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The gods are dead, but will not be forgotten. When Mymnir flees Ragnarok, she hopes to escape all that bound her to Asgaror-a heedless pantheon, a domineering brother, and her neglectful father-master, Ooinn. But the white raven, a being of memory and magic, should know that the past is not so easily left behind. No matter how far she flies, she cannot evade her family. From fire giants to whispering halls, disappearing children to evening-wolves, fairy hills to bewitched cypress trees, and talking heads to moonshiners of a special sort, Midnight and Moonshine takes readers on a journey from ninth century Vinland to America's Deep South in the present day. Publishers Weekly Starred Review (17 Sept 2012) In "Seeds," the opening story of Hannett and Slatter's innovative dark fantasy collection, Mymnir, Odinn's white raven, flees the Ragnarok, "an apocalypse for the gods alone," and comes to the New World. There she creates a Fae kingdom in the image of Asgardr, transforming herself from a thieving, neglected raven into the fearsome, immortal Fae Queen. Though each story in this collection is self-contained and varied in tone and setting (Mymnir's Fae Court, Prohibition-era Charleston, the present, to name a few), each one builds upon its predecessor, with multiple generations of protagonists and recurring objects, characters (especially Mymnir, whose desires and memories, over the centuries, bring her to the cusp of another Ragnarok), and themes. Marked by imagery both beautiful and grotesque, and unnerving twists that recall the uncanny horror of original fairy tales, this collection contains a unifying, multilayered plot that draws upon Norse mythology to take the reader on a thrilling, unsettling journey. (Nov.) http: //www.publishersweekly.com/978-1-92185-730-0 Angela Slatter's collection The Girl With No Hands and Other Tales (Ticonderoga) won the Aurealis Award for Best Collection in 2010, while her other collection from that year, Sourdough and Other Stories (Tartarus), was short-listed for the World Fantasy Award. Lisa L. Hannett's debut collection, Bluegrass Symphony (Ticonderoga), won the Aurealis Award for Best Collection in 2011 and is short-listed for the World Fantasy Award. "The February Dragon," the first published Hannett/Slatter collaboration, won the Aurealis Award for Best Fantasy Story in 2010.… (plus d'informations)
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Midnight and Moonshine begins with the evocative and bloody story of the flight of Mymnir, one of Allfather Odin’s ravens, escaping from Asgard as Ragnarök destroys the gods. In Hannett’s and Slatter’s mosaic of short stories, Mymnir is the white raven, a creature of magic and memory, who flees the wreckage of her old world, re-making herself as a woman and a queen on the shores of the new world. She brings splinters of Asgard with her, creating a new people – the Fae – and a new realm for herself.
As time passes, some Fae break free of Mymnir’s power, and the magical Fae blood mingles with human blood through the ages: they mix with the skraelings of the new world, they marry into human families, but their magic and otherness remains, even if it is diluted.
Hannett and Slatter’s writing is entrancing and evocative, their tales shifting between brutal and enigmatic, frightening and enchanting, dark and light. The stories follow Mymnir and the Fae through the ages, from the distant past into our own time, and towards the end of the book, the white raven, the Fae queen – lost for many years – appears in our present day and brings new destruction down upon the world, as some of her Fae descendents try to stop her.
Midnight and Moonshine is a fantastic read, a highly recommended collection of uniquely imagined fantasy tales, with prose that is a joy to read. ( )
The gods are dead, but will not be forgotten. When Mymnir flees Ragnarok, she hopes to escape all that bound her to Asgaror-a heedless pantheon, a domineering brother, and her neglectful father-master, Ooinn. But the white raven, a being of memory and magic, should know that the past is not so easily left behind. No matter how far she flies, she cannot evade her family. From fire giants to whispering halls, disappearing children to evening-wolves, fairy hills to bewitched cypress trees, and talking heads to moonshiners of a special sort, Midnight and Moonshine takes readers on a journey from ninth century Vinland to America's Deep South in the present day. Publishers Weekly Starred Review (17 Sept 2012) In "Seeds," the opening story of Hannett and Slatter's innovative dark fantasy collection, Mymnir, Odinn's white raven, flees the Ragnarok, "an apocalypse for the gods alone," and comes to the New World. There she creates a Fae kingdom in the image of Asgardr, transforming herself from a thieving, neglected raven into the fearsome, immortal Fae Queen. Though each story in this collection is self-contained and varied in tone and setting (Mymnir's Fae Court, Prohibition-era Charleston, the present, to name a few), each one builds upon its predecessor, with multiple generations of protagonists and recurring objects, characters (especially Mymnir, whose desires and memories, over the centuries, bring her to the cusp of another Ragnarok), and themes. Marked by imagery both beautiful and grotesque, and unnerving twists that recall the uncanny horror of original fairy tales, this collection contains a unifying, multilayered plot that draws upon Norse mythology to take the reader on a thrilling, unsettling journey. (Nov.) http: //www.publishersweekly.com/978-1-92185-730-0 Angela Slatter's collection The Girl With No Hands and Other Tales (Ticonderoga) won the Aurealis Award for Best Collection in 2010, while her other collection from that year, Sourdough and Other Stories (Tartarus), was short-listed for the World Fantasy Award. Lisa L. Hannett's debut collection, Bluegrass Symphony (Ticonderoga), won the Aurealis Award for Best Collection in 2011 and is short-listed for the World Fantasy Award. "The February Dragon," the first published Hannett/Slatter collaboration, won the Aurealis Award for Best Fantasy Story in 2010.
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As time passes, some Fae break free of Mymnir’s power, and the magical Fae blood mingles with human blood through the ages: they mix with the skraelings of the new world, they marry into human families, but their magic and otherness remains, even if it is diluted.
Hannett and Slatter’s writing is entrancing and evocative, their tales shifting between brutal and enigmatic, frightening and enchanting, dark and light. The stories follow Mymnir and the Fae through the ages, from the distant past into our own time, and towards the end of the book, the white raven, the Fae queen – lost for many years – appears in our present day and brings new destruction down upon the world, as some of her Fae descendents try to stop her.
Midnight and Moonshine is a fantastic read, a highly recommended collection of uniquely imagined fantasy tales, with prose that is a joy to read. (