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Chargement... The Carolyne Letters: A Story of Birth, Abortion and Adoptionpar Abigail B. Calkin
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Amelia: young, naive, in love. Geoff: charming, narcissistic, intelligent. In a decidedly European affair, a young couple consummates a courtship destined for differences. The resultant pregnancy provides a haunting yet charming backdrop for the challenges of love and its often unwanted decisions. In the first person and in a creative journal style, author Abigail Calkin explores three choices that Amelia can make--give birth, give the baby up for adoption, or abortion. The resultant exploration and mature reflection provides a unique and rich literary backdrop for the choices each young woman faces when pregnant. Aucune description trouvée dans une bibliothèque |
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The key to this novel’s success hinges on us feeling — really feeling — for Amelia, our unlikely mother-to-be. The tension is derived from questioning her motives, her future: will she or won’t she? Told in a dated diary-like format with passages both short and long, we experience heartache and obsession with Amelia for the first 70 pages or so. Geoff loves her, he loves her not . . . and the whole book reads like the first-love manifestos we have all probably penned ourselves at some point. That would have been okay — a little repetitive and annoying, really, but fine — if we’d eventually moved beyond it. We just never did.
As a whole, I didn’t take a shine to the writing style or characters. Amelia seems melodramatic, serious, almost manic in her musings about life and love. Like anyone facing a life-altering decision, she vacillates between all three choices for this child — adoption, birth, abortion — and has little assistance from friends or Geoff-on-a-pedestal during the process. We never got a feel for the object of her affection, mostly because Geoff is a self-important, condescending clown. I wanted to like Amelia, and wanted to feel for her, but it was hard to relate to someone so in love with an epic tool. Seriously, the dude is no good.
I appreciated the unique nature of this book and did get more invested in Amelia’s fate as we moved through the story, but it never quite worked for me. I read idly and was mostly disinterested, honestly, but I did finish. Because such an emotional issue is at its core, I expected The Carolyne Letters to wrap its little paperback fingers around my heart and hold on — but I appreciated the overarching themes more than the story itself. It was literary, sure, but just had little soul. ( )