York City -- the height of the Red Scare. When the sheltered secretary of a prominent book editor becomes obsessed with the story of a glamorous French lipstick, she becomes convinced that it was the story she was born to write. To do it, however, she must overcome her belief that surrendering to passion of any kind is dangerous -- especially when she enters into a high stakes game of kiss and tell with the editor's star author, who is in desperate need of a story and a muse. They fight for the right to tell the tale, and ultimately, for the right of an author to tell their own truth.… (plus d'informations)

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AmaliaGavea, daniellnic, Snukes, PenelopeWeaving, Pattymclpn

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"Perfect Red" is a thoroughly enjoyable read. The early years after World War II is an era filled with emotional ups and downs. It is in this world of joy of victory, tempered by the McCarthy witch hunts, that Lucy, secretary to a New York book editor, moves. The novel is a fast-moving page turner, and you "feel" for Lucy every step of the way as deception follows deception. The characters are all very finely drawn, no confusing one with another here, and the dialogue spot-on. The plot is totally original, and for avid readers, any insight into the high stakes world of book publishing is a bonus. Forget Pink Pleasure or Misty Mango - "Perfect Red" is passion personified. (

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PenelopeWeaving | May 8, 2013 |

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It's 1952 in New York City -- the height of the Red Scare. When the sheltered secretary of a prominent book editor becomes obsessed with the story of a glamorous French lipstick, she becomes convinced that it was the story she was born to write. To do it, however, she must overcome her belief that surrendering to passion of any kind is dangerous -- especially when she enters into a high stakes game of kiss and tell with the editor's star author, who is in desperate need of a story and a muse. They fight for the right to tell the tale, and ultimately, for the right of an author to tell their own truth.

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